A large antique Japanese Buddhist altar table decorated with black and gold lacquer on wood. Divided into three visual sections, each one held a Buddhist item such as a Sutra, an incense burner, a temple bell, a Mokugyo, etc. Inscription on the back appears to read "Dedicated by Tokuto Eizo."

Age: Meiji Period (1868-1912)

Dimensions: 45 1/2" Wide by 24 3/4" High by 12" Deep

An antique Japanese Sendai Tansu made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Warabite style handles and the stylized Chrysanthemum arabesque lock plates. 6 drawers with a security door that hides 2 small drawers used to protect valuables. It comes with a key.

Age: Late Meiji Era (1900-1910)

Dimensions: 45 1/4" Wide by 34 3/4" High by 17 1/4" Deep

Small cast bronze incense burner. Ding (tripod) shape. Beautiful casting and neat finish. The sobriety of the decor and the perfection of the volumes giving this small creation a powerful yet elegant appearance suggest that it is a very old censer, probably from the Song period. An excellent very old patina stained with verdigris in places would be compatible with this earlier period. Height 82mm. Fine condition.

A Japanese boxwood netsuke depicting a blind man holding his giant scrotum. Homin signature engraved on seal. Meiji period 19th century Sizes: 3,6 x 3,5 x 3 cm. Condition report: Good condition

OLD MAP

Map of an certain village in today's Niigata prefecture, Japan. Original drawing, Meiji period (1868-1912). approx. 250 x 200cm (98.42 x 78.744in). Like an abstract painting and powerful.


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Pair of small vases in cloisonné enamel on gilded copper. A beautiful identical landscape is represented on each vase, fish, rivers, birds and flowers on a background of a luminous blue sky. The wires are in silver, the base is in gilded copper. The gilding is now almost completely missing, except on the base. They are both in perfect condition, which for a pair is rare. Height 125mm. Japanese work from the end of the 19th century.

The androgynous Kannon sits in meditation under climbing rocks and tumbling waves deeply carved into the side of this bamboo incense container dating from the early 20th century (late Meiji to Taisho period). It is 34 cm long (13-1/2 inches) long and in excellent condition, a superb example of the genre. This would have been used to hold incense sticks.

Japanese bronze rabbit hollow sculpture.

Age: Japan, Showa Period, 20th Century
Size: Height 18.4 C.M. / Width 13 C.M. / Length 30 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese porcelain letter holder.

Age: China, Qing Dynasty, 19th Century
Size: Height 21.2 C.M./ Width 20.7 C.M.
Condition: Nice glaze and condition overall. Please refer to the enlarged photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Diameter approximately 8.9 cm. There is a soft glaze missing on the rim. In good condition.

Furoshiki (wrapping cloth) with tsutsugaki auspicious motifs of seven treasures (takara-zukushi), which is made of hand-woven cotton and vegetable indigo dye. Tsutsugaki is paste-resist-dye and colors are added with mostly pigments. Treasures are: sacred jems, cloves, a lucky mullet, a hiding hat, a coat, citruses and so on. It is made in Kyushu in Meiji period (1868～1912)　In good condition except for three mending patches and some tiny holes. 94cm x 124cm

Height: 3.7 cm (1.6 in)
Width: 2.5 cm (1 in)
Depth: 2.2 cm (0.8 in)

Japanese lacquered wooden netsuke of a seated boy; minor wear to the lacquer; good condition

Height: 12.2 cm (4.9 in)
Width: 8.2 cm (3.3 in)

Quality Japanese Satsuma vase; heavily gilt throughout with very detailed diaper work extending up the neck to a figural cartouche; the main body shows three kidney-shaped vignettes depicting figures in domestic settings; the lower body is also decorated with the finest gilt diapers; good condition

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species.

Hat and sake bottle are attached to the tanuki with braided silk cords.

Mingei.

Root wood with black...

47 piece Burmese Mizoran necklace. 45 cm strung. Made up from a mixture of materials which show different fluorescence under UV light including some amber. Undated, estimated to be 20th century or earlier. Can be viewed in central London and shipped worldwide.

Description:

2023 is the Year of Hare in Chinese Lunar Calendar.
Here is an ancient marble weight which was carved as a hare in crouching posture.
It was believed being used as a stone weight in 6th century to 9th century.
Well carved in vivid look, the piece was left on the suface with ancient residues in the crevices of the limbs.
The stone quality was in greasy and smooth feel.
It was well preserved despite some defects on four corners of the base.

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A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies. Chanoyu is a ritualized, secular practice in which tea is consumed ...

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition. ...