A fine rectangular filigree silver box with hinged lid, standing on four ball feet. Originating country may be India or Indonesia. No silvermark found. Condition: some small losses (the front within the heart shaped decoration, cover with two missing granulation pieces). Slightly distorted areas. Dimension: 9.7 cm x 6.3 cm x 5.8 cm, weight: 111 g.

An extremely rare perfectly potted Zheghu Ban Partridge Breast mottled Tenmoku tea bowl. Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both.

The bowl gets its uniqueness from the fact that the glaze looks like a highly rare mixture of partridge-breast mottles that nearly look like oil-spots.

Cizhou-type ware, Southern Song 12th - early 13...

A beautiful and handsome Han dynasty pottery horse head. Very animated expression and in very good state of preservation.
It is rare to find a Han dynasty horse head of such size.


Dimension:
Height: 24cm / 9.5inches
Length: 19cm / 7.7inches
Width: 7.5cm / 3.0 inches


Condition Report:
Generally in good condition. No broken parts, repair or restoration. Normal burial abrasion and manufacturing faults.

Rare Fan Painting by Renowned Buddhist Monk Artist Su An Sunim (born 1940) of a Crane Couple painted in 1997. The crane is an ancient symbol of longevity and immortality. Because cranes were believed to stay with one mate for their lifetime, it is also a symbol of faithful love. When the crane is paired like this, the meanings of immortality and fidelity combine to mean eternal love. That sentiment is reinforced by the calligraphy. The recent exhibition of Su An Sunim's work at the Zen Buddhist ...

Rare Fan Painting by Renowned Buddhist Monk Artist Su An Sunim (born 1940). The calligraphy on this 1997 painting says, "Your smile is an offering to Buddha." The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's works of similar size and quality sold for multiples of the prices we are asking here. Ink and colors on paper. 16.25 x 11 inches, 41 x 2...

This antique Japanese okimono was intricately hand-carved during the Meiji period (1868-1912) to portray a lifelike rhinoceros. The artist has skillfully captured the fine details of the animal's body, creating a rough texture that emulates the real hide of a rhinoceros. The material's natural color is brilliantly incorporated, particularly on the shoulders and head of the creature, lending it a strikingly realistic appearance.

The eyes of the rhinoceros are inlaid with exquisite mother of...

Antique 19th century early Meiji Period, Japanese fine Satsuma ceramic large incense burner censer (Koro) decorated with various colored enamels and gold on a crackled cream ground. On one side, finely hand-painted with the garden scene depicting an enthroned emperor guarded by samurais and receiving the high-ranking dignitary. On the other side is a garden scene with two court ladies and children guarded by samurai. The neck has a band of intricate brocade pattern, and the shoulder is app...

Japanese bronze rooster with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Height 15.7 C.M. / Width 5.3 C.M. / Length 11 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A pair of Chinese pottery brick tile with figures.

Age: China, Song Dynasty, 10th - 12th Century
Size: Height 28.6 - 29 C.M. / Width 23.5 - 24.2 C.M.
Size including stand: Height 48.5 - 48.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thail...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Cast Bronze Candlestick. Edo Japan Lost wax cast bronze candlestick. Beautiful cast iron and scraper finish. Decoration of Buddhist lions in relief. The candle receptacle is made of 4 hammered bronze lotus petals, these petals, thin enough, have a flexibility allowing the candles to be held perfectly. The two removable handles have the shape of Buddhist lions. Excellent bronze patina. Japanese work from the beginning of the Edo period, difficult to date with accuracy, 18th century or before. Ca...

A classic two stage work by Gomi Kenji enclosed in the original singed wooden box titled simply Saido Utsuwa (Colored Clay Vessel). It is 45.5 cm (18 inches) tall and in excellent condition.
Gomi kenji was born in Nagano in 1978. After graduating from the prestigious Waseda University, he went to Okinawa where he studied Kokuba-Tougei, Tsuboya ware, which has been produced since the 17th century, in Naha City, Okinawa Prefecture. In 2004 he moved to Toki city in Gifu, then to Kasama in ...

Rare antique Japanese Biraki Choba (merchant chest with hinged doors). The doors open to reveal 9 drawers of various sizes over a single large exterior drawer. Heavy iron hardware includes extensive cross bracing, large hinges, warabite drawer-pulls, a large round lock plate, a lock and 3 keys.
The lock plate has a large Minamoto Clan family crest-likely that of the Seiwa Genji clan. Warriors such as Minamoto no Yoritomo, the founder of the Kamakura shogunate; and Ashikaga Takauji, ...

Antique Japanese small cha tansu (tea chest). Made with chestnut wood frame and burled hardwood drawer fronts. Two slider panels and a drop in panel are covered with gold-leafed silk on wood. The center of the chest has a small display area with a staggered shelf and two small drawers. The lower portion of the chest has three small drawers and a full-width drawer on the bottom.

Age: Taisho Period (1912-1926)

Dimensions: 25 7/8" high x 23 1/4" wide x 10" deep

Antique Japanese kyodai (vanity box with mirrors). With three hinged mirrors that close inward. The back mirror swivels up and down. The box has 8 drawers of various sizes. The box is carved with peony flowers. The backs of the mirror panels are carved so that when it is closed they display large peony flowers on one panel and a fu-dog on the other. Carved all over with a faceted texture and finished with red and black negoro lacquer.

Age: Taisho Period (1912-1926)

Dime...

Kawase Hasui
Title: Zojoji Temple
Date: 1950s-60s.
Publisher: Watanabe Shozaburo.
Print size: Approximately 5.5 x 3.5 inches.
Medium: Japanese woodblock print tipped along its top edge to an original blank card.
Condition: Excellent.
Note: Not sealed by the artist. We've encountered a sealed late twentieth century example. Please see our last photo. This Zojoji design is very similar to a well-known 1930s Hasui print.

Antique Japanese kyodai (box with drawers and mirror). Made with burled mulberry wood with intricate grain. The interior is all kiri (paulownia) wood with a wiped lacquer finish inside the drawers. The box has 5 drawers of various sizes for storing personal items. The spandrel under the mirror is carved with a bird flying in front of a full moon and tall grasses. Original beveled glass mirror which swivels up and down.

Age: Taisho Period (1912-1926)

Dimensions: 64 1/2" h...

The body of the ewer seems in embossed rather than cast bronze because the walls are very thin, however the neck and the handle are in cast bronze and very thick. The decor is incised with a character fighting a snake, details are inlaid in gold. 3 fantastic animals are arranged on the sides on either side of the ewer, they are treated in high relief and seem to be in solid bronze and to be one with the body of ewer because we do not see any welding or rivets. The animals are also encrusted with...