Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan. Chiura showed extraor...

Japanese scroll painting of 3 skeletons celebrating Obon. One skeleton dances with a fan while two others pay a drum and a shamisen. The Obon festival happens in summer and is a time to honor the dead with music, dance, parades and other events. It is believed that ancestors' spirits return to the world of the living during Obon. Painted in ink and light colors on silk. Signed and with seal of Takeuchi Seiho (1864 - 1942) Seiho traveled and studied in Europe was being strongly influenced ...

Japanese scroll painting of two skeletons hard at work counting money. The calligraphy verse up top appears to be influenced by the Confucian scholar, Kameda Bosai and is sealed Gakubutsu. Below, the skeletons pour over accounting ledgers next to a large scale. This painted portion of the scroll is sealed Nisekisai. Painted in sumi-e ink on paper.

Dimensions: 81 1/2" high x 30 3/4" wide (33" wide including rollers). Size of art: 53" high x 26 3/4" wide

Japanese scroll painting of skeletons, one dancing and one playing a shamisen. Strewn over the ground are skulls and a giant gourd filled with drink. The calligraphy on the top of the scroll states that even the great sage Boddhidaruma and the beautiful Onna no Komachi are Doitsu Byodo (the same as the rest of us) when their flesh is stripped away. Komachi, known for her musical accomplishments is represented by the shamisen-paying skeleton and the dancing skeleton has hands like Daruma's fly...

Scroll painting of a female ghost appearing out of the mist near a waterfall. Painted after the famous image by Maruyama Okyo, the ghost of Oyuki, a lovely woman who died young. Her hair hangs loose over her face and shoulders. She hovers near the roaring water with one hand tucked into her kimono. Oyuki is a subject in Nihok Sandai Kaidan (Japan's "Three Great Ghost Stories"). By the artist Kawata Kenden who is listed in the 1937 Kaitei Kokon Shoga Meika Ichiran hyo (list of great artists fr...

Exquisite repairs in overlapping gold wave designs on colored lacquer drape upon the rim of this 17th century chawan tea bowl. The white clay is covered with millet colored glaze upon which have been scrawled simple designs like the character for person (hito). The bowl is 10.5 x 10 x 6 cm (4-1/4 x 4 x 2-1/2 inches) and is in excellent condition, in a modern kiri-wood collectors’ box.

Kawase Hasui
Senjogahara, Nikko (Senjo Plain Nikko)
Date: 1937. First edition
Publisher: Watanabe Shozaburo. Watanabe F seal (used 1934-41) at right margin.
Size: Oban. 16 x 11 inches.
Signed and sealed by the artist.
Reference: Hotei #410.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil note at bottom back margin "artist - Hasui".

Original Japanese woodblock print by Yoshitoshi (1839-1892) of a Japanese captive insulting the King of Ancient Korea. From the series Kyodo Risshiki (Instructive Biographies) and published by Matsuki Heikichi, it is dated 1885. In excellent condition, it measures 14.75 inches high, 10" across.

A Very Rare Korean Painting (수양공주-壽陽公主/세화도/歲畵圖) by 유영견(劉永堅)-late 19th C. or early 20th C. Korea, Writt.n inscriptions with artist’s name and seals, and dated 丙午年 正月作 (1846/1906), dedicated to (-see a photo). A Parincess-수양공주-壽陽公主/세화도--歲畵圖-): Painted in ink and colorful colors on paper a depicting a full dressed with hairdo, fairy (heavenly) woman (princess) both hands holding two large peaches. It’s...

Kawase Hasui
Kiyomizu Temple Kyoto
Date: 1933.
Publisher: Watanabe Shozaburo. Publisher's 6mm seal at lower left. A lifetime edition (printed 1946-1957).
Signed and sealed by the artist.
Size: Oban. 15.25 by 10.25 inches.
Reference: Hotei #324.
Medium: Japanese woodblock print.
Condition: Margins and back are toned. Slight creasing at upper left corner.
This is the only print that features Hasui in self-portrait.

A wood image depicting a Daoist Exorcist riding a horse, holding the Seal for the control of evil forces on his right hand and the bowl with purifying water on his left hand. He wears the typical long Tao robe and crown shape hat. On the back of statue, there is a covered niche for the storage of prayer rolls. Wood with colours with very good details. China, Late Qing Dynasty. H. 32,5 x L 19 x W 11cm. Good condition.

A group of 39 handcarved Chinese Mother of Pearl gaming Chips dating to c. 1800-1840.

Gaming chips in Mother of Pearl were crafted in China for export to Britain, where the Georgian and Victorian aristocracy used the chips when playing parlor games.

All 39 pieces have an elliptical shape, with criss cross patterns and floral motifs engraved in hand.

Very beautiful and interesting antique Mother of Pearl gaming chips.

Sizes from 30 - 45 mm.

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A beautiful set of 6 Antique JAPANESE SIGNED Wooden Stack Boxes that fit perfectly into one another! They show the exquisite natural lines of the wood and were finished with transparent lacquer varnish. Nice color of the wood, like mahagony. Overall in good condition, with very minor inconsequential small marks of age/use. Size: A total of 6 boxes, the largest: length 15" x depth 12 1/2" x height 5". The smallest box measures: length 10" x depth 7" x height 3 3/4"

TOOLS

Two pieces of tools used for farmwork and a tool for hanging some stuff, early 20th century, Korea. approx. 36 x 13 x 7cm - 23 x 12.5 x 3cm (14.17 x 5.11 x 2.75in - 9.05 x 4.92 x 1.18in). In actually well-used condition as is as seen.


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Censer in form of Tripod vase (Ding shape) in Chinese porcelain. Underglaze decoration of dragons with 5 claws in cobalt blue and copper red. The dragons are chasing the sacred pearl. Below the mark of Wanly. It is probably an apocryphal mark. The object may simply be from the Kanghi period, the worm nibbles around the edge seem to confirm this period? Some experts believe that red copper was not used in the late Ming, but some examples of imperial Chiaching and Wanly porcelain in copper red exi...

Rare water-pot,dropper? (too little for wine and not covered for tea) for schollar in Sancai enameled porcelain, Kangxi period. Fruit-shaped, appears to be a pomegranate, with stem leaves and flower. The flower is admirably made with thin petals like paper which is daring, miraculously none is missing, however, looking with a magnifying glass we can see on the edges of small gaps that we can guess or imagine on photo but it is not obvious because the petals are naturally jagged. Honestly, it's r...

Superb hanging stand, carved in sandalwood with boxwood details. Decor of 2 dragons presenting a Chinese character, certainly that of longevity "Shou". The stand is carved with the greatest care, a perfect work of cabinetmaking with an excellent finish. In the upper part there remains a hook and a piece of chain in gilded bronze with mercury tecnical. The suspended object, now missing, must have been of exceptional quality, probably imperial. Maybe a jade? but not necessarily. A precious object...

Rare porcelain vase with marbled decoration. The oxides are passed randomly to imitate marble.This type of decoration imitating stones is rare, the known examples are most often clumsily executed. Our vase is an exception because the imitation of marble is perfect both in the design of the veins and their color. Also the double gourd shape is interesting.Chinese work from the end of the 18th century, reign of Qianlong or Kiaking. In a perfect condition. No restoration. Height:22cm. A simil...