A beautiful half orb in shimmering silver with matte Caribbean blue by Morino Taimei enclosed in the original signed wooden box titled Ginsai Hai. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition.
Morino Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National E...

Namiamidabutsu sho (Praise to the name of Amiddha Buddha) is scrawled in faint verse down the upper right, while on the left is a warning, kono tori, minasama goyojin goyojin (all those on this path, be wary be wary…) The two scripts are separated by a grave marker at the base of which lies a skull and scattered bones among the unkempt dried grasses. A very unusual seal in the shape of a Buddhist ewer hugs the right edge. Early to mid Edo period in the style of Hakuin Eikaku (1686-1768). I...

Kawase Hasui
Yakumo (Yagumo) Bridge at Nagata Shrine, Kobe
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1934. A lifetime edition produced between 1946-1957.
Publisher: Watanabe Shozaburo. 6mm publisher's seal at lower right.
Signed and sealed by the artist.
Reference: Hotei #327.
Ships with Watanabe brown folder (see last photo).
Medium: Japanese woodblock print.
Condition...

An absolute classic natural ash glazed sake bottle by the reclusive potter Osako Mikio enclosed in the original signed wooden box titled Tokkuri. Most of the surface is covered in ash, tremulous tears of liquefied ash weeping over the charred clay. It is 14 cm tall and in excellent condition.
Osako Mikio (1940-1995), born in Usa Oita prefecture on the Island of Kyushu, arrived at ceramics late in life, starting to study with Ezaki Issei at the Tokonmane ceramic Research Center in 1968 a...

Wooden panel inlaid with mother-of-pearl, bone and ebony. It must be a piece of a very nice old Ottoman part of furniture. This type of decoration was made from the 16th century in Turkey at the height of the empire and is found today on very rare prestigious furniture. The style, quality and inlays (which are very thick) of this panel should allow a specialist to date it with precision. Length about 25cm. With a lot of luck, maybe this panel will find its original furniture? Otherwise it w...

Bottle with a long stretched neck harmoniously twisted in the shape of a swan's neck. The glassmaker shaped his work with gadroons, a painter decorated it with golden flowers. This type of object was a teardrop intended to receive the tears of ladies when their husbands went to war. The almond shape of the edge adapts perfectly to the eye. These vases were made from the 18th century and throughout the 19th. especially in 1900. Copies are probably still made. It is impossible for me to date this ...

Height approximately 20.5 cm. There is a soft glaze peeled off on the rim. In good condition.

Height: 18 cm (7.3 in)
Width: 8.7 cm (3.5 in)

Fine Japanese porcelain vase; features underglaze blue floral work with a scrolled floral border above the base; hanging lappets below the rim with two beast-head handles adjoining; good condition

Height approximately 22 cm. There are chips at the rim, they have repaired.There are soft chips at the tipspout. More pictures are available. In good condition.

Height approximately 21 cm. There are hairlines on the body. There are missing glazes on the tipspout and the neck. In good condition.

Height approximately 17 cm. There is a bronze plate on the rim. There is a hairline on the body. More pictures are available. In good condition.

Height approximately 17 cm. There are few hairlines. More pictures are available. In good condition.

A small bottle with ash draped from the shoulder like a traditional priest robe by Takeuchi Kimiaki enclosed in the original signed wooden box titled Ko-tsubo. It is 10.5 cm (4 inches) tall and in excellent condition.
Takeuchi Kimiaki (1948– 2011) was born in Tokoname and started learning wheel throwing when he was a middle school student. He met his mentor Ezaki Issei at the Tokoname Ceramic School when he was 16 years old. Along with Ezaki, he and Osako Mikio revitalized Tokoname war...

A horrifying image of a ghostly apparition accompanied by a Buddhist verse engraved into this long bamboo incense container by Ishii Matetsu. It is expertly crafted. The verse reads:
Katsu!
Dokusei Dokushi Dokko Dokurai
The literal translation sounds quite cold, but in Buddhist teaching it means: We enter the world alone; we depart it alone. Do not depend upon others for your happiness, rely upon yourself and live your life in your way to the fullest. It is 48 cm (19 inches...

Earthen-toned glaze covers the fissured surface of this unusual small vase by Sugitani Keizo enclosed in the original signed wooden box. It is roughly 6 inches (15.5 cm) diameter and in excellent condition, directly from the artist this summer.
Sugitani Keizo was born in Osaka in 1959. In 1982 he graduated the Ceramic Art Institute of the Tekisui Museum of Art. He has selected for a number of group exhibitions including the International Ceramics Competition Mino and the Asahi Art exhibit...

Almost square hand-made embroidery. On a background of green satin silk two lion dogs, or foo dogs, are playing with a ball and each other between peonies and other flowers, next to a rock formation, a bat in the upper right corner. They are embroidered by hand with bright colors of silk in straight stiches and looped stiches, the lions detailed and outlined with gold-thread, which are twisted silk threads wrapped in thin gold foil.

The image is framed with a wool woven band with geometri...

Hand coloured aquatint on paper showing 3 men and 5 snakes. Text at base shows date of publication 1801, publisher and London address, left and right shows artist and engraver. Size: 31x 24 cm. Can be viewed in central London and shipped worldwide.

Clay doll figurine of a standing Shiba puppy dog, dressed up with a multi-layered collar with bells.

Very soft clay modeled in a mold and fired at low heat. Painted with gofun (ground eggshell producing the white color), natural/mineral pigments and gold, applied after the figure has cooled. The soles of the paws are left uncolored (light brown)

Japan, Meiji era, about 1900.

H 7.4 x L 7 x W 3.25 in.

The black and white of the dog’s fur is soiled, rubbed, and somewhat cr...