Very rare “letter” purse woven from bamboo from the Karen ethnic group along the Thai/Burma border. Before the advent of plastic bags and Velcro items such as these were treasured labor intensive daily necessities. This is an antique- circa 70 to 90 years old made from all natural materials and is designed to make it as waterproof as possible. There are still traces of red lacquer in the crevices indicating that this was the original overcoat and the corners are reinforced with leather p...

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.

Special Offer: Reduced from $250- now $150. Large Ming jar with blue underglaze chrysanthemum pattern and perfect condition. This was fired in Guangdong Province and locally this type is referred to as a “gunpowder” jar although, I don’t know if this was it what it was really used for. Included is a decent wood lid. H: 20cm/7.9in and W: 19cm7.5in.

An antique Japanese Kusuri Tansu (herbal medicine chest) made of Kaki (Persimmon) and Kiri (Paulownia) woods. All original hand forged iron hardware with each pull ring decorated with a Chrysanthemum back plate. Some of the drawers still retain label remnants of the contents that it held. Constructed using hardened wooden nails and straight dovetail joinery. Consisting of 35 drawers.

Width: 10.3 cm (4.2 in)
Height: 5.3 cm (2.2 in)

Chinese porcelain famille verte bowl; incised polychrome decoration of florals and an insect; minor marks; good condition

A GENUINE QING DYNASTY BENCHARONG- BENJARONG PORCELAIN BOWL, 19th Century. Good condition with hairline and flea bites on rim. Size: 18 cm. diameter

Arai Yoshimune
Suma Beach
Date 1910s. Printed 1938-1960.
Size: Chuban. 10.75 x 8.0 inches.
Sealed by the artist at lower left.
Publisher: Hasegawa/Nishinomiya Yosaku. From the famous "Night Scenes" series. Hasegawa catalogue No. 1252.
Nishinomiya publisher's seal at left margin.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: The figures on the beach are gathering salt.

A collection of 40 different wooden printing blocks from Tibet, Mongolia and Nepal. Many double sided. Largest 41x18cm. Can be viewed in central London and shipped worldwide. These are NOT Indian textile printing blocks.

Good silver coin circa 900-1000CE from the ancient Burmese, Pyu Kingdom of Bekthano. The dating of these old coins are all over the place on online resources. Please view last enlargement for a published reference (this is the closest thing I can find to it)~ The Early Coins of Myanmar (Burma), pg 114, 56a. This has a classic rising sun obverse pattern with Srivatsa symbol on reverse. Diameter: 30mm and weight : 10 grams.. Free shipping.

Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use. Japan Edo period. Height about 25cm.

A rare set of Tokkuri by important artist Okabe Mineo enclosed in the original signed wooden box titled Seto-te Tokkuri. The shapes are twins, one in E-shino style with iron decoration under white feldspar, the other in austere Oribe green glaze. The flaring mouths are both ulled slightly creating a perfect pouring spout. They are 13 cm (5-/4 inches) tall, 7 cm (2-3/4 inches) diameter and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato To...

Statue of Hindu goddess Shridevi, one of the two consorts ("shakti") of god Vishnu, standing on an elevated square base, holding a lotus flower in her left hand. Bronze, with fine patina. India, 18th century. Height: 6.2 cm. Some abrasion due to age, otherwise very good condition.

This piece was fired for 10 days with red pine firewood in Anagama along ancient style without artificial glaze, This small style of water container "mizusashi" has been liked in Japanese tea ceremony scene. YouTube: https://www.youtube.com/watch?v=X9CBtpPl7X8 Accessary: lacquered lid, wooden box signed by artist. Size: 12.7cm(D/mouth) 15.8cm(D/body) 14.5cm(H)

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the process of making a name for himself. With swirling ash glaze and a dazzling ceramic landscape, this piece is perfect for tea practitioners and collectors alike.

Born in Okayama prefecture in 1971, Kondo fashions his Bizen pieces in a traditional wood-fired kiln in the township of Ushimado. Especially competent with...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

A veteran of Bizen pottery, Mori Tōgaku has been perfecting his style for close to seven decades now with most of his important work having been done in the last 35 years. Using a self-built large climbing kiln measuring 53 meters—one of the largest of its kind—he utilizes a number of interesting techniques including mixing different types of clay into one work to produce pieces like the mizusashi (fresh water jar) shown here. With an unmatched ability to keep his designs fresh and interest...

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...