An incredible mixture of gray and lavender colors on the sculpted natural form of this expressive Chawan by the 8th generation Kaneta Masanao.

It comes with its originally signed and sealed wooden box titled Hagi Hai-yu (ash glazed) Kurinuki Chawan.

The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is world wide famous for.

Masanao likely needs no introduction. Born in 1953, son of seventh generation pott...

An Unusual Imari Teapot of compressed form with loop handle and upright spout, raised on three short legs. Decorated in underglaze blue, iron red and gilt with a peony scroll. Japan 1700/20. Height; 3" (7.5 cm). Condition; shallow chips to end of spout, firing glaze flaw to side (image 3), cover with a 1.5 cm hairline

KIROGI GOOSE

Traditional Korean wood carving wedding goose sent to a bride-to-be from a groom-to-be, mid 20th century, approx. 33 x 8 x H 18cm (12.99 x 3.14 x 7.08in). Burnished dark brown. Removable neck part. Some expected flaws and cracks due to aging as is as seen.


selected by kikue




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Chinese Tang dynasty Changsha large ewer with leaves motive. Ewer has restoration on upper part. Please contact us for more photos. 23,5 cm high.

Chinese Tang dynasty YUE YAO with lotus flower shape bowl. Bowl have restorations at the rim. 17,3 cm diameter. 8,2 cm high.

Rare Chinese Tang dynasty YUE YAO stem bowl with incised motive at the center. 14,5 diameter. 8,5 cm high. bowl has chipped at the upper rim and the base rim on restorations.

Japanese small format surimono woodblock print by French artist Paul Jacoulet (1902-1960) titled "Chagrins d'Amour. Kusaie, Est Carolines" (Sorrows of Love. Kusaie, East Carolines) published October 26, 1940. The full size image is illustrated on page 60 (plate 70) of “The Prints of Paul Jacoulet” by Richard Miles, 1982 and is described on page 105. Paper size: 5 7/8" x nearly 4 1/8" (image size: 5 9/16” x 3 3/4"). Very good overall condition. There is a thin strip of paper adhering to th...

Ink and polychromy on silk. Charming kakemono of a musician on horseback holding her samisen. A child holds out a side of her richly decorated kimono. Courtesans seem to relax. One with a fan has lost her sandal (zori) while the other 2 are preparing to enjoy a tea. A poem at the top of the painting describes the scene. It is signed by 2 stamps which can attribute this painting to Kitagawa Fujimaro (1760-1850). Dimensions of the painting: H112 x W45.5cm.

Lost wax cast bronze pipe. Decoration in high relief of clouds or swirls of smoke and lotus petals. The object is massive, thick and heavy. We think it is a Khmer bronze, probably a cult object, but it may be something else altogether. What is certain is that the object is very old and that it is not a copy of the 20th century. The old patina confirms it as being several centuries old. Personally I have never seen such an object Long: 115mm

Three historical coins from the old Russian Empire. 1) Ivan the Terrible- silver kopek, 1553-1589, Moscow mint, W: 15mm. 2) Boris Godunov- silver kopek, 1598-1605, Moscow mint, W: 13mm. 3) Peter the Great silver kopek, 1689-1725, W: 12mm. Free shipping.

30 OBI SAMPLES

Paper samples of obi (kimono sash) from a certain kimono fabrics shop in Kyoto, Japan, Showa period, early-mid 20th century, approx. 45.5 x 30cm (17.71 x 11.81in). Some damage as is as seen.


Jinta




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A pair of snow shoes made of rice straw which is from Tohoku district in Japan Sea side prefecture such as Yamagata or Akita. In excellent condition. 20th century. L:28cm, W:11cm, H:12cm

Deity head in hammered bronze. The bronze is very thick, the ears are cast separately and welded. The hair is perfectly chiseled with a lot of elegance. The patina is verdigris and recalls that of ancient Roman bronzes. It is highly probable that this head was buried for several centuries. We were unable to locate it geographically. India, Himalayas, Afghanistan, Swat valley....? The appearance of the metal and its patina would indicate a high period of several centuries. A millennium would not ...

Wall vase in cast bronze, representing a dragon coiled on itself, its meandering body delimiting the contours of the vase. The casting must have been complicated and several holes and gaps appeared which were filled with welded bronze plates as can be seen in the detail photos. At the back a finely crafted ring allows the suspension. Most likely Japanese work. The power of the dragon, the simplicity of execution and the casting problems allow us to date it very early Edo or before, the excellent...

Japanese Edo period woodblock print triptych by Toyokuni III (aka Kunisada) illustrating a scene from kabuki theater with actors depicting a street vendor selling sake to a young man disguised as a Buddhist monk while a story-teller approaches from the right. Published by Minatoya Kohei in 1852/53. Each panel holds the artist's "Toyokuni ga" signature in a red cartouche with yellow snow, the censor's seals, and the publisher's seal. The panels measure 13 15/16" x 9 1/8" to 9 1/4" each (full s...

Japanese Meiji period Arita Imari porcelain pedestal bowl decorated in underglaze blue and brilliant overglaze enamel with gilt highlights. The interior holds a scene with two figures standing with rakes beside water in a landscape with birds flying overhead among pine branches. A tortoise is at their feet. The interior and exterior edges are decorated with two abstract bands. On the outside edge, the lower band sports a row of hanging tassels. A variety of auspicious symbols extend around ...

Tsuba in cut iron, details inlaid in solid gold. The characters are excessively in relief, thickness of the tsuba 4.8 mm and 9.6 mm for the characters. Diameter: 76mm. Decor representing Jô and Uba with their broom and rake under a pine tree. This refers to the legend of 2 lovers who, united for life, were very happy and together became very old. They died the same day at the same time. Their spirit lives in 2 old pines, one in Sumi-Yoshi and one on the beach of Taka-Sago. On full moon evening...

Antique Japanese Yokohagi Okegawa Dō samurai armor of the Edo Period (early 19th century). The kabuto (helmet) is of 64 ken plate construction with a dramatic maedate in the form of a dragon fish flanked by cresting waves. As the story tells, the gods took notice of a koi fish who was trying to swim up a waterfall, rewarding its perseverance by changing it into a dragon. The dragon fish became a symbol of strength and determination in the face of an uphill battle - an appropriate symbol for ...