Large blue and white teacup of ogee shape and saucer bowl, in the Fitzhugh pattern. Chinese export porcelain from the early years of the 19th century, c 1810-20. Diameter of saucer "6 ¼ / 16 cm and of cup "4 ½ / 11 cm. Condition: the cup with two short hairlines and a nick to the mouth rim.

Toshi Yoshida (1911-1995)
Iidabashi, Daytime in Tokyo
Size: Chuban. Approximately 10.5 x 8.0 inches.
Date: 1940.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Faint toning visible in margin.

Extraordinary Vajradhara Buddha Bronze Statue from Nepal. It was made in the late 19th cent. and decorated with the rare color mixture of gold and Jade green.

Great antique condition with no flaws.

Vajradhara is considered to be one of the original Buddhas, he is represented with a bell and vajra, his arms are crossed over his chest. The Asiatic symbolizes the union of opposites (Unio mystica = removes suffering for those who experience it). So the vajra (male) goes to th...

PORTRAIT BUST OF A WOMAN

Ceramic. Signed as "KIMURA, July, 1967". Japan. approx. H 36 x 22 x 25cm (14.17 x 8.66 x 9.84in). *Other items in the photos are not attached.


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Wow! This is quite a tsubo by revivalist Takahashi Shunsai enclosed in the original signed wooden box titled Shigaraki Kama Hana Tsubo. A wack of ash blasts the shoulder over raw shiseki studded terracotta clay scorched the color of bricks. Fired on its side, opposite is charred and covered in molten ash where it had been buried in the embers. This is truly a classic Shigaraki work down to the belt of cross hatches at the shoulder and two stage mouth. It is 26 cm (10 inches) tall, roughly ...

Very fine Tibetan Bronze Buddha Vajrasattva on wooden pedestal, 17th. century or older.

The right hand holding a vajra vertical in front of his heart center, the lowered left holding a bell. Seated in dhyana-asana. Powerful body and meek facial expression. Wearing a multi-leaved crown as well as the jewelry and clothes of an enlightened Buddhist Bodhisattva. The bell was separately casted. Bottom covered with consecration plate. Slight signs of age. From a private German collectio...

Large wood stand of circular shape resting on five feet. The stand was carved from a unique piece of high quality hard wood. China, Qing dynasty; 19th century, maybe earlier. Inside diameter: 13,5 cm. Height: 7,5 cm. Very good condition

Large wood stand of circular shape resting on five feet. The stand was carved from a unique piece of high quality wood. China, Qing dynasty; 19th century. Inside diameter: 15 cm. Height: 7 cm. Tiny crack around the rim, otherwise very good condition

Large wood stand of circular shape resting on five feet. The stand was carved from a unique piece of high quality wood. China, Qing dynasty; 19th century. Inside diameter: 14,5 cm. Height: 9,3 cm. Very good condition

A young girl, her hair loosely bound, drifts off into a fond memory with a smile as she brushes a letter, the reem of paper draped from her left hand, the bamboo brush idle in her right. Incredible detail from the Kinkozan Kiln in Kyoto stamped on the pale clay of the base. It is 18 cm (7 inches) long, roughly the same height and in excellent condition. Better known for Kyo-satsuma style pottery works, this is a rarity.

The sculpture is of excellent quality. The Kouanyin is represented seated in a position of royal relaxation. Very heavy wood is covered with several coats of paint. The details are finely incised but are almost all covered by the paintings. The hand was made apart. The expression of the face is calm, attentive and benevolent. The movement of the fabrics is elegant.Traces of textiles.Yuan style but I am not able to certify the authenticity because there are so many copies. Having said that, all t...

One of the highlight in this piece is in the crystal of feldspar around the base, it's a charm of ido cup most of all. Size: 9.0cm(D) 4.8cm(H) Accessary: wooden box signed by the artist

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.5cm (D) 4.3cm(H) Accessary: wooden box signed by the artist

This sake cup has abstract painting with copper glaze. And covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.9cm (D) 4.0cm(H) Accessary: wooden box signed by the artist

This Iga vase had been fired with pine fire woods for 10days and naturally ash-glazes made spectacle patterns. It was made in 1990s. Size: 22.8cm(W) 22.5cm(H) 4.0 cm(thick) Accessary: wooden box signed by the artist

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.3cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.3cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

A nice Chinese Han dynasty pottery vessel with tiger heads decoration. Ht. 32.5cm. Condition: minor chip to mouth rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.