This polychrome piece was made in Imari with Kakiemon-style in last 18th century. It has been transmitted from generation to generation in Japan with wooden box. The small handle on the rid has repaired at the base Size: 11.5cm(D) 14.0(H) Accessary: traditional wooden box YouTube movie:https://www.youtube.com/watch?v=sz23dGVUEss&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=43&t=4s

We Japanese have been loving celadon from China since 11 century. Especially about the Long-guan ware, we categorize 3 types. 1."Kinuta"celadon in Song dynasty, 2."Tenryuji" celadon in Yuan dynasty, 3."Shichikan"celadon in Ming dynasty. This piece is categorized "Shichikan" celadon. The celadon of Long-guan-yao had been declining in Ming dynasty and generally has not clear color. However, this piece has transparent green in spite of the character. Movie by YouTube/ https://www.youtube.com/w...

Hetian nephrite jade pendant with illegible archaic script incised on the surface. Cut from the edge of a jade boulder, this piece has a natural shape and “organic” feel. The russet highlights are attractive but artificially induced. H: 7.7cm/3in and W: 3.8 /1.5in- 29 grams.

Hetian nephrite jade pendant with illegible archaic script incised on the surface. Cut from the edge of a jade boulder, this piece has a natural shape and “organic” feel. The russet highlights are attractive but artificially induced. H: 5.4cm/2.2in and W: 3.3cm/1.3in- 33 grams.

Sakiori obi (sash) for a casual kimono. Weft is cotton strips which are recycled old cotton kimono and warp is silk yarn. In excellent condition. 20th century. 14cm x 2m28cm

Antique Japanese fubako, box for holding letters. Made of lacquered wood with a design of young pine and blossoming plum branches. Both box and lid are decorated in maki-e gold and silver lacquer over a delicate nashiji on a black lacquer ground. The interior has clouds of dense gold nashiji and two mon on the underside of the lid.

Age: Edo Period (18th/19th century)

Dimensions: 10 1/4" long x 3 1/2" wide x 2 3/4" deep

An antique Japanese Kasane Kimono Tansu (stacking chest on chest) made entirely of Kirinoki (Paulownia) wood. Constructed using straight dovetail joinery and hardened wooden nails. Hand forged iron hardware.

Originally used for the storage of Japanese Kimono, it functions well in today's home as a pair of nightstands, a daily dresser drawer or a beautiful accent piece in any room decor.

Age: Meiji Period (1880-1890)

36 1/2" Wide by 40 1/2" High by 17" Deep ...

Antique Japanese ikebana basket. Woven of split bamboo in a round, footed form. The handle is made of a piece of bamboo that has been carefully curved to give the whole basket a lovely hourglass shape.

Age: Meiji Period (1868-1912)

Dimensions: 16 1/2" high x 7 1/2" wide

A Republic period hardwood couch made of Hongmu wood. Chou symbol of water dragons with marble in the apron and the back slat has auspicious flying bats and Lingzhi mushrooms with Qin dynasty archaic key fret patterns.

Age: Republic Period (1900-1920)

Dimensions: 75 1/2" Wide by 29 3/4" High by 22" Deep

Antique Japanese small zushi, traveler's shrine which opens to reveal a seated figure of the goddess, Benzaiten. She is the guardian of the people of Japan and is considered the goddess of all things that flow: water, music, time, words, eloquence, and knowledge. In Japan, she is one of the 7 Gods of Fortune (or 7 Lucky Gods). In the Shinto religion, she is a kami (a divine being) and is often depicted with the likeness of kami Ugajin on top of her head. In Sanskrit, her name is Sarasva...

Antique Japanese standing figure of Bishamonten, chief of the Four Heavenly Kings (Shitenno) and protectors of Buddhism. He is the distributor of treasures and wealth, protector of warriors, healer of illnesses and guardian of the north. Dressed for war, he stands on the back of an evil spirit. He holds a Buddhist staff in his right hand and a small pagoda representing the divine treasure house in his left hand. Made of lacquered and gilded wood. With glass eyes.

Bishamonten is...

An antique Japanese Zeni Bako (money safe) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Top cover is secured with an iron lock and serves a dual purpose. When closed, a slot is apparent for dropping coins into the box. When opened, the retrieval of the coins becomes convenient as well as keeping safe and storing paper money, IOUs, and financial bonds and certificates. A bottom drawer was often used to store writing paper, writing brushes and an inkstone. All hand forged iron ha...

Antique Japanese zushi (traveler's shrine) with double panel doors which open to reveal a standing figure of Jizo Bosatsu (O-Jizo-Sama). Jizo is the protector of travelers and firefighters as well as the guardian of the souls of all children. He stands on a lotus base with a Buddhist ring staff (shakujo) in his right hand and a jewel in his left. The doors of the shrine are painted with tennin, celestial beings on either side. Made of wood with lacquer and gold gilt.

Age: Edo Per...

An antique Japanese low one section Mizuya Tansu (kitchen chest) made of Sakuranoki (Cherry) and Suginoki (Cryptomeria) woods. Two sliding doors behind which is a spacious storage area with a full width split level shelf. Constructed using through mortise and tenon Japanese joinery.

Originally used in the kitchen for the storage of dishes and cookware, this tansu would work well as a sideboard or buffet cabinet.

Age: Meiji Period (1890-1900)

Dimensions: 69 1/4" Wide by 3...

Black and red lacquer box inlaid with mother-of-pearl, sides in bamboo basketry. Interesting and rare Chinese work of the Ming period. The work of the basketry is exceptionally beautiful quality, the bamboo fibers are very fine and perfectly woven. The mother of pearl inlays are of excellent quality and extreme finesse. The interior is lacquered in red as well as a part of the sides. Many missing mother of pearl as you can see on the pictures. Part of the mother of pearl roof tiles replaced othe...

Antique Japanese Buddhist temple banner made of silk and woven with gold gilt paper weft (ginran or kinren) in a dynamic design of a pair of water dragons each facing the center where a burning pearl (woven with silver leaf) floats on a golden cloud. Dragons and pearls together in Buddhist art symbolize the endless cycle of transformation. The flaming pearl is one of the Eight Treasures and represents pure intentions as well as the sacred wish-granting pearl of the Buddhist faith. The back si...

A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in the Souther Song Dynasty as evidenced here with the powdery blue “”kinuta”. The outer ring of the foot is unglazed showing the fine porcelain clay this piece is constructed from and the glazed center bears the seal of the Imperial Court Artist who fashioned this piece. While several of Sozan’s better known motifs appear on the marke...

An amazing japanese table composed of two beautifully decorated shelves. The upper shelf depicts a waterfall, high waves and pine trees in gold and brown takamaki-e, hirakami-e lacquer and kirigane on a base of nashi-ji. It lies on two openwork side panels.
The lower shelf is more sparsely decorated but still finely executed. It depicts a cottage surrounded by hills and trees in gold and brown takamaki-e and hiramaki-e lacquer, kirigane and nashi-ji.

Japan, Edo Period ...