A breathtaking Koro in the shape of a roaring lion by Miyanaga Tozan I enclosed in the original signed wooden box. This is one of the best pieces I have ever seen by this important artist. It is 25 cm (10 inches) tall and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expositions, a...

Kato Shuntai (1802-1877) Japanese Antique Shino Ware Chawan Teabowl made for Tea Ceremony Wabi Sabi The seal of the potter is stamped on the bottom. Kato Shuntai is a notable potter from Seto area, Aichi prefecture who lived in the late Edo period. He followed his father profession as a ceramist at the age of 15 and soon he received a name Shuntai from Tokugawa, the 11th Daimyo of modern Nagoya. Kato Shuntai expanded Seto ware techniques adding Shino, Oribe and Mugiwara styles to his works...

A pair Japanese porcelain plates decorated with a mountain hermitage and some roundels one containing a rabbit in the Ko-Kutani palette. Base with "fuku" mark, the rim with brown dressing and the underside with pine needles. Condition: fine, base with partial brownish stains and dull glaze. Dimension: diameter: 18.8 cm x 3 cm high.

Gold drizzles down the rough textured sides of this steep Tsutsu-chawan tea bowl by Ichikawa Toru enclosed in the original signed wooden box. The gold shines brilliantly on the rough textured clay, alternating with patches of earthy orange and pale cream. It has the WOW! Factor in triplicate. Slightly oblong, it is roughly 11 cm (4-1/2 inches) diameter 9.5 cm (3-3/4 inches) tall and in excellent condition.
Ichikawa Toru was born in Tokyo in 1973. In 2015 he established his current stud...

Baby's ceremonial kimono made of Echigo-jofu which is hand-woven of choma (ramie) and dyed with indigo. The fine kasuri pattern is yoko-gasuri (weft kasuri) and bamboo, pine tree and plum bloom motifs. Echigo jofu was first woven asa kasuri in mainland Japan having been influenced by Ryukyu (Okinawan) kasuri. The dye is called Ai-sabi which is very dark blue dyed with vegetable indigo mixed with shoen (burnt pine shoot) or other catalysts. It has rare charms, one is ribbons made of red silk crep...

The most unique work I have ever seen from innovative artist Ito Motohiko enclosed in the original signed wooden box titled Nunome Tsubaki-mon Kabin (Cloth Textured Vase with Camellia Design). Sensual sans eroticism, it is a frank and appreciative look at the beauty of the feminine form. This is from my personal collection, and I am torn with the idea of parting with it. The vase is 9 x 6-1/2 x 14-1/2 inches (23 x 16.5 x 37 cm) and is in excellent condition, retaining the original wrapping ...

A Minimalistic Hanging Scroll Painting by Okada Hanko Hanging scroll painting depicting a group of rocks. Ink on paper. Signed Hanko and two seals. Okada Hanko (1782-1846) a Nanga painter and Caligrapher. He was born in Osaka, the son and pupil of Okada Beisenjin. Like his father, he served for a period as a Confucian scholar to Lord Todo of Tsu; at the age of 43 he resigned and joined the circle of intellectuals in Osaka and started to study Chinese painting specialising in misty landscapes...

Japanese Bamboo hanging Ikebana Basket with Natural Wood back, 6" high, 4" wide, can be used basket only or wooden back hanger or two(2) pieces together. The condition is new.

Bamboo Poutai. Very finely carved. The artist knew how to make all the emotions and characteristics of the character. The delicacy of the movement of the hands slightly retracted in a precious attitude, the joy of the laughing eyes wrinkled with enjoyment, the softness of the mouth. The sympathetic fatness of the neck. All is benevolence.The grain of the fine wood fibers draws on the skull and on the chin a semblance of hair, as well as on the nape of the neck, the defects of the wood correspond...

Rarely encountered Japanese pencil-signed limited edition sosaku hanga woodblock print by Tokuriki Tomikichiro (1902-2000) titled “Loquat Tree” dating circa 1950. The white title is set against the cobalt blue background at the upper right. The print is pencil signed "T. Tokuriki" and numbered 11/200 at the bottom. Narrow format print measuring 16” x 7” (paper); image: 15” x 4 7/8.” Very good color and overall condition with large margins. Two tiny paper hinges are at the top ba...

Inrô with four compartments in fundame lacquer decorated with a pavilion near a river in a mountain landscape in hira maki-e, taka maki-e lacquer and kirigane.
The inside in nashi-ji gold lacquer.
INRO MANJU NON INCLUDED (SOLD)

Japan, Edo period (1615-1868)

Inrô : height 7,5 cm -3 in

Snuffbox carved out of a dried marrow decorated with lacquered leaves. The rim and stopper are made out of wood. Signed in golden lacquer in a black lacquer cartouche.

Japan, 20th century
Height: 4" (10 cm)

These eight wayang kulit shadow puppets, called in Bali "ringgits", were bought from a dalang (shadow artist) in Bali around 1960 and had then already a certain age. In a wayang kulit performance, the puppet figures are mostly rear-projected on a linen screen. These puppets are made from rather thick pergament (cowhide) and painted in natural colors, many of them are inscribed with their name on the wooden sticks. Condition: the Kajon has a small loss and the stick is broken, all puppets with tr...

Black and gold lacquer sageju-baco (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport.

The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom.
On the top, on both sides a phoenix. The ph...

A large presentation tray in finely carved polished wood in the shape of a rounded stump cutout. The sides mimic the knotty grain of a tree trunk. This type of tray was used to present bonsai.

Japan – Shôwa era (1926 – 1989)
Length : 15.75 inch (40cm) – Width : 9.9 inch (25cm) – Height : 0.8 inch (2cm)

Bronze vase with a dark brown patina in the shape of a trunk.
It bears a three characters signature underneath : 京翁斎 « made by an old man in Kyôto”.

Japan, Meiji period (1868-1912)
Height : 22 cm-Diameter : 14 cm

Pair of stamped brass stirrups decorated with Hashizuka, Ito and Manabe Mons.
Japan - Edo (1615-1868), 18th century.
Measures: Height 10.24in , length 12.6in, width 4.72in
As in Western culture, the culture Japanese stirrups were part of traditional accessories used only by the nobility and the people belonging to the upper class. The stirrups were made in the most precious metal, they were intended to indicate the social status of the owner.
They were used in...

Two big eight-sided kaioke boxes in black lacquer, decorated with mon and maple leaves in golden lacquer.

Japan, Meiji period (1868-1912)
Height: 17,6 in (44,7 cm) -Width : 14,9 in (38 cm)