KARAHAFU

Old miniature wooden architecture of 'karahafu' roof (ref...

ARUGULA

Japanese kakejiku hanging paper scroll abstractly tore off by hand, 52 x 184.5 cm (20.47 x 72.63in)...

Japanese Kutani porcelain bowl decorated in gilt and overglaze polychrome enamels with a scene depicting two figures seated outdoors conversing under a tree. A geometric band interspersed with white flowers decorates the interior rim. There are fine "ao tsubu" (green dot) accents. The exterior is decorated on opposing sides with a prominent yellow flower and ribbon pattern. The base is signed in red "Kutani made." Believed to date from the early Showa Period (circa 1926 - 1935)...

An intriguing white tower by Kato Kiyoyuki enclosed in the original signed wooden box titled Hakuho 83-4. It is quite large at 54 cm (21-1/4 inches) and is in excellent condition. Although the size would make one expect it to be heavy, it is incredibly light. Deceptive….Intriguing…It feels more like a sculpture than a vase, a hallmark of this artist.
Kato Kiyoyuki was born in 1931, the heir to a long-established tile-making business in Seto, Kato studied ceramics at high school...

A versatile platter with three Mukozuke dishes, perfect for condiments or hors-d’oeuvres. I imagine, in Japanese cuisine, a large grilled fish shared by the family, with pink salt, sansho, and sea salt in the three dishes, there to flavor to your taste. The tops are smooth cut like folded paper, but the bottoms are torn away in honeycomb like cubicles, creating a very distinct contrast unique to this artist. The plate is 14 x 28 x 4 cm (5-1/2 x 11 x 1-1/2 inches)...

Dashes of black like traces of some Zen ink painting decorate the surface of this set of five pates by Kondo Yutaka enclosed in the original signed wooden box titled Sumi-nagashi Chu-zara. Each is 23.5 cm (9-1/4 inches) diameter, and all are in excellent condition, dating circa 1978.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto...

FACE OF MONSTER

Face part of the wooden monster doll with such eye flipping mechanism actually used for ‘Ningyo Joruri’ (ref. https://en.wikipedia.org/wiki/Bunraku) as the traditional Japanese puppet theatre, circa early 20th century, L 20 x W 13 x D 5 cm (7.87 x 5.11 x 1.96in). Aged deterioration as is as seen...

Japanese bronze peacock with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Length 33.3 C.M. / Width 11.7 C.M. / Height 16.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

MISS CHI

Vintage anonymous oil painting on canvas, "MISS CHI - 3-years old Toy Poodle, 1980". 41 x 31.7 x 2 cm (16.14 x 12.48 x 0.78in)...

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 7th month 10th day in the left margin and the artist's red seal at the lower right...

Wedding Kimono (Uchikake) Silk embroidery and gold and silver metallic ribbons. Some metal ribbon details are iridescent. This Uchikake is a unique model created in a single copy, in fact the decoration is not composed of assembling pieces of fabric with repetitive decoration as most often, but the scene takes place without interruption...

Partly gilt wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with a small stylised Amithaba on the front, standing, her hands joined to hold a bowl. The goddess face reflects a profound meditation. Fine age patina. Japan, Edo period, early 19th century, maybe earlier. Height: 24.2 cm. Old insect attack on the right side (no more danger), otherwise very good condition.

Dark brown patina bronze sculpture of a praying mantis.

The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.3 cm – width: 1.18 in / 3.5 cm – depth: 3.15 in / 8.8 cm

Ceramic sculpture of the white fox, messenger of Inari – the Shinto and Buddhist deity of harvest, rice and abundance.

The Inari fox (kitsune) is a benevolent animal, a sign of prosperity and wealth. This proximity to the kami Inari leads to the two figures being mixed and substituted in the imagination, with the animal becoming a fox-god. Inari’s fox is depicted holding a variety of objects in its mouth with different symbolic meaning: a wheat ear, a scroll, a ball or a key...

Ivory netsuke of a group of three compactly intertwined monkeys, the smallest holding a longevity peach against him. Their eyes are inlaid horn. Their coats are carefully incised and their fingers are finely sculpted. Natural himotoshi through one of the legs.
Signature on the right flank of the largest monkey, in an unidentified rectangular reserve.

Japan - Meiji Era (1868-1912)
Width: 0.8 in (2.5 cm) - Depth: 1.6 (4 cm) - Height: 1.6 in (4.5 cm)

Ivory sculpture okimono of a kingfisher on its base, with a fish in its beak. Its eyes are in hard stone.

Japan - Meiji Era (1868-1912)
Width: 1.6 in (4 cm) - depth: 2.8 in (7.2 cm) - height: 1.6 in (4.3 cm)

Black Bizen Guinimo and Tokkuri by Oiwa Tomoyuki enclosed respectively in their original signed wooden boxes. There is a wonderful dialog between the two pieces, the bottle blackened with dark dry ash buffeting the surface, while over the same darkness has been blasted molten ash on the cup, flowing around and beading on one side. The juxtaposition between the liquidity and dryness of the two, same colored, ash effects is delightful...

A sake serving vessel by Yamada Kazu enclosed in the original signed wooden box titled Kaku-yu Oribe Shuchu...