A Chinese landscape painting done on a gold paper base done in the style of Zhang Da Qian. The work contains a signature and seal of Zhang Da Qian's noted disciple Sun Yunsheng (1918-2000). Zhang Da Qian established a style influenced from traditional Chinese landscape paintings combined with Song Dynasty style ink wash landscapes. Work is dated in June of 1975. Age: 20th century Size; Length: 64" Height 38.5"

A Chinese couplet scroll in calligraphy excerpting from a work composed by the noted literati scholar, Su Dongpo from the Song Dynasty. Work contains the signature and seal of Zheng Xiaoxu (1860-1938).The two line couplet expresses how as there are different ways to point out the errors in an embroidered robe, or a crane hesitating to fly has yet to mature into an immortal. Age: Early 20th century Size: Height 67.5" Width 16.25"

A Chinese hanging scroll portraying a group of lotuses set in a marsh-like environment with a butterfly flying over the flowers. The work contains a seal and signature of the noted artist, Qi Baishi (1864-1957). Qi Baishi became famous through his independent studies in Chinese painting and his energetic brush strokes and styles evolved Chinese art in the 20th century. Age: Late 20th century Size: Height 86" Width 23"

A pair of hanging calligraphy scrolls with a couplet verse inscribed signed with the name of the noted Chinese artist, Zhang Da Qian (1899- 1983) known for his traditional landscapes, lotuses, and human figures. The scroll expresses the scenery of the mountains and the plum blossoms in full bloom marking the return of spring. Age: 20th century Size: Length 68.6" Width 15.8"

DESCRIPTION: Nearly life-sized and in the traditional frontal pose, this painting on rice paper depicts a Chinese Qing official (mandarin) and his wife seated on elaborately carved chairs in semiformal gowns. The woman's bright red robe has an embroidered insignia that proclaims the couple's rank and status. Her feet and hands are hidden and she wears an elaborate headdress of gold and pearls...

Beautiful Chinese tomb pottery horse in two pieces, sculpted of gray clay and painted with slip, wonderful dramatic shape, expressive face with open mouth, painted with white slip, traces of orange and black slip details especially on the head and face. Han Dynasty 206 B.C. - A.D. 220. Size:16 3/4" high x 20" wide x 7" deep.

A nicely carved natural amber pendant of the Hand of Buddha Citron. There is a hole at the top on the piece so it can be worn as a pendant. The citron fruit may be given as a religious offering in Buddhist temples. According to tradition, Buddha prefers the "fingers" of the fruit to be in a position where they resemble a closed rather than open hand, as closed hands symbolize to Buddha the act of prayer. Size: L. 3.9cm. W. 1.5cm. Condition: Perfect.

16-17 century
Ming Dynasty
Porcelaineous stoneware with Longquan celadon glaze
H: 39 cm (with stand and lid), 37 cm (vase only)
Bottom drilled and mouth rim slightly reduced, but other wise very good.
From a Palm Peach, Florida estate


This Ming Longquan celadon vase is gorgeously incised with a profusion of flowers among rock-work, and looks wonderful against its antique French ormolu mounts...

Late-19th century
Guangxu Period, Qing Dynasty
Porcelain with peach-bloom glaze
D: 7.2 cm, h: 3.5 cm
Cover lid professionally restored to a high standard (it appears to have once been cleanly broken in half)
From a Massachusetts private collection.

Bearing a six-character Kangxi mark, this paste box is a very successful 19th century version of earlier peach-bloom porcelain...

Ca. 1725-35, early 18th century
Yongzheng Period, Qing Dynasty
Porcelain with overglaze famille rose / noire enamels
Teapot - w: 15.2 cm, h: 9.6 cm, Saucer- w: 15.4 cm, l: 15.7 cm
Basically perfect: very slight fritting to lid, saucer rim, and teapot bottom
From a Maine estate


This covered teapot and saucer stand is in extraordinary condition, and is quite rare due to its complexity of workmanship...

Ca. 1725-35, early 18th century
Yongzheng Period, Qing Dynasty
Porcelain with overglaze famille rose / noire enamels
Teapot - w: 15.2 cm, h: 9.6 cm, Saucer- w: 15.4 cm, l: 15.7 cm
Basically perfect: very slight fritting to lid, saucer rim, and teapot bottom
From a Maine estate


This covered teapot and saucer stand is in extraordinary condition, and is quite rare due to its complexity of workmanship...

ca. 1725-35, early 18th century
Yongzheng Period, Qing Dynasty
Porcelain with overglaze famille rose / noire enamels
Saucers- d: 10.4-10.6 cm, tea bowls- d: 6.3-6.5 cm, h: 2.8-2.9 cm
Basically perfect condition, with only tiny fritting to rim
From a Maine estate


As tea drinking became an increasingly aristocratic fad in 18th century Europe, consumers demanded porcelains that properly complimented the refinement of taking tea...

ca. 1725-35, early 18th century
Yongzheng Period, Qing Dynasty
Porcelain with overglaze famille rose / noire enamels
Saucers- d: 10.4-10.6 cm, tea bowls- d: 6.3-6.5 cm, h: 2.8-2.9 cm
Basically perfect condition, with only tiny fritting to rim
From a Maine estate


As tea drinking became an increasingly aristocratic fad in 18th century Europe, consumers demanded porcelains that properly complimented the refinement of taking tea...

Lovely lobed dishes with a creamy white glaze. Diameter 11,2 cm. Very good condition, one of the dishes with some light brown stains, due to its long time in the soil. Song Dynasty (960-1279).

Ca. 1720s, early 18th century
Kangxi Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
D: 21.3 cm
Basically perfect condition: typically Kangxi fritting to rim.
From a French private collection

Ca. 1710-20, early 18th century
Kangxi Period, Qing Dynasty
Porcelain with underglaze cobalt blue
H: 28.2 cm
Body in perfect condition...

Ca...

Ca. 1590-1620, 16/17th century
Wanli Period, Ming Dynasty
Porcelain with underglaze cobalt blue
D: 28.3 cm
Three hairlines
From a Louisiana private collection of Chinese & Japanese blue and whites