A Fukagawa eight and 3/8 inch salad plate. Iris dcoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration including random butterflys. Mt. Fuji mark in underglaze blue inside the foot ring. Late Meiji or early Taisho. A point along the edge with a couple of rim frits. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

A Fukagawa eight and 3/8 inch salad plate. Iris dcoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration including random butterflys. Mt. Fuji mark in underglaze blue inside the foot ring. Late Meiji or early Taisho. Good condition. Priced for each salad plate, there were five available in good condition when listed. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

A Fukagawa five 7/8 inch bread plate. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt Fuji mark in underglaze blue inside the foot ring. Late Meiji or early Taisho. Good condition. Priced for each bread plate, there were six available when listed. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

Green cloisonne vase with scrolling leaf pattern. Circular mark and signed SATO on the base. Excellent condition no scratches or dents. Taisho/Showa Period, circa 1930-1950. It measures 1.75" opening, 2.5" base 7.25".

Japanese Ginbari Cloisonne Vase from the Showa Period, circa 1930-1950s. Red body with plum blossoms on a branch. The red color used on the vase is known as, akasuke and is thought to be the most difficult color to produce and only the most skilled artisans can successfully produce its ruby red color. To create its color, gold is mixed with a glass like substance and is applied to the object and fired at a low temperature. It measures 5" tall, 1.25" opening, 2" base...

Japanese Ginbari Cloisonne Vase. Showa period, circa 1930-1950. The body of the vase is red with a pink chrysanthemum amongst white peonies with a green orchid. The red color, known as akasuke, is difficult to produce. Only the most skilled artisans can create the rich ruby red color and the transparent element where the motif on the vase shows through the glaze. Excellent condition, no scratches or dents. Manufacturer's stamp on the base. It measures 8.5" tall, 2.5" opening, base 2.75" base...

An unusual and interesting polychrome enameled studio porcelain mug signed by the Japanese artist - Fukako Sei. Decoration borrows from traditional Nabeshima and Kakiemon iro-e examples with blue underglaze partial decoration filled in with red, yellow-green, turquoise and magenta enamel depicting prunus and peonies (Spring flora.) The mug with a slight taper toward the rim and a loop handle. I am, being both a coffee drinker and a ceramics collector, tempted to keep this...

Japanese fireman's coat from the Edo period, c. 1850. Cotton indigo dyed with sashiko stitching and freehand paste resist decoration (tsutsugaki). Design of a geisha standing in front of a red spider sitting atop its web. Flowers decorate the front and back. It measures 47" wide by 38" long.

Japanese Burl Hibachi, possibly used for japanese tea ceremonies. The natural burl wood has the appearance of 13 turtles climbing and resting on the sides. Measures 13" wide 10" tall. Meiji period circa 1900

Bizen ware hexogonal vase with engravings of orchids on the side of the vase. The patina and color of the vase is very similar to those seen from the late Edo and early Meiji period. Interestingly, during this period elaborate decorations and moulding were created which was popular during this time. However, the vase does not contain the elaborate decorations and resembles more of tokoname wares emulating the Chinese yixing potteries. Age: Late Edo or early Meiji Period...

Made of iron, silver and gold. The center is showing the Nanzen-ji complex, a Zen Buddhist temple in Kyoto. Bordered by two beautifully elaborated dragons. The back with engraved ho-o birds and a long inscription, dated to the Taisho period (1917) and maker's seal. Condition: little wear, rim with one tiny blossom centre absent. Dimension: diameter: 25.8 cm, weight: 844 g.

Edo Period Japanese Noh Theater Mask of Kawazu, an Oni with a Golden Hair Beard, circa 1700. A very rare early example with a powerful presence. 8 x 6.5 inches, 20.25 x 16.5 cm. Height with the beard is 19 inches (48.25 cm).

A Beautifully Carved Late 19th Century Japanese Noh Theater Mask of Okame, the Goddess of Mirth, in Exceptional Condition. 7.5 x 5.5 inches, 19 x 14 cm.

Japanese antique living room in Victorian style, circa 1880, possibly exhibited at a world's fair. It is a rare, fascinating creation set in a silk brocade fabric box, with inlaid shibiyama style mother of pearl teak furniture. There are many miniature works of art featured, including a wonderful Gosho Ningyo, two flower containers, an ivory book, a three panel iris screen, ivory bird in a cage, etc. All objects in perfect proportion. 10h x 15.5w x 6d inches, 25.5h x 39.25w x 15.25d cm.

Japanese Limited edition lithograph of a traditional Japanese country scene in springtime titled “New Green” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 54/80, and dated ‘98 along the bottom margin. The print is in the original Japanese gallery frame and is archivally matted. The framed size is 15 14”V x 46 ½”H. The visible paper size is 9 ¾”V x 35 ¼”H. It appears to be in very good overall condition...

Influenced by the Chinese Transitional porcelain this dish shows in the center a bridge with a farmer and two cows. On the back a single spur mark. Condition: fine, little wear, foot rim with a small loss (production flaw). Dimension: diameter: 21.3 cm, weight: 396 g. Without wooden stand.

A set of kamishimo and hakama made from cotton used to dress a bunraku puppet. The fabric is utilizing a cherry blossom pattern with a wave motif. The cherry blossoms are done in a style known as katagami, where the pattern is printed using a paper cut out placed on top of the fabric and dye is coated over it. The wave patterns are done in a print format similar to a technique known as inkin, where a woodblock is used to stamp the pattern...

A magnificent and detailed noh mask known as Shojo, which is used specifically for the play that contains the same name as the mask. Shojo originated in China as a mythical beast and was imported to Japan as a sake loving creature. In Noh theater, the play is performed for festive and auspicious occassions where the character is dressed in a colorful noh costume and wearing a red wig. Depending on the school of Noh, a jar with a ladle at times are used for the performance...