Standing Jizo Bosatsu, the tiny hands forming the gassho adoration mudra, sculpted from tuff, a relatively soft sedimentary stone composed largely of volcanic ash. Late-Edo Period ca. 1800. Minor old loss, most notably to the halo-type mandorla, and overall softening of the lines and contours...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.

Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )

Setoguro yaki is high-fired ware that originated in the late 16th century...

A small but highly detailed Satsuma vase decorated with Sino-Japanese motifs. On one side of the vase is literati scholars enjoying a conversation bordered with a detailed geometric pattern. On the other side, is depicting a peony set near a bamboo and rush gate, small repairs on neck. Age: Meiji Period Size: Diameter 3" Height 6.25"

A pair of Japanese Satsuma ware vases decorated with a scenery of autumn. The view is showing fall foliage with various flowers such as autumn peonies and a pair of pheasants. The vases contain a signature on the bottom reading, Kamiyama. Age: Showa Period Size: diameter 2.1" height 3.75"

An antique Japanese vase decorated with children known as karako playing with various toys. The vase contains decorations of Chinese motifs and slight influences of European designs such as the lion heads on the side of the vase. Age: Meiji Period Size: diameter: 3.25" height 7.5"

Charred glaze runs in rivulets, blasted around the sides of this Kamahen Bizen vase by Yamamoto Izuru enclosed in the original signed wooden box. The vessel is 10 inches (25.5 cm) tall, roughly 5 inches (13 cm) diameter and in excellent condition.
Yamamoto Izuru was born into the family of famous potter Yamamoto Toshu in 1944...

Antique Japanese painting of a tiger crouched on a rock, his eyes are turned toward the full moon which shows itself through the branches of a pine tree, beautiful detail especially to the tiger with his enormous paws, painted in sumi ink on paper, signed. antique frame without glass. Meiji Period. Size of painting only: 52" high x 23 1/2" wide. Size including frame: 56 1/4" high x 29 1/4" wide

A unique gold gild chawan with stunning painting, made of Kasama-yaki.

It dates from the late Meiji Period and comes with the original box.

Perfect condition.

Size: 7,5 cm h. - 11 cm d.

Shipping included

This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton. size:162cm x 140cm (63.7" x 55.1")

Japanese antique 4 section butsudan (Buddhist shrine for household use). The exterior is lacquered all black with double cabinet doors to the shrine area. The interior of the butsudan is lacquered gold and black and has ornate carved details of phoenixes and a dragon just below the shrine roof area. Details of birds and waves are carved in the area below. The interior shrine compartment has a slide out tray as well as a small compartment with gold lacquer sliding panels...

On offer is this rare type of nezumi mizusashi made of shino-yaki.

It dates from the mid to the late Meiji Period and is in perfect condition.

There are no damages, cracks and repairs.

Size:

17,5 cm height

13 cm diameter

16,5 cm trunk diameter

Weight:

1400 g

Shipping included

This is a real old Japanese mizusashi made of Oribe clay. It dates from the early Meiji Period.

Signed on the bottom from the artist.

It is in great condition - no repair, no crack, no water leak.

Size:

15 cm height

13 cm diameter

15 cm trunk diameter

Weight:

1,3 kg

Shipping included

This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

Head of Jizo Bosatsu sculpted from andesite. Early-Edo Period ca. 1650. Old loss and overall softening of the lines and contours.

Height: 20.5 cm
Width: 16 cm
Depth: 16 cm

A sizable, boldly hewn Jizo head with significant age.

It is amazing the number of shades of gray playing across this simple tile-sculpture by Hayami Shiro. Just less than 2 feet (59 cm) tall. There is a small chip in the base (see photos). Due to size shipping will be accrued separately.
Hayami Shiro (b. 1927) was born in Kagawa Prefecture in 1927, and graduated the Tokushima Industrial University in 1949. His first exhibitions did not materialize until 1964, and from there he flourished...

Egg shaped vase with a black-red patina. Signed on the bottom. H. 18 cm. Showa period (1926-1989). Good condition, original tomobako. Master casting artist Kazan Yokokura continued to enter contests, mainly centered on Nitten Exhibition. 1915 Born in Yamagata Prefecture, northern Japan 1951 Won for the first time a prize at the Nitten Exhibition (and won many prizes at later exhibitions). 1959 Won special commendation "Hokuto Prize" at the Nitten Exhibition...

This beautiful chawan (tea bowl) was made in the oribe style, a more than four hundred year old tradition from the central part of Japan in the ancient Mino province.

That tradition was in part influenced by tea master and warrior Furuta Oribe (1545-1615) who developed his own style of tea ceremony. The bowl is very well made and in perfect condition. It dates from the mid Edo Period and has no repairs or damages except inborn kiln cracks...

This is a cotton textile of the Edo era. This was introduced by Muneyosi Yanagi in the world in the 1900s. And it became very famous after it. It is woven by cotton and silk dyed with natural plant dye beautifully. You can enjoy cotton of Japan by touching it and the delicate change of the thread will be comfortable to your eyes. There are four places patchwork such as figure 1...