Japanese Late 20th Century cloisonné enamel koro (incense burner). Raised wire design of trees. The koro stands on three small feet. The koro measures 6 1/8" tall by 3 1/4" in diameter. Comes with wooden storage box. There is some slight darkening of the color of the body of the piece, in the lower area, from use.

Koma Inu Shrine guardians decorate this unusually vivid Ako carpet dating from the early 20th century. The color combination is quite striking, especially when held up to the more standard subdued works typical of Ako. It is 95 x 195 cm (37-1/2 x 77 inches) and is in stunning condition. We found this wrapped in paper in the attic of a Kyoto home which had been sealed off during renovations in the 1950s...

Japanese early 20th century earthenware vase by SUIGETSU. The vase has 2 crabs done in high relief on the side. This type of ceramics was originated by artist Yoshikawa Tsunekata during the Meiji Period. The vase comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 6 1/4" tall by 8" in diameter.

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which the first of the pair of figures is parodied in mitate style one of whom has a board on his head and one presumes losing opponent has a miserable expression...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which one of the pair of figures is parodied in mitate style as a proud Rooster and Hen. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinations of painting and poetry during the late Eighteenth century...

According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects to create.” Here we see the clay wished to become a well-formed ceremonial tea bowl with an impressionistic rendition of a Japanese Iris. Simple, well formed, and with a soft rusticity; a cup of tea becomes a meditation on the charms of quiet country living.

Originally from Iwate (b...

Japanese mid 20th century bronze vase with swirling floral design by KURITA YUKIO. The vase comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 11 3/8" tall and 7" in diameter.

Japanese mid 20th century bronze vase by metal artist NEYA CHUROKU (1897 - 1987). The tall vase is done with a dragonfly and autumn grass design. The vase measures 17 7/8" tall and 6" in diameter.

Special offer: A 100 year old impressive large Seto-Yaki Chawan, hand shaped pottery tea bowl of wonderful Seto clay. It fits perfect into the palm of the hand. The seal of the potter is stamped on the bottom.

No chips or cracks. The Chawan comes with its original wooden box.

Size: 7,9 cm height x 13,6 cm in diameter.

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Japanese early 20th century pair of bronze horses. Beautifully and realistically portrayed by Japanese bronze artist, Yamamoto Kozan. The horses measure 20" wide by 10 3/4" tall and 7 1/2" deep.

Japanese E. to Mid 20th century bronze vase by IPPOU. The vase has the design of various sea life creatures, such as octopus and a variety of fish done in fine design and detail. Signed IPPOU on bottom. The vase measures 8 3/4" tall and 5 1.2" in diameter.

The dish has an unusual square form with indented corners and a raised almost vertical rim which suggests that it was probably intended to be used for the serving of sashimi, sliced raw fish. This type of dish is described in Japanese as a shihou-sumioshi sara. By the late Mid Edo period sashimi had been growing in popularity being prepared by professional chefs, and was served both in aristocratic and in wealthy households and Ryokan...

This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...

Antique Japanese single section isho tansu (clothing chest of drawers). Made with Kiri (paulownia) and Sugi (cedar) woods with original finish. The chest holds 5 long drawers and 3 smaller side drawers, with hirute drawer pulls and rectangular iron locks.

Meiji period (1868-1912)

Dimensions: 44.5" L x 16.75" D x 30.25" H

Balancing the scales and industrial shape by Sodeisha star Takano Moto-o enclosed in the original signed wooden box titled simply Utsuwa (Receptacle) and dating from the height of Sodeisha influence in the 1960s. It is 12 x 15 x 12 cm (5 x 6 x 5 inches) and in excellent condition...

Small porcelain ko-sometsuke plate made in China for the 17th century Japanese market. Blue and white design of three running rabbits. A bird, possibly a phoenix flies in the sky. Around the rim of the plate are four galloping horses. The underside of the plate is decorated with three thin blue rings and a simple dot pattern. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware...

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.