Heavy pigment on thickly veined gold creates a powerful collection of scenes from the Taiheiki, the 11th century story of the fall of the courtiers and usurpation of power by two military families, the Taira and the Genji. The screen dates to the 18th century, or middle Edo period. Many old repairs attest to age. We have had it completely remounted, with no painting restoration performed. On the left the famous scene of shooting a fan from horseback from the battle of Yajima...

A large Mimitsuki Vase covered in deeply fissured celadon glaze by Suzuki Sansei (b. 1936) enclosed in the original signed wooden box. The translucent glaze is like that of an agate, shattered with heat, the crackling wide in the thick pale bluish green fog. The vase is 11 inches (28 cm) tall, 5-1/2 inches (13.5 cm) diameter and in perfect condition.
Mitsunari began with a six year apprenticeship under Kawamura Seizan and has received innumerable awards over his 40 year career...

A set of five Meiji period dishes hand painted by Suzuki Hyakunen in commemoration of the Gosho-Nai Dai-Hakurankai (Exposition in the Imperial Palace, Kyoto) stamped on the underside with the event name and each individually signed by the artist. The literati scenes include a scholar contemplating a waterfall, Mountain retreat lost in rugged hills, sails on the lake, traveler in the hills and horses on the lakeshore under weeping willows...

Standing Jizo Bosatsu sculpted from a fine-grained igneous stone, probably andesite. Clearly dated to the opening year of the Gembun Era (1736), mid-Edo Period. Very minor old loss.

Height: 46 cm
Width: 17 cm
Depth: 13 cm.

Nyoirin Kannon Bosatsu in characteristic seated pose of royal ease, sculpted in relief from a fine-grained igneous stone. Clearly dated to the first year of the Kansei Era (1789), late-Edo Period. Old loss. Excellent lichen accumulation.

Height: 49.5 cm
Width: 35 cm
Depth: 19 cm

A sinuously elegant Nyoirin Kannon, with good size and irrefutable temporal provenance.

Antique Japanese futon cover, beautiful design of phoenix in blossoming kiri tree, cotton with colorful paste resist dye on indigo ground, 4 panels, edging added later, one very good repair, no losses, Meiji Period. Total size: 64 1/2" high x 55 1/2" wide Size without edging: 59" high x 50 1/2"wide

This is Indigo dye cotton dotyugi coat of the Edo era(1800-1868). It is made of hand-spun and hand-woven and natural indigo dyed cotton. It is katazome, and, as for the lining, the motif of the plover is very beautiful. It has a few thin stains. However, as a whole it is in very good condition. size:111cm x 126cm (43.7" x 49.6")

This is nanako-weave (regular mat weane)silk katsugi kimono very rare of the Edo era(1800-1867). katsugi kimono of nanako- texture silk is very rare. It draw it by hand and dye . It is very impressive, and it is beautiful. It has the change of a slight color. However, it does not stand out. it is in very good condition. size:131cm x 116cm (51.6" x 45.7")

Stone lantern sculpted in six parts from a fine-grained gray-hued igneous stone. Dated on the pedestal to the third year of the Tenwa Era (1683), early-Edo Period. Surface loss to the exterior of the firebox; otherwise, very good condition.

Total height of approximately 188 cm.

A notably handsome and sturdy Kasuga-style hexagonal lantern with irrefutable early-Edo 17th-century temporal provenance. Uncommon.

Japanese gilt lacquer three-case inro, Edo period, 19th century, the flattened body decorated overall with fluttering butterflies, finely rendered in gold, silver and iro-e hiramakie, takamakie and togidashi on a kinji ground with gold foil, aogai and raden inlaid accents, signed Yoyusai followed by a kakihan, the interiors fundame and nashiji (silver oxidized), 3.5''l; together with a copper ojime with bat and floral design in gold, silver and shakudo overlay.

Provenance: Property...

Antique Japanese gilt lacquer three-case inro, in the shape of a large sake jar decorated with two karako (children) surprised by their companion tumbling in a cascade of sake to the opposite side, expertly rendered in gold and silver hiramakie, takamakie, togidashi and usu-nashiji on a kinji ground, the interior's fundame and nashiji (silver oxidized), signed Koryu-saku, Edo Period. together with a lacquered wood bead ojime fashioned as a brocade ball with minute inlay...

A Japanese Noh Theater Mask Painting of Okina Hono (old man mask which is the oldest type of Noh Mask), signed and with Red Seal. Meiji Period. Size: L. 11" (28 cm.) x H. 8" (20 cm.).

Seated Shaka Buddha with hands placed centrally on the lap in the jo-in concentration mudra, sculpted from wood and finished in lacquer and gilt, the eyes of inset crystal. Late-Muromachi Period/Momoyama Period ca. 1550–1600...

Forearm/hand fragment of a bosatsu (bodhisattva) sculpted from a single piece of wood. Early-Muromachi Period ca. 1400. Very minor old wood loss, with traces of the original ground and polychrome.

Length: 15. 4 cm

An exquisitely rendered forearm/hand fragment originally attached at the right elbow joint of a bosatsu, indicated by the double-bracelet motif at the wrist, of approximately 75 cm in height (if a standing depiction) or 45 cm (if a seated depiction).

Oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) of a tengu mask titled “Mayoke Tengu” (also known as "Tengu-shaped Amulet") by Yoshitoshi Mori (1898-1992). The print is pencil-signed “Yoshitoshi Mori,” dated ’87, and numbered 10/50. The artist’s red seal is above the signature. The known paper size is about 17”V x 27 1/4”H. The framed size is 19"V x 28 1/2"H...

Antique Japanese pair of beautiful sake containers, carved wood with lacquer finish, design in gold lacquer of pine branches and scrolling vine motif on very dark brown (almost black) ground, high handles, both identical, Meiji Period. Size: 13 1/2" high x 7" diameter x 10" wide with spout

A pair of men-tori gourd shaped sake flasks by Living National Treasure Kondo Yuzo enclosed in the original signed wooden box. One flask is decorated in blue with bamboo and the characters Sei-Fu (pure wind). The second is dated in blue and pink with pomegranates with the inscription “For the use of Yuzo, October 27, 1976”. Both are signed on the base. It is likely these came from the artists own personal collection. Each stands roughly 5 inches (13 cm) tall...

A haunting vessel by Miyagawa Kozan enclosed in the original signed wooden box titled Haku Korai Bin, Yukan Tsuki (White Korean form with free handles). This piece is the epitome of the elegance which came from Japanese working with traditional forms. Devoid of decoration, the shape stands alone among works by this famous artist. It is 10-1/2 inches (27 cm) tall and is in perfect condition. I will enclose a rosewood stand for display purposes with this vase...