Japanese antique shinto shrine, made of hinoki (Japanese cypress) wood, wonderful details with elaborate staircase and other temple details including miniature baku, fudogs and a dragon, copper roof with nice patina, Edo Period. Size: 28 1/2" high x 22" wide x 27 1/4" deep.

Japanese antique kannon biraki tansu (tansu chest with hinged doors), made of sugi (cryptomeria) wood with kiri (paulownia) wood on front, large doors with drop in iron hinges (doors can be completely removed), interior has 4 large drawers with bronze hirute shaped drawer pulls, Edo Period. Size: 35 3/4" high x 33 1/4" wide x 17" deep.

Japanese hanging tobacco pipe set consisting of a wooden pipe holder and a wood tobacco box in the form of the 2 mythical fishermen Ashinaga (Long Legs) and Tenaga (Long Arms). Tenaga's face lifts and functions as a cover for the tobacco box which still has much of the original tobacco inside. Ashinaga, the elongated standing figure is the pipe holder which also serves as a scoop. In excellent condition except for the ojime (sliding ball) which is missing most of it's lacquer...

A fine Edo period black lacquer sake pot (choshi.) The ivy (Tsuta) mon in allover decoration in gold lacquer on the pot and cover. Intricate flowering 'karakusa' vine decoration on the handle. The discus-form pot with flat topped spout and hinged handle and raised on three ball feet...

Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish receiving punishment after being found guilty by a judge for causing the Ansei earthquake of 1855. A group of human-like catfish watch as the punishment is being meted out. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements...

Japanese vase of convex shape, Totai decoration of a bird and a butterfly among leaves and berry bushes. The motif created by thin metal threads is filled in with colored lacquer and polished. The brown lacquer background is carved as to resemble tree bark (totai). This complicated technique for decoration on porcelain was in use in Japan in the 1920’s and 30’s.The base with old paper label, indistinct letters in blue and the word “Lacquer”. Height "7½/ 19,2 cm...

Golden mist shrouds the aged pines draped with wisteria growing about the crashing falls on this anonymous early Edo period gold screen. A rare scene to find, rigid lines and the lavish use of gold are typical of the first half of the Edo era. The screen features a colorful brocade border with vermilion lacquer frame and has been fully remounted without re-painting. It measures 68-1/2 x 63-1/2 inches (174 x 162 cm) and is in fine condition, showing some old repairs.

A stunning work by Shigaraki Legend Tsujimura Shiro enclosed in the original signed wooden box inside the lid of which is scrawled a nude figure and the epitaph NY 5/24/06. It is known that when in New York at an exhibition in 2006 the artist was entertained at a gentlemen’s club and was purported to have had a very good time. This is likely a reference to that event. The vessel is 14 inches (35 cm) tall, 12-1/2 inches (32 cm) diameter and in excellent condition...

Beautiful Japanese silk wedding kimono, woven with dramatic design of flying cranes, swirling golden clouds, and chrysanthemum blossoms on a striking blue ground, some fading on the front of kimono but overall nice condition. Size: 71" high x 52" wide

Kawase Hasui
Moon at Nakanoshima, Sapporo 1933
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Bears the 7 mm seal, indicating a printing between 1957 and 1989.
Condition: Unframed. Very good. Slight toning and professionally reinforced left margin.
- A rare appearance of a horse in a Hasui print.

Oversized, humorous Japanese limited edition woodblock print by Clifton Karhu (1927-2007) depicting the smiling, cross-eyed artist standing under a torn umbrella in the rain holding a broken shoe. This print illustrates the Zen saying “Hibi kore kojitsu” (Every day is a good day). The print is pencil-signed, titled “Every Day,” dated ’88, and numbered 57/100 in the lower margin. Paper size: 25 1/8”V x 9 1/8”H (image about 23 1/2” x 7 7/8”)...

A fine ivory colored celadon by the first generation Kato Keizan enclosed in the original signed wooden box and containing the original exhibition pamphlet in which the vase is featured from the 1956 Takashimaya Department Store Exhibition marking his 50th year of working with clay. This vase was chosen by the artist for his exhibition pamphlet, making it, at least in the eyes of the artist, one of the more important pieces he had made at that time...

Seated Amida Buddha with hands placed centrally on the lap in the Amida jo-in concentration mudra, joined wood-block construction, open-work mandorla, lacquer and gilt finish, and eyes of inset crystal. Early-Muromachi Period ca. 1450. Minor old loss and minimal restoration.

Height, including mandorla and plinth: 67.2 cm
Height of Amida figure only: 34.1 cm
Width of plinth: 39.6 cm
Depth of plinth: 33.7 cm.

An exceptional piece, with good size and significant age.

Sashiko stitched fabric. Tsutsugaki dyed cloth. Indigo background with red and white design. Two horizontal bands wrap around bottom of coat. Similar to reference work "Sumi Collection Hanten and Happi" coats on page 25. Used by firemen in late 19th century Japan to extinguish blazes. Hook and eye closure. Measures 49" sleeve to sleeve 49" long. Overall good condition, small wear on neck and side.

Wonderful large Japanese carved wooden figure of Diakuku, one of the Lucky Gods, he stands on two bales of rice and he holds a large sack on his back, lacquered wood, sweet expression, lacquered wood, this piece is 17th century. Size: 36" high x 21" wide x 19" deep.

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm...

Seated Buddha kebutsu originally attached to the mandorla of a large-scale seated Buddha image, sculpted from wood and finished in lacquer and gilt, joined-block construction, inset-crystal eyes, complete with a more recent mandorla and plinth made expressly for the Buddha figure. Minor old loss and repairs.

Overall height, including mandorla and plinth: 50.1 cm
Height of Buddha figure only: 27.9 cm.

A notably good kebutsu with significant age.

A stunning box covered entirely in mother of pearl upon which is the crescent moon in lead under maki-e gold florals. Inside Rimpa style dear rest in lead and gold maki-e on a ground of red-tinted Nashiji. The box is in excellent condition, likely dating from the mid 19th century. It measures 22 x 24.5 x 5 cm (8-1/2 x 9-1/2 x 2 inches).