Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

Japanese kasuri kimono made in high skilled workmanship throughout, excellent condition. 49 1/2" wide x 53” long, shoulder length 24 1/2"

Japanese kimono with Kikko turtle shell design, mid Showa, new condition. 49 1/4" wide x 57" long.

Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V...

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

Elegant silver hairpin with gilded bird, possibly a nightingale on the branch of a plum tree. The plum blossoms are made out of small corals. 7 and 7/8” long, Meiji/Taisho.

Antique Japanese kanzashi, hair comb, hand carved on “urushi" lacquer (natural lacquer produced only from the threes that grow in certain parts of Asia) and decorated in make with a rooster on a drum surrounded by auspicious flowers. The design comes from an ancient Chinese poem that describes the era that was ruled by Emperor Yao who was known for his wisdom and fairness. The poem reads, “The drum for raising alarms is now covered in deep moss, and the fowls are left undisturbed”...

Japanese hair comb decorated with a pair of love birds, Oshidori (Mandarin ducks) perched on a plum tree, raised gold makie with silver, kirikin and shells. The theme here is auspicious. We counted 33 teeth in 3 cm, amazingly skillful hand work. Excellent condition - actual color loss in the center area of wooden teeth is not so obvious as shown in the photos. Circa, Meiji period (1868-1912) Dimensions: 3 1/4" x 1 1/8"

Seated Fudo Myo sculpted in relief from a high-quality sandstone. Late-Edo Period ca. 1850. Excellent condition, showing only very minor old loss.

Height: 43.3 cm
Width: 24.2 cm
Depth: 19.8 cm
Packaged weight: 26 kg.

Deriving from the Hindu deity Shiva, Fudo Myo was originally construed as the messenger of Dai-Nichi Buddha...

Yakushi Nyorai (Healing Buddha) seated upon a lotus-form dais, the left hand bearing aloft a medicine jar and the right forming the semui-in mudra bestowing fearlessness. Joined-block wood construction, finished in lacquer and gilt. Old loss and repairs.

Overall height, including lotus-form dais and mandorla: 35.2 cm
Height of Yakushi figure only: 23.8 cm
Width of upper surface of lotus-form dais: 25.6 cm
Depth of upper surface of lotus-form dais: 22.8 cm.

Hand stitched Japanese short jacket, 36" wide x 33" long.

A finely brushed image of a pheasant in the blossoming boughs of a cherry tree bearing a circular Rimpa School seal in the lower right. Pigment on paper with bokashi daubing of water on the tree trunk. Shadows dragged through the back appear to intimate bamboo. It is bordered in beige silk with a black lacquered wooden frame. The screen measures 71.5 x 68.5 inches (181 x 174 cm) and is in fine condition, dating from the early 20th century.

Russo-Japanese War triptych illustrating the surprise attack on Russia’s Far Eastern Fleet at Port Arthur that initiated the war. A large torpedo-boat is at the center. Two Russian ships at the upper left have been hit and are sinking. Three Japanese battleships are at the upper right...

Old Japanese stripe cotton jacket in new condition. Dimensions: 53 1/4" wide x 38 3/4" long

Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H)...

Seated Amida Buddha with hands placed centrally on the lap in the Amida jo-in concentration mudra, joined wood-block construction, lacquer and gilt finish, and the eyes of inset crystal. Very minor old loss, most notably to one of the hoju (sacred jewel) finials on the plinth, with desirable patination overall.

Height, including mandorla and plinth: 63.0 cm
Height of Amida figure only: 28.1 cm
Width of plinth: 38.2 cm
Depth of plinth: 31.0 cm.