Japanese Edo period woodblock print from a small series featuring bust portraits of actors portraying two opposite charactors in old and current plays set against calligraphy by Toyokuni III (also known as Kunisada) collaborating with Torii Kiyomitsu II (1788-1868) dated 1852. The lower right corner bears the signature cartouches of both artists, censor and date seals, and the seal of the publisher Joshuya Juzo. The paper measures 14 3/4"V x 9 7/8"H...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting actors portraying a scene from the kabuki theater. Published by Yamazakiya Seishichi in 1855. Each panel bears the signature "Toyokuni ga" in a red cartouche with yellow snow, a publisher's seal, date seal, and censor's seal (see enlargement 5). Each panel measures about 14 1/2"V x 9 3/4" - 10"H. Very good overall condition with margins...

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains...

Japanese woodblock print depicting an actor portraying a seated samurai. The image is signed at the left side "Ichiyusai Kuniyoshi ga" (1797-1861). The red Yoshi Kiri seal is beneath the signature. The print was published by Ibaya Senzaburo between 1847-1848. The paper measures 14 1/2"V x 9 7/8"H. It is most likely a panel from a triptych. Very good overall condition with excellent color. The print is not backed. No tape or tape stains...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting an actor portraying a samurai sitting on a veranda overlooking a garden with a beauty in the center panel. Published by Joshuya Kinzo prior to 1842. Each panel bears the signature "Gototei Kunisada ga", a publisher's seal, and the kiwame censor's seal used from 1790-1842 (see enlargement 5). Each panel measures about 14 1/2"V x 9 1/2"H. Very good overall condition...

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side...

A pair of exceptional and extremely rare dramatic antique 17th century Japanese bronze lanterns from a prominent Tokugawa temple courtyard. Each lantern is made of 10 individual cast bronze sections. Heavenly creatures and symbology are abundant and include: fu-dogs, apsaras (Heavenly People & Celestial Beings).
Apsaras a symbol of beauty, good fortune, fertility, heaven. A feminine shape-shifting spirits of the waters and clouds. They were created to pleasure heroes and the gods...

Antique Japanese maiwai, katazome stencil dye on cotton, padded and in excellent condition, 51"(4'2") x 51", circa Meiji (1868-1912) to Taisho period (1912-1926)...

Lovely antique Japanese 4-panel gold leaf screen painting with scene of 3 geese in grasses by water's edge. Beautifully hand painted with fine detail in mineral colors on ground gold leaf paneling. Overall very good condition.

Late Taisho - Early Showa age C. 20th Century

Size: 43" high x 88" long

Huge (36 inches, 91.5 cm across!) Japanese Meiji Period (1868-1912) Cloisonné Charger with Flower and Bird motif. This is one of the most fantastic 19th Century Japanese Cloisonné works we have ever seen. The colors are magnificent and most vivid on a Robin Egg Blue field framed with a gorgeous pattern. The size is amazing and with the stunningly rendered flowers and birds, it makes for a rare, breathtaking exhibitor work of art that will be a spectacular center piece for any home or office. E...

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku. One koku was equal to the amount of rice to feed a m...

Japanese antique 2-section mizuya (kitchen tansu), from the Niigata area of Japan, made with keyaki wood on front and side bracing, deep orange / red original translucent lacquer finish with wonderful deep pantina, iron side hardware, unusual lacquered wood carved drawer knobs, each compartment with one long original shelf, Edo Period (18th/19th century). Size: 68" high x 68" wide x 20 1/2" deep.

A rare Japanese oversized limited edition "sosaku hanga" woodblock print titled "Black Cat, Three Kittens & Butterfly" dated 1967 by Tokuriki Tomikichiro (1902-2000). The artist's black seal is at the lower left and his black ink signature is at the lower right. The print is titled and dated in kanji in the upper right margin. Numbered 14/200 in the lower right margin in pencil. The paper measures 16"V x 21 3/8"H (image size: 15"V x 19 1/2"H). Very good overall condition. This print was prev...

A rarely encountered Japanese oversized sosaku hanga woodblock print by Asaga Manjiro (1885-1965) dating circa 1950's. Asaga Manjiro was the elder brother of Maekawa Senpan. He was known for his Noh theater and Otsu-e prints. Paper size: 20 1/4"V x 15 3/8"H (image: 17 5/8" x 12 7/8"). Excellent condition with full margins. Never framed. Traces of paper residue from the original folder remain on the back at the left top and bottom corners.

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpie...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Iwai Hanshirô VII in the role of Koman from the series "Actors at the Fifty-three Stations of the Tokaido." This image is Station 48: "Seki" published by Sumiyoshiya Masagoro in 1852/3. Very good color and impression quality, with fine delineation of the hair not apparent in the images. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with yellow snow) ...

“Kinokuni Hill and Distant View of Akasaka Tameike” from the series “One Hundred Views of Famous Places of Edo” by Ando Hiroshige (1797-1858) dated 9/1857. The print depicts the forward guards of a daimyo procession with the houses of Akasaka district in the background. The print measures 13 5/8”V x 9 3/8”H (image: 13 ¼”V x 8 5/8”H). Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Uoya Eikichi is...