This vivid Mino Iga tea bowl is made by renowned Japanese ceramist Yaemon Kato (b.1942)
The mark of the potter is carved near the foot ring.

Yaemon Kato, a third son of Juemon Kato (1894-1974), continued his father's efforts to revive and restore Mino ceramic art working on Shino, Kiseto, Oribe, Mino Iga, etc.

Size
Height 8 cm
Width 11.5 cm

In excellent condition with original box (no cord) and leaflet.

Edo Period (1603-1868) Seto ware Brown Glazed Tea Bowl (Chawan)

Lovely antique Seto chawan with skillful Kintsugi repair.

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan.
It is also considered as one of the Six Ancient Kilns of Japan.

Size
Width 11.5cm;
Height 8cm;

Condition
Overall good.
There are repairs with gold lacquer.
Supplied with the appraisal box.

Satoru Omae (b...

A Japanese Satsuma tea bowl with rich decoration in gold and polychrome enamels, inside with a daily life scene with numerous characters on a feast day outside a temple, with waves with floral and naturalistic motifs. Outside with characteristic scenes of Japanese life of the Meiji period from the study to the game to the tea ceremony enclosed in a full reserve that runs all around without interruptions, and with rich decorations with gold bands with geometric motifs. Under the base an ori...

This is a Japanese antique Boro Tattered Material a rare and hand-spun natural Shina-fu Linden fabric with dark brown. It is an rare old meiji period (1868-1911)fabric. It is a thick and rough. Shina-fu Linden is a deciduous tree native to northern temperate regions. Elm and linden cloth naturally turn darker brown as time passes, due to the tannin content in these tree fibers. There is dirt and repair marks. The rag that has been used many times and discolored is an art in itself...

Shimacho with more than 545 fragments which are mostly hand-spun cotton and vegetable indigo dye. Some of them are silk or colored yarn are also silk. Shima means stripes in Japanese but also means an island. Cotton textiles were imported from south Asian countries from mid 16th century and the were called "shima momen", cotton textiles from islands. Kasuri or check patterns were also included in shima (stripes). It has kanji characters "安政 4，Ansei 4" 1857, very late Edo period...

Two Jizo Bosatsu figures standing side by side with hands forming the gassho adoration mudra, sculpted in relief from high-quality brick-hued andesite. Dated to the Kyowa reign period (1801-1804), late-Edo Period. Very good condition, with only minor old loss...

A gorgeous Mimitsuki handled vase with flaring rim covered in in running ash glaze and encrustations of dark embers by Tanimoto Yo enclosed in the original signed wooden box titled Iga Hana-ire. It is 26 cm (10-1/4 inches) tall and in excellent condition. This is a superb example of the traditional Momoyama aesthetic.
Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay...

A female deva (Jp. ten) holding a vajra staff (Jp. kongou houbou) in both hands, standing upon a rock-form dais and rectangular plinth, and backed by a halo-type mandorla (Jp. zu-ko), the entirety encased in a protective display case (Jp. zushi) in plain wood original to the sculpture. Yosegi-zukuri joined-block wooden construction, eyes of inset crystal, crown and necklace in gilt-copper and colored glass, finished in natural-pigment polychrome and gilt. Mid-Edo Period ca. 1750...

Antique Japanese small netsuke (inro toggle) carved in the form of a rural house under a large pine tree. The 2 story house, which is visible from three sides has multiple windows and a tiny figure standing in one. The pine tree with exaggerated branches grows on the side of the house, it's branches curving over it's roof. Carved of bone.

Age: Edo Period (1603-1867)

Dimensions: 1 1/2" high x 2" long x 1" wide

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

Antique Japanese tea bowl made by Sen Sosa VI, Kakukakusai Genso (1678-1730) who was the 6th Iemoto of Omotesenke school.
There is the "Fu-niko" mark and the inscription which says "with Shigaraki sand soil".

A museum quality masterpiece made by the head of one of the main tea ceremony school in Japan.

Kakukakusai Genso, the son of Soei Hisada, was adopted by the 5th generation Zuiryusai Ryokyu, and inherited the Iemoto title of Grand Master of Omotesenke tea ceremony ...

Colossal incense burner in cast bronze representing the divine carp ridden by the fisherman who spared her when she was little. To reward him, she takes him to heaven and immortality. Wooden base. Very good quality of cast bronze and carving. Bronze sculptures of this quality and size are usually made for universal exhibitions. We have not yet found any trace of this one. Despite the quality this sculpture is anonymous. Japan late 19th century. Height 230cm. Weight 104 kilograms.

Ohara Shoson (Koson)
White-fronted Geese Flying in Front of a Full Moon
Size: 15.0 x 6.75 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
First edition.
Shoson signature and seal lower right.
Reference: S11.7 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Very slight wave in paper at upper right corner. Back edges have mounting residue.

A Rare Arita Imari Wall pocket. Moulded in the form of a scroll of paper tied with a ribbon. Japan 18thC. Height; 8" (20.2 cm). Condition; long shallow flake to one corner. Kiln grit to top rim

An antique Japanese Isho Biraki (Kimono chest with doors) made entirely of Kiri (Paulownia) wood. Upper section opens to 4 removable Kimono trays, 2 Obi trays and 3 small accessory drawers. The bottom section has 3 large drawers for additional spacious storage of clothes. All original hardware and constructed using straight dovetail joinery and hardened wooden nails.

Age: Taisho Period (1912-1920)

Dimensions: 37 1/4" Wide by 64 1/4" High by 17 3/4" Deep

Seated Ebisu, one of Japan's 7 lucky gods (Jp. shichifukujin), sculpted figurally from a heavily striated sedimentary stone. Early-Edo Period 1650. Old loss and variegated lichen accumulation.

Height: 18.5 cm
Width: 15 cm
Depth: 10 cm
Packaged weight: 4 kg.