Hamada Shoji (1884–1978) Broken Straw Brush Motif Yunomi

Very good example of Hamada's iconic broken straw brush pattern with distinctive iron pigments.

Similar glaze and iron brush reference: http://www.philrogerspottery.com/portfolio/h186-yunomi-hamada-shoji/
No box is provided.
Size
Width 3.32in (8.5cm)
Height 3.35n (8.6cm)
Weight 225g

Condition
Very Good.
No chips, no cracks

A beautifully crafted Shino ware chawan with fantastic crackled glaze by Kato Gorohachi (?-1900) The potter signature is carved on the bottom.

Probably inspired by early Korean Ido shape examples, the bowl perfectly lies in hands giving strong Wabi feel.

There is not much information available about this Meiji potter even in Japan and his birth year is unknown.
He worked in the Hinno kiln of Aichi Prefecture in late 19 century.

Shino ware pottery is produce...

This is the pinnacle of production for imperial artist Seifu Yohei III, a large Taihakuji porcelain vase with carved designs enclosed in the original signed wood box. Museum quality would be an understatement. Seifu III was known to have made few large works, so this is a very important piece, and Taihakuji was his most appreciated style. Here we see two pheasants in a blossoming tree overlooking a large crag, with clouds brimming about the rim, all in carved relief...

Cranes rest in the boughs of a massive blue pine overlaying the white clouds billowing on the pink tinged body of this large vase by Seifu Yohei III enclosed in a signed wooden box annotated by Seifu IV. An identical vase held in the collection of the Ashmolean is visible on page 19 in the book Sandai Seifu Yohei (Seki Kazuo, 2012). Seifu III was known to have made few large works, so this is a very important piece. It is signed on the base Dai-Nippon Seifu Zo...

An antique Japanese single section Kimono Tansu (chest) made entirely of Kirinoki (Paulownia) wood. All original hand forged iron hardware including the Hirute style handles. Front corner reinforcements on all drawer fronts with two side handles on each side for carrying this tansu from room to room. Constructed using thick straight dovetail joinery and hardened wood nails.

Age: Early Meiji Era (1868-1880)

Dimensions: 36 1/2" Wide by 37 3/8" High by 17 3/4" Deep

An antique Japanese Gifu Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. All original hand forged iron hardware including the Warabite stye handles. 5 exterior drawers for storage and organizing with 2 sliding doors behind which store records and books were kept. Hinged door secures 2 small drawers where valuables were hidden away. Horizontal side slats provide strength and a visual design element complimenting the sliding door slats...

Hiroshige Ando (Utagawa)
The Monkey Bridge in Kai Province (Kōyō Saruhashi no zu)
Date: ca. 1841–42 This edition early 20th century.
Size: Large vertical diptych at 29.0 x 9.625 inches.
Publisher: Bears Tsutaya Kichizo seal on front. This edition published by Adachi (seal on back).
Condition: Slight creasing at top corners. A couple of faint foxing spots near bottom.

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive...

Shin-Bijutsukai Japanese Design Magazine, vol. 28
Compiled by artist Furuya Korin (1875–1910).
A monthly magazine (1902-06) featuring the work of talented design artists.
First published 1905...

Children on Stilts in Snow
Artist's seal not read.
Date: 1950s-60s.
Size: 4.75 x 3.25 inches.
Medium: Japanese woodblock print tipped along its top edge to original card.
Condition: Excellent.

Ide Gakusui
Bamboo Grove
Size: 5.75 x 3.75 inches.
Date: 1950s-60s.
Gakusui seal lower left.
Publisher: Watanabe Shozaburo.
Woodblock print is tipped along its top edge to a blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Mint and large Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of white, green and red glaze. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Note: This is a special work by him. He made only one piece with this design.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

Asa (hemp) noren (shop curtain) with "Mitsui" which is a logo of a noted general trading company and was a successful kimono textile dealer in Edo period. Both warp and weft are hand-plied and all hand-sewn. In good condition and has some wear on the selvedge from heavy use and washing. Late 19th early 20th century. W:144cm, L:132cm

This piece was fired for 10 days in the "anagama" old style kiln, with red pine fire woods. It's very beautiful with natural glaze by ashes and flame. Size; 6.0cm(D)/4.5cm(H) Accessary; wooden box signed by artist

This piece was made of "mogusa" clay which was very precious, and covered deluster yellow glaze. It's old style "Kiseto" Size; 8.0cm(D)/5.1cm(H) Accessary; wooden box signed by artist

Japanese Showa period apple form wireless cloisonne (musen-jippo) cabinet vase decorated with a snow-covered Mt. Fuji surrounded by clouds set against a pale blue-gray sky. Unidentified mark to base. Mid-20th century. 3 3/4” high. Very good overall condition. From a Prescott, Arizona collection.

A fine bronze brush pot decorated with the Rakan Handaka Sonja holding the begging bowl in gilt takazogan, in a combination of high relief and incised landscape with banana leaves and flowers. Gilt top rim. Incised signature on the Kyoto Kumagai zo (made by Kumagai). H. 9,5 x D 6,5 cm. Meiji period (1868-1912) . Very good condition.

TENGU HEAD

Unique Japanese okimono of the head of 'Tengu' (Long-nosed goblin), originally an wooden mold used for making a paper-mache tengu head (because of such back cutting scar for removing paper-mache head out), then vermilion-painted after retired to lead a second life, Taisho-Showa period, early-mid 20th century, approx. 18 x 18 x Depth 19cm (7.08 x 7.08 x 7.48in). Aged deterioration, uneven paint appearance, crack, exfoliation, etc...