This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed. It's like a beautiful Japanese painting. This fukusa can be easily decorated on the wall. Recommended for your antique collection. It has few thin stain. However, it is not conspicuous...

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care...

Tamba-yaki, with its origins reaching back as far as the end of the Heian Era or early Kamakura Period (1180-1230), is one of the six ancient pottery centers of Japan along with Seto, Tokoname, Shigaraki, Bizen, and Echizen. The pottery of Tamba is said to have an elegant simplicity and an understated beauty that stems from its calm simple lines...

Japanese Sliding Door, framed by Kiri Wood panel in upper section and Reed vertical Reed panel framed by brown Lacquered wood Frame, 68 1/2" high, 34" wide, 1 1/4" thick, small area about 6" long Reed pieces are broken off.

Japanese Sliding Door framed by Kiri Wood and Bamboo, 36 1/2" high, 1 1/4" thick, nice old warm Kiri, Reed and Bamboo framed Sliding Door, the condition is good.

A monkey seated on a base, the hands forming the gassho adoration mudra, sculpted figurally from tuff, an igneous stone composed primarily of volcanic ash. Meiji Era ca. 1900. Very minor old loss, with overall lichen accumulation.

Height: 11 cm
Width of base: 6.5 cm
Depth of base: 5.5 cm
Packaged weight: 2 kg

A notably charming small-scale depiction of Sarugami (lit. monkey god), a popular Shinto deity associated with safe and easy childbirth.

Sakiori obi handwoven of strips from silk kimono for weft and cotton yarn for warp. In excellent condition. 20th century. 14cm x 2m72cm

This is japanese antique tsutsugaki Thick shirushi hanten jacket of the handspun & natural indigo dye at the Meiji era. (1868-1912). It can be worn and enjoyed. Cotton is wonderful and valuable. It is very warm touch. The motif of the Family crest, Pine and chrysanthemum .It is a bottle gourd of the family crest and is very Charming & impressive. There is a little stain and Irregular dyeing.However, the state is very good. There is no damage...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature...

This is japanese antique tsutsugaki Thick shirushi hanten jacket of the indigo dye at the Meiji era. (1868-1912).This is a hanten jacket specially ordered by the store, which had a warehouse to manage and store products in the Meiji era. There is one inside pocket. It can be worn and enjoyed. Cotton is wonderful and valuable. It is very warm touch. The motif of the (kura)Warehouse of the family crest and is very Charming & impressive. There is a little stain. However, the state is very good...

Red and Blue Rivulets drip down over green melding into the ashen gray textured glaze on this Tea Jar by Sakuchi Ensen enclosed in the original signed wooden box. It is 25.5 cm (10 inches) diameter, 28.5 cm (11-1/4 inches) tall and in excellent condition. The box top is lightly stained.
Sakuchi Ensen (B. 1922) began on the path of the potter in 1946, searching to create something unusual in the hills of Okayama...

A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea...

This is Japanese Antique Textile Excellent sashiko stitch Farmer's Vest at the Meiji era.(1890~1910). It is the one in the hirosaki provinces in Aomori Prefecture.The indigo dyed cotton and white thread are wonderfully beautiful. All sashiko is embroidered by the hand. It is an exact wonderful, beautiful motif. It is very gorgeous. The state is very excellent and beautiful. Sasahiko of a white string is very valuable in the indigo dye. It is a wonderful work of art. size:Length 89cm (35")The ...

This is Japanese katazome & shibori Child kimono in Edo period(1800-1868).A very auspicious design of pine, bamboo and plum, a blessing for children. There is neither stain nor damage. It is very fine quality and a beautiful child kimono. size:Length:90cm (35.4inch) / Cuff to cuff, across the back:89cm (35inch)

A monkey seated on a base, the hands forming the gassho adoration mudra, sculpted figurally from tuff, an igneous stone composed primarily of volcanic ash. Meiji Era ca. 1900. Very minor old loss, with overall lichen accumulation.

Height: 13.5 cm
Width of base: 8.5 cm
Depth of base: 4.5 cm
Packaged weight: 2 kg

A notably charming small-scale depiction of Sarugami (lit. monkey god), a popular Shinto deity associated with safe and easy childbirth.

Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.

Age: Edo Period (1603-1867)

Dimensions: 3 3/4" wide diameter x 1 3/4" deep

Standing Bato (Horse-Head) Kannon Bosatsu, the hands forming the gassho-like Bato-in mudra and a small horse head perched atop the figure's head, sculpted in relief from tuff, an igneous stone composed primarily of volcanic ash. Late-Edo/Early-Meiji Era ca. 1875. Very minor old loss and light lichen accumulation.

Height: 30.5 cm
Width: 19 cm
Depth: 14 cm
Packaged weight: 11 kg

A charming little Bato-Kannon stone.