Antique Japanese small bronze suiban for flower or rock arrangements. Cast with designs of irises on two sides, the ends have bronze handles in the shape of knotted chord. Stands on four small feet.

Age: Meiji Period (1868-1912)

Dimensions: 7 1/2" long x 5" wide x 2 1/8" high

Antique Japanese teshoku candle holder made of bronze. A long handle makes it easy to carry a candle around for light as well as very stable when set down. Cut-out design is of a Hoju, the Buddhist wish granting ball...

Antique Japanese round porcelain plate decorated with blue underglaze scene of two fish and underwater plants. The plate stands on a round foot and the underside is decorated with rings and scrolling flora in blue underglaze. A small gold kintsugi repair and kiri tomobako are evidence that this was a valuable and prized part of someone's collection years ago.

Age: 17th century

Dimensions: 6 1/4" wide x 1 1/8" high

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen karatsu glaze (black&white) trditional glaze in Karatsu. It would...

Tempestuous waves in fine gold lines splash between lightning shapes decorated with reed curtains on the sides of this singular lacquered wooden koro with woven silver lid dating from the Momoyama to opening of the Edo period, Later 16th to early 17th century. It is 8.5 cm (3-1/4 inches) high, 7.5 cm (3 inches) diameter. The worn base has been re-lacquered to protect the wood core from splitting or cracking otherwise is entirely original to the period.

A Japanese Satsuma Gosu blue bowl of a spiral motifs with enamels and gilt. Edo period middle 19th century Sizes: 27 x 2 cm. Condition report: Good condition

Small round zushi consisting of two parts. The outside of both are covered in nashiji lacquer. On the inside of the one part in relief is carved in fine detail the image of Bishamonten holding a trident and a pagoda, subduing two demons. Inside the cover sits Benzaiten playing the biwa.
Bishamon and Benten are two of the seven gods of good fortune (shichifukujin), but they each hold a position in the Buddhist pantheon, as well.
Both images in plain, unpainted camphor wood...

An incredible large antique Japanese merchant Todana Tansu (storage chest with doors and drawers) in 2 sections made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. Originally used in a Japanese store to stock and display wares and supplies as well as provide a beautiful functional furniture accent for the merchant...

Here we have a very unique ceremonial tea implement made by one of the most important figures from Japanese tea culture in the past century. While most tea scoops (chashaku) are made of bamboo, this piece is fashioned from the branch of a plum tree and retains part of the bark on the handle...

Kawase Hasui (1883-1957)
Hikawa Park, Omiya
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1930.
Publisher: Watanabe Shozaburo. Round, red 6 mm seal at lower left, indicating a lifetime printing (1946-1957).
Signed and sealed by the artist.
Reference: Hotei #207.
Condition: Excellent. Top back margin corner has paper residue.
"Omiya...was prosperous during the Tokugawa period (1600-1868) as a post-station on the Nakasendo." - Hotei.

A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Traditionally decorated using a brush made from rice straw, a white slip is applied to the darker clay body with a wide sweeping stroke to achieve the effect seen here...

Old sake bottle of strong conical shape with a short neck and everted rim.
Underneath the beautiful milky feldspar glaze a cobalt bue and black sketch-like drawing of sprigs of bamboo. Bottom glazed brown, as is typical for this ware. Mingei.

Most likely Ofuke (or Ofukei) ware, made near Nagoya, Japan.
Edo period, circa 1800
H ca. 6 x diam at bottom ca. 5.5 in.

Ofukei has a historical relation to Seto ware...

The size of Bowl 6 5/8" Dia x 2" High. Japanese Ko Imari Porcelain Bowl. The bowl is bit larger than regular Namasu bowl. The bowl has the unusual design of archer sitting at the front of Japanese house with wave design. Arrow hit dead eye center. There are two sections divided by gold decoration of dragon with flower design around. The condition of bowl excellent, no chip, no crack and no hairline...

Shrine with the very rare image of the death of the historical Buddha Shakyamuni, called nehan-zu, and his entrance into the state or perfect peace, called nirvana or nehan. The Buddha lays stretched out on a rectangular lotus base, his head resting on his right arm. Although normally in nehan-zu one will see gathered around the bed 52 kinds of beings, human and animals mourning the Buddha, there are none present in this zushi. From the ceiling of the case hangs a curtain of sorts...

Antique Japanese small scroll painting for a shrine depicting the goddess Benzaiten (Benten). One of the 7 Lucky Gods, Benten is the goddess of good fortune, wealth, music and knowledge. She originates from Saraswati, goddess of music. Here in this painting, she is in her 8-armed form called Happi Benzaiten. Each hand holds a specific buddhist attribute. She stands atop a dragon which hold a precious magic pearl in it's claws. On her crown is a small torii gate...

A set of five exquisite Sencha Tea Cups of crackle-glazed pottery covered outside with black lacquer decorated with golden plum blossoms...

A Japanese articulated wood Karashishi mask in dark patina, himotoshi on the back next to the signature. Signed Munenaga. Edo period 19th century Sizes: 4 x 3 x 2 cm Condition report: Very Good condition

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...