Rare oversized Japanese woodblock print ascribed to Utagawa Kunisada (1786-1865) titled “Mirror of the Physiology of Eating and Drinking” (Inshoku Yojo Kagami), also known as “Rules of Dietary Life,” and believed to date circa 1850. The print depicts a man seated cross-legged drinking a cup of sake with a bowl of fish in front of him. The cross-sectioned torso shows the functions of the internal organs and illustrates the Sino-Japanese concept of digestion...

Oversized limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Fuyu no Hi (Winter's Day)” dated 2/15/1981. The bottom margin is titled, dated, numbered 30/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 9" x 24 5/8" (image: 6 11/16” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck and there are tiny brown spots about the size of the tip of a pin scattered throughout the paper.

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Inawara” dated 12/20/1982. The bottom margin is titled, dated, numbered 28/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 18 1/8" x 25" (image: 15 1/2” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck. The bottom margin corners are a little wrinkled and the paper at the back upper edge is slightly distressed from tape removal.

A Buddhist shrine, made for a temple, containing the 8-armed, weapon-bearing goddess Benten; her head adorned with a gilt bronze crown in the shape of a Shinto gate, decorated with birds, sun and moon, and beads. On the top of her head sits the snake-bodied water deity Ugajin. Behind her head a circular mandorla with three flaming jewels. Benten sits on a double lotus throne, placed on top of a rock formation...

A good Arita moulded foliate rimmed dish decorated in an Imari three colour style with a central motif of entwined Pine, Plum and Bamboo branches with a wide border containing Chrysanthemum’s and Irises and Peonies growing from stylised rockwork. The reverse decorated with various sprigs with Peony, Camelia and Plum flowers. A set of four spurs in a “Y” shaped formation supporting the base of the dish...

Antique Japanese screen painting of a beautiful woman or man, possibly a taikomochi or male geisha smoking a long pipe, leaning on a padded lacquered stand and wearing elegant flowing robes patterned with flowers. In the background stands a ink painting of a mountain landscape. The right hand panel is painted with a standing kimono rack, lacquered black with gold butterflies...

Antique Japanese 2-panel byobu screen. Covered with small squares of pale gold leaf. That this is antique is told by the size and quality of the gold leaf squares.

Dimensions: 35 1/4" high x 51 1/2" long

Chinese scroll painting of a beautiful maiden. She stands in a loosely draped salmon colored gown with red chording, a transparent shawl around her bare shoulders. Atop her head is a bright pink peony flower. At her feet, is an exuberance of wide leaves, the over all appearance is that she is part of the blossoming plant. Dramatic calligraphy dominates the left hand side of the painting. Signed by Wu Fan...

Shoda Koho
Futamigaura - Wedded Rocks
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11.5 x 8.5 inches.
Date: 1910s-20s. This edition 1938-60s.
Publisher: Hasegawa/Nishinomiya Yosaku. Seal at left margin.
Sealed by artist at lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

The mastery of expression accomplished by Suwa Sozan I is evident in this pair of porcelain children enclosed in the original signed wooden box titled Gosai Doshi Okimono (Five Colored Figure of Children). This piece is published in the definitive book “Suwa Sozan Sakuhin Shu” (1971). In the book the photo title is more specific “Gosai Mimiakatori Karako Okimono” (Five Color Figure of Chinese Children Cleaning Ears) and the work is dated to 1913...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are also inspired by nature...

An antique 2 section tall Japanese Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Beautiful original finish of fine Shunkei-Nuri (lacquer) in front and a wiped lacquer technique on the top and sides. In addition, the handmade iron hardware is original with Warabite handles. Top section has two sliding doors with 5 drawers below...

Japanese antique rectangular kesa or priest/monk's outer vestment cloth. This asa (hemp) kesa is a yellow/gold color and finely woven with a design of phoenixes and clouds.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. It is meant as a reminder of the Buddha's own simple patched garment, kesa are formed from many fragments of the same cloth...

A Japanese Kutani porcelain Koro or incense burner, with a round body raised on three animal-mask legs and applied with shishi-mask handles. The domed, pierced cover is surmounted with a further shishi. The whole decorated in overglaze enamels with peacock and golden pheasant amid rocks and peonies, all on a yellow "roe" ground. Marked with a seal to the base "Kutani" amidst scrolling clouds, it dates late 20th C, circa 1980, and is in excellent condition...

This tranquil winter scene showing a group of birds taking shelter in the snowy boughs of a tree was done by well-known Edo painter, poet, and tea ceremony devotee—Baiitsu Yamamoto.

A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the naturalistic landscapes that made their way into Japan through this port city...

Unusual colored Imari porcelain sake server with panels depicting a beauty and a courtier, flying cranes in background with scrolling vine and shippo design, gilt bronze rim at opening. Colors of medium blue, orange, red, brown and black. With fluted sides and 6 character mark on recessed bottom. Good condition.

Edo period, circa early 1800s

Size: 9.5"H x 6"D

A white pidgeon perches on a discarded or fallen roof tile decorated with calligraphy by Miyanaga Tozan enclosed in the original signed wooden box. It is 9 inches (23 cm) tall and in excellent condition. I believe this is likely by the second generation.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expos...

Regal free-flowing bamboo and rattan basket from one of the masters of bamaboo basket making, Sakaguchi Sounsai b. 1899-1967. Studied under Tanabe Chikuunsai I and was active in the Osaka and Kyoto region. Featured on page 90 of 'Masters of Bamboo by Melissa Rinne. Susudake (smoked farmhouse bamboo) is flattened and bent to create a bold statement of beauty and refinement. Bamboo vase inset. 9" tall by 10" wide. Ask for shipping quote.