An exquisite hand-crafted Japanese cinnabar lacquered Inro with five compartments and Manju. It has a meticulously carved scene with 2 scholars or sages on one side and the other with two sages. The scholars are on a bridge surrounded by fronds in a garden setting. The Inro shows a beautiful style, the entire surface of the lacquer Inro boasts fine incised patterns incorporating various plant decors and geometric shapes...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a few small portions of the foot of the tea bowl exposed, displaying the somewhat reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

Antique Japanese small ko tansu for personal use. Made of kiri (paulownia) wood with iron hardware. Three large drawers and a small safe box in the lower right hand corner. Inside the safe box are two small drawers. Iron hardware includes round lock plates, warabite shaped drawer pulls, and corner bracing.

Meiji Period (1868-1912)

Dimensions: 23" high x 20 1/4' wide x 13 3/4" deep.

Antique Japanese lacquer manju (netsuke toggle to be worn on obi), made in a round form of lacquered wood and intricately inlaid with tiny flakes of gold and shell. The inside is lacquered with a dense nishiji lacquer (made of tiny flecks of gold suspended in lacquer). Somada School.

Edo Period (19th century)

Dimensions: 1 5/8' wide x 3/4" high

Japanese limited edition sosaku hanga woodblock print depicting three chickens titled “Jealousy” by Kiyoshi Saito (1907-1997) dated 1952. Pencil-signed and numbered 91/300 in the bottom margin. Visible paper size: 14 3/4" x 10 1/4" (image: 13 3/4" x 9 1/4). Framed size: 24 7/8” x 19 3/4.” Visibly in very good overall condition and color. The print is currently framed but can be purchased and shipped either framed or unframed...

Japanese sosaku hanga woodblock print titled “Shop Girl” by Kiyoshi Saito (1907-1997) dated 1960. Signed in black ink at the lower right. Paper size: 15 1/4" x 10 1/2" (image: 15 1/8" x 10 1/4). Very good overall condition and color. Trimmed margins. A color illustration of this print can be found on page 111, plate 338, of the 2003 catalogue produced by the Kiyoshi Saito Museum of Art, Yanaizu.

Tsuchiya Koitsu
Festival
Date: 1930s. First and only edition.
Size: Chuban. Approximately 10.0 x 7.25 inches.
Publisher: Takemura Hideo. Takemura seal at lower left. H. Takemura stamp on verso.
Koitsu's "Shinsei" seal at lower right.
Koitsu catalog no.: TK-TM-67.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have some thinning.

This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-senke school of tea. The Chinese character is not the standard writing for wave but rather one with more nuance, suggesting longevity—as in the image of a long enduring cresting wave...

Kawase Hasui
Sailboat at Yashima
Date: 1930s
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-82.
"Made in Japan" stamped on verso. Medium: Japanese woodblock print.
Condition: Very slight toning.

A mukuzuke or serving dish of raised barbed lotus form with a moulded ribbed cavetto decorated in underglaze blue with gilt outlined enamels dating to circa 1740-70. The unusual form of the dish follows Chinese “Ko Sometsuke” precedents of the first half of the 17th century; see “The Peony Pavillion” lot 220 for a Chinese example of the Chongzhen period, where this particular form is considered to have been especially made for the kaiseki meal accompanying the Tea ceremony. The centre ...

A dish and cup with a stylised suhama, shore-line, rim decorated in somenishikide style with a pair of lively galloping horses in a sansui, water and rock, landscape, with mountains in the background and a stream in the foreground. The dish dates to the late Mid Edo period, and probably the Meiwa era...

Japanese Cast Iron Tetsubin, tall Tea Cattle, Tea Pot, Before 1900, early Meiji period, 10 1/2" high include handle, 6 1/2" wide include spout, early cylinder shape, pine cone knob, iron handle has raised design, and some low relief design on the side all around but hard to distinguish...

Ohara Koson
Fishing Boats at Sea
Size: Chu-tanzaku. Approximately 14.5 x 5 inches.
Date: ca. pre-1910.
Publisher: Kokkeido.
Artist's signature and seal and publisher's seal at lower right.
Reference: K44.20 and cat. #29 in Crows, Cranes and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Bamboo basket container coated with urushi. It is handwoven of bamboo strips and covered with washi (Japanese handmade papaer), and then painted with black urushi. It has a label inside which says "Kataji kawago" which used to be a basket made of bamboo or wicker and covered with deer skin, or covered with washi later. It also says it was made in Ise in Mie Prefecture. It has vegetable indigo dyed washi lining. Generally in good condition but has many parts urushi came off, breaks and wear...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ guinomi” (ammonite/ sake cup), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized today...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature. Described on the box as a “ammonite/ guinomi” (ammonite/ sake cup), Hiramatsu says his inspiration for this piece (and several others) came from an ancient form of sea life known as an ammonite—a large spiraled mollusk who’s shells are often found fossilized today...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a Tokkuri (Saké flask)...