A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses. This design belongs to a class of designs called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form, popular from the seventeenth century, features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses...

An exquisite work of micro-calligraphy by young female artist Tamura Seito IV enclosed in the original signed wooden box titled Karakusa moyo koro. It is roughly 4 inches tall and in new condition. Tamura Seito is a fourth-generation potter and chosen to inherit the tradition of Saiji micro-calligraphy for the Tamura family. She graduated Tsukuba University in 2004, then began to study under Tamura Keisei...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses These belong to a class of design called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form popular from the seventeenth century features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses...

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles...

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles...

Antique tribal wooden stool from the Lobi people of Burkina Faso & Ghana, in the Sub-Saharan region. With original red and black lacquer finish and patina. The stool is circular in shape with recessed seat and four legs. Dates from early 20th century.

Dimensions: 10" w x 9" h

Japanese indigo cotton fireman's coat, with sashiko stitching and freehand paste resist decoration (tsutsugaki) of a cherry blossom, overlapping rings and striations. The front of the coat has four kanji characters on the lapel, and the inside of the coat is resist dyed with geometric designs and a round central emblem.

Late Edo Period (1603 - 1868)

Dimensions: 47" w x 37" h

Japanese iron tsuba, an important fitting on a samurai's sword to protect their hands from the blade and provide balance. Decorated with relief gold lacquer image of a gourd and opposing catfish. The backside of the tsuba is gold plated, with commemorative inscription "Bill - Christmas, 1972". The plating is signed with 14k and 18k gold marks, and stamped Potter Mellen. With custom base.

Mid Edo Period (1603 - 1868)

Dimensions: 3" x 2 3/4" x 4 3/4" (w/ stand)

A Japanese bronze ritual brazier from the Muromachi period. It has an even tonal verdigris patina throughout the object. The scalloped edge lip is decorated with alternating Ruyi cutouts and continuous curved lines.

The low brazier rests on 3 protruding rounded feet elevating it for the ideal purpose of burning scented woods or providing warmth...

Japanese pair of round fish plates. The raised details of the fish is painted in blue glaze. Along the edges, an impressed pattern makes up the fish's dorsal and pectoral fins. On the bottom, the maker's mark is a tiny blue floret.

Taisho Period (early 20th century)

Dimensions: 10 3/4" wide (mouth to tail)

Japanese women's small tansu with hardwood drawers, and charming burl front panels. The gilt copper hardware conveys floral motifs of Kiri leaves, flower petals, and fruit. The chest is configured with eight drawers of varied size and a pair of small sliding door panels opening to a roomy compartment. Each drawer has a plush black material lining.

Taisho Period - circa 1920's

Dimensions: 21 1/4" l x 11 3/4" d x 11 3/8" h

Japanese hand-forged iron jizai, used for suspending a tea kettle over a fire pit within the home. Made with a charming iron fish with incised details of scales, face, and separately attached fins.

Edo period (1603-1868)

Dimensions: 8" w x 48" - 53" long

A Japanese Contemporary Large Bamboo Sculpture made of thin strips of madake bamboo and lacquer. The artist is using an irregular, open work plaiting technique creating a kind of large cocoon shape. It can be seen from different angles and it can also be use for flower arrangements as there are openings through which a receptacle can be placed inside. But it can be admired simply as a sculpture. Made by Homura Reiryu ( b. 1970 ) from Oita prefecture, Kyushu, Japan...

Unusual Japanese Buddhist Zushi with dark, lacquered wood exterior and gilt interior. Enshrined in this portable altar is the statue of Buddha seated on a lotus. His two attendants are sitting on a dragon and fox. The double doors and roof top are decorated with scrolling gilt metal work.

Buddhist traveling altars and shrines create a sacred space of spiritual magnetism and are the product of dedicated craftsmanship...

Japanese porcelain Kakiemon dish, of a lotus form with lobed petals and scalloped edges, with an enamel image of a blue dragon in the center of the well, its body coiled and playing with a ball of fire. The dish stands on a wide, short foot outlined in red enamel.

Meiji Period (1868 - 1912)

Dimensions: 9 1/2" w x 2 1/8" h

Smashing pair of zen temple buddhist cloud carvings form the late Edo Period/early Meiji Period c. 1870. Carved out of cypress wood and with gold gilt. Slight wear due to age on a couple of spots but adds character (see photos). Condition very good. One is 10" tall by 12" wide the other slightly smaller. Ask for shipping quote.