Japanese iron teapot, or tetsubin, all hand-cast iron in the shape of a Japanese house. The teapot is adorned with leaves and gourds on a thatched roof.

Dates Taisho Period c1920

Dimensions: 8" X 7.5" X 10" (with handle)

Kawase Hasui
Snowscape
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-71.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: One small dot above Hasui seal.

Japanese dish or bowl, Ko-Kutani revival from the Meiji period, late 19th century. Enameled in purple, yellow and green with a wave-line border surrounding a motif of poets (?) and a weeping willow in a mountainous seascape. Dark brown rim, the back with Kutani mark in green. Diameter "8 ½ / 21.5 cm. Condition: the back with some rubbing marks and a glaze bubble (cf. pics).

Geisha and Lanterns
Date: Early postwar
Print size: Approximately 6.75 x 3 inches.
Publisher: Takemura Hideo. Seal at lower left.
A Japanese woodblock print tipped along its top edge to a filled out holiday card.
Condition: Tiny spotting in the yellow.

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and White Shino Glazes. H. 3.75"(9.5cm) x Dia. 6.25"(16cm,) Foot Ring 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and White Shino Glazes. H. 3.125"(8cm) x Dia. 6.0"(15.5cm,) Foot Ring 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

This is the Tsutsugaki curtain used in the Edo period. This was made in the Kyushu region. It is made of fine cotton that is hand spun. This is a person expressing a wooden raft that flows through the river in the season when the cherry blossoms fall. This pattern is a pattern called flower raft. This is a very idyllic depiction of the boatman's expression. The design of the boatman on the raft to go down the river where the cherry blossoms are falling is very elegant and beautiful...

An Arita porcelain small bowl with barbed lotus style lobed rim, a namasu, typically used in Japanese cuisine to serve various pickles. Potted in mid 17C transitional Chinese style without a foot-rim as such, but an unglazed ring, kodai. The interior of the bowl painted in ko-sometsuke style. One half painted with Su Shi’s “First Ode to the Red Cliffe”, divided into twelve columns reading from right to left...

A rare and unusual Japanese Keyaki burl choba tansu with original dark red translucent lacquer finish. The front of the chest has two hinged doors with hand forged iron fan lock plate, with two drawers below. When the chest is opened, it reveals a spacious interior with a large open compartment, a long top drawer and three smaller all burl wood drawers along the side.

Early Meiji period (1868 - 1912)

Dimensions: 25 1/2 x 15 x 25 3/4 h

A Capricious sculpture like a colorful head towel removed yet retaining its shape by pioneering 20th century female artist Matsuda Yuriko signed on the base and enclosed in the original signed wooden box titled Kinrande Utsuwa. It is 9 x 7 x 5 1/2 Inches (22 x 17 x 14 cm) and in excellent condition.
Matsuda Yuriko was born in Ashiya, Hyōgō Prefecture in 1943nd lives and works in Oshino, Yamanashi Prefecture...

Japanese Buddhist scroll painting of Eight Armed Kannon , the bodhisattva of compassion, seated in a lotus position. In her other seven arms she holds a staff, a trident, a bow and arrows, a Dharma wheel, and other attributes with symbolic meaning.

Standing figures are arranged below the seated Kannon, each holding various offerings for the bodhisattva such as rice, sake, dumplings, silk fabrics, and other material objects...

Junrei's hakui (pilgrim's hanten) with many stamps of holy places in Shikoku, which is made of white hand-spun cotton. The ink letters reads "Shikoku Hachiju-hachi-ka-reisho" which means eighty eight holy places in Shikoku. It seems that the pilgrim visited all the eighty eight holy places. In good condition. The first half of the 20th century. 114cm x 87cm

Ash forms enigmatic shapes on this exquisite cocoon shaped wall vase by Yamada Jozan IV enclosed in the original signed wooden box. It is 8 cm (3 inches) diameter, 6 inches(16 cm) tall and in excellent condition.
Yamada Jozan IV was born into the house of third generation Living National Treasure Yamada Minoru in 1954. He graduated the Tokoname High Ceramics Course in 1973, before entering Osaka University of art...

Wonderful hexagonal latticed bronze hanging lantern with electrical bulb. Very art deco. Each panel has glass behind the lattice work to throw off an ambient light. 12" tall by 10" wide. Ask for shipping quote.

Kawase Hasui
Great Pagoda, Nara
Date: 1930s. This edition early postwar.
Print size: 5.75 x 3.75 inches.
A woodblock print tipped along its top edge to an original card.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-60.
Medium: Japanese woodblock print.
Condition: Margin has a few spots.

18 Pieces of Japanese Earthenware Chopstick and Spoon rest in 3 signed Wooden Boxes, 5 each in one box, and 3 are not in box, total 18 pieces, with Satsuma style hand painted floral design in crackle glaze, 1940's, 2" to 2 1/4" long. The condition is good.

A very nice Japanese, Meiji Period (1868-1911) drum form Satsuma lidded box with two faux molded handles to the sides. The exterior and interior of box and lid each are decorated with scenes. Signed on bottom, it measures 5.5 inches diameter, 3" high.

Japanese satsuma Earthenware Vase, signed "Kinzan" on the bottom in gold in the black background, Ca. Meiji period, 1880's, 6 1/4" high, 3 1/8" wide-widest part, with brilliant gold accent on finely overglaze hand painted figures under the Pink Flowering trees around the entire vase. Gold diaper design in black on the neck and repeated wide leaf pattern border in overglaze enamel on the bottom, signed "Kinzan" in gold on the bottom. The condition is good.