This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...

Antique Japanese single section isho tansu (clothing chest of drawers). Made with Kiri (paulownia) and Sugi (cedar) woods with original finish. The chest holds 5 long drawers and 3 smaller side drawers, with hirute drawer pulls and rectangular iron locks.

Meiji period (1868-1912)

Dimensions: 44.5" L x 16.75" D x 30.25" H

Balancing the scales and industrial shape by Sodeisha star Takano Moto-o enclosed in the original signed wooden box titled simply Utsuwa (Receptacle) and dating from the height of Sodeisha influence in the 1960s. It is 12 x 15 x 12 cm (5 x 6 x 5 inches) and in excellent condition...

Small porcelain ko-sometsuke plate made in China for the 17th century Japanese market. Blue and white design of three running rabbits. A bird, possibly a phoenix flies in the sky. Around the rim of the plate are four galloping horses. The underside of the plate is decorated with three thin blue rings and a simple dot pattern. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware...

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this vessel is no let down. A creamy blue crackling glaze covers this artful form which comes enclosed in the original signed wooden box titled simply Seiji Tsubo. It is 10-1/2 inches (26.5 cm) tall, 5-1/2 inches (14 cm) diameter and is in excellent condition.
Nakajima Hiroshi was born in Hiroshima in 1941...

Antique Japanese small chest with drawers, called a dibukuro. Traditional Japanese homes hold a tea ceremony room with a tokonama, or a recessed closet/alcove in which pieces of artistic appeal would be displayed such as hanging scrolls, pottery, okimono and ikebana floral arrangements. The dibukuro would be seated on the floor of the tokonama. (shown in detail photos)...

A deep black glazed bowl perfect for winter tea by Tsukigata Nahiko enclosed in a wooden box annotated by his student and titled Seto Guro Chawan. The subtleties difficult to discern, there are two distinct colors of black, with shiny, and one matte. It is 4-1/2 inches (11.5 cm) diameter, 3-3/4 inches (9 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such...

A one of a kind huge bronze lotus temple basin with a dragon wrapped around the base and coming over the top as a water fountain. The base has bronze shishi in relief. C.1880. Stands over 6 feet tall and 5 feet wide. We had the fountain installed. Comes in two pieces; the base and the basin. Excellent condition with a minor dent in the tail of the dragon. Video available for serious enquiries.

Japanese 20th century large silver vase by TSUCHIYA KYOHEI with flying fish design. The vase has flying fish flying around the sides of the vase. The design is done by hand-hammering technique. The vase measures 13 3/4" tall and 10 1/4" in diameter. The vase comes with TOMOBAKO, or original artist signed wooden storage box.

Seated kappa (lit. river child) sculpted from tuff, an igneous stone composed primarily of volcanic ash, the arms and legs folded across the chest and trunk. Meiji Era ca. 1900, possibly earlier. Old loss, most notably to the edge of the fringed bowl-like head. Excellent lichen accumulation.

Height: 63 cm
Width: 22 cm
Depth: 37 cm
Packaged weight: 53 kg.

Wall vase for ikebana flower arrangement, to be hung at one of the vertical beams of the tokonoma. Brown stoneware with white inclusions, splash of greenish glaze...

Japanese 20th century bronze vase with abstract leaf design by TSUDA JOYO. The vase measures 16" tall by 6 5/8" in diameter.

Japanese 20th century silver vase with peony and vine design by metal artist, KAWAMURA SEIJI. KAWAMURA SEIJI was born in 1902 in Beppu City. He lived until 1995. He participated in many exhibitions such as the BUNTEN in 1936. Signed Seiji on bottom. 4 The vase comes with TOMOBAKO, or original artist signed wooden storage box.

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô...