Antique Japanese matching Katana (long) and Wakazashi (short) swords, from the Shinto Period (1579-1763). Both swords have a beautiful dark brown patina on the tang with visible laminar construction on the blades. The blades have been fully polished and have paper work from the NBRHK in Japan. Each sword comes with a matching bag for protection. Wonderful details including side knives and menuki. The tsuba on the Wakizashi is shakudo...

This is Rikushakukanban-kimono used in the Tohoku district for Edo period. This is dyed with the natural indigo plant which thick hemp has good. The cannabis fiber is spun by hand in this respect. As for this, a big folding fan and rope are expressed in Tsutsugaki. And the rope expressed in Tsutsugaki is active fantastically. A big folding fan and the active rope are very impressive. There is not such a bold design elsewhere. This does not have a stain and a wound. The state is very good...

Japanese burl wood carving of a man with a large frog on his back, Gama Sennin. The man appears to be offering a peach in his hands as an offering. It is beautifully carved with the man almost melting into the natural root wood. Completely hand carved with many charming details. Early Meiji Period (1868 - 1912) Size: 4" H x 5" W

Antique Japanese hardwood tray. Hand carved Chinese zitan wood into the shape of a banana leaf. The underside is finely carved with a gnarled bamboo branch.

Meiji Period (1868 - 1912)

Dimensions: 22" L, 8.5" W, 1" H

This is Katsugi used in the latter half of the Edo era(1800 ~ 1868) in Tohoku. This is good-quality Katugi produced in a district for Edo period. This is Katsugi produced with a tradition of Kyoto in a district. This has Oomon to a shoulder center part. This was dyed with a natural indigo plant. As for this, the bottom part is colored into black. As for this, Katazome of the small build is expressed by three patterns. The part of the hem is Tsutsugaki, and this is expressed...

Japanese kimono made of silk and decorated with large peony blossoms on a black ground. Details of fine gold thread. Lined with white silk. Taisho Period (circa 1930's). Size: 59" high x 50" wide

Antique Japanese large scroll painting on silk of a buck and a doe. With incredible detailing such as the thousands of individual hairs on each deer, piercing eyes, long strands of grass with intermingled berry shrubs and blossoming flowers. Creating a tranquil nature scene. Signed "Toko" Tsuchinoto (boar) Aki. Taisho period circa 1920's. Autumn, Year 36 of 60 year cycle. Comes with original tomobako. Size: (entire scroll) 92"H x 33.25" W (artwork only) 56" H x 27.5" W

Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.

A Superb Shigaraki Chawan by Sugimoto Sadamitsu enclosed in the original wooden box signed beneath by the artist and endorsed by Tea Master Tachibana Daiki of Daitokuji Temple. It is 4 x 5 x 3-1/2 inches (10.5 x 13 x 9 cm) and is in fine condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki...

Seated En-no-Gyouja figurally sculpted from tuff, an igneous stone composed primarily of volcanic ash. Mid-Edo Period ca. 1700. Very minor old loss. Variegated lichen accumulation overall.

Height: 61 cm
Width: 34 cm
Depth: 27 cm

En-no-Gyouja, a 7th-century diviner and mountain ascetic, is exalted as the founder of shugendou, a syncretic religious cult based on animistic mountain worship and Esoteric Buddhist doctrine and ritual. Stone depictions of En-no-Gyouja are exceedingly uncommon...

Very fine large Meiji Era Japanese porcelain bowl with a delicately painted floral motif accented with gold gilt highlights. The side of the bowl features cranes in various flying poses. There is an old staple and gold repair at the rim. Looking into the bowl it is not visible unless you are seriously looking for it. See last 2 photos. Bowl rings nicely. Signed on the bottom, this is a very large bowl measuring 12.5 inches across by 3.75" high.

Stone lantern in the ikekomi-gata style sculpted in four parts from granite. Early-Edo Period ca. 1650. Very minor old loss. Variegated lichen accumulation.

Height: 93 cm

Sculpted from a high-quality granite, with the formal hexagonality of the upper three parts relaxing into the tapered swell of the cylindrical pedestal, a diminutive ikekomi-gata lantern with immense charm...

Standing Jizo Bosatsu, the hands bearing aloft a hoju (sacred jewel), figurally sculpted from a gray-brown igneous stone. Mid-Edo Period ca. 1725. Minor old loss. Variegated lichen accumulation.

Height: 30.5 cm
Width: 16.5 cm
Depth: 12.5 cm

A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then acts as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

Typical of Mino pieces of the time, this Oribe chawan is made of coarse, unrefined clay. The brilliant green color is the result of copper...

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho). The way the artist allows his hand to flo...

Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi. ...