Bijinga - a painting of a beautiful woman depicts otogoze/otafuku beauty. Finely painted with ink and pigments on silk. The back ground of her is decorated with gold on fan shaped design. Signed and sealed.

Some insignificant light marks and light foxing are present on the painting itself, otherwise the painting is in very good condition with age. Some insignificant light marks and a small scrach is present on the scroll end, otherwise it is in very good condition. It is mounted on beatifu...

An antique Japanese Kasane Tansu (2 section Kimono chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Hirute handles and Urushi lacquered body. Lock plates shaped in the form of the auspicious Paulownia leaf. Upper section has 2 drawers and a hinged safety door with two small drawers behind. Lower section has 2 full width drawers.

Age: Meiji Era (1880-1890)

Dimensions: 42 3/4" Wide by 38" High by 17 1/2" Deep

An antique Japanese temple plaque made from one large solid block of Keyaki (Zelkova) wood. Hand carved on both sides. One side depicts ocean waves which represents polar opposite ideas of peaceful tranquility and powerful ferocity. The opposite side features Sunflowers representing warmth and longevity and Chrysanthemums symbolizing immortality.

Age: Edo/Meiji Era (circa 1850-1900)

Dimensions: 46" Wide by 22 1/2" High

A vintage Chinese low table with 3 drawers made of Huanghuali. Top has a floating panel surrounded by a mitered frame. Each drawer front has a carving of 3 dragons. With beaded edge and inverted horse hoof feet.

Age: First half 20th C

Dimensions: 54" Wide by 16" HIgh by 20" Deep

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a s...

Antique Japanese musha-ningo (samurai doll) of the Empress Jingū-kōgō (Okinagatarashi-hime no Mikoto 170 - 269). The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a ship wreck. Upon her return, she birthed a son, Ōjin (Honda...

An antique Huanghuali Chinese grain storage coffer in a square design. The hinged cover has a floating panel with time honored shrinkage surrounded by a frame. There are four protruding grooved square posts, one per corner that adds a decorative element. Hardware has brass mounts. Through mortise and tenon joinery construction and a beautiful patina acquired over its history. Front slatted moldings and 2 panel replacements using Jichimu wood. In the late Ming style.

Age: 17th Centur...

A Chinese side table with drawer made of Rosewood. Key fret design on each foot in the Ming style with beaded edge detail. The top is a floating panel surrounded by a mitered corner frame. Brass hardware.

Age: 20th Century

Dimensions: 18" Wide by 22" High by 24" Deep

An antique Japanese Tansu chest in 3 sections called Ishodansu made of Tochi (Horse Chestnut) and Hinoki (Cypress) woods. This chest was used for Kimono and clothes storage. Original bronze hardware and wiped lacquer finish. The front has a smooth channeled frame. Behind the sliding doors of the upper section lies a small drawer to the left and a corner shelf to the right side. Center section has 3 drawers and the bottom section has 2 drawers.

Age: Taisho Era (circa 1912-1920)

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Chinese Song Dynasty Hare's Fur Bowl in Kiln Saggar

This "hare's fur" bowl still in its kiln saggar was made during the Song Dynasty (AD 960 - 1279) and has been excavated from a kiln site in Fujian province. Much of the glaze of the bowl is a deep glossy black with the "hare's fur" effect mostly around the rim. It appears the saggar shifted during firing causing the bowl to move inside its saggar and come into contact with the wall of the saggar resulting in the glaze of the bowl fusing to ...

Large Chinese Song Dynasty Qingbai Porcelain Ewer

This wide-bodied porcelain ewer was made during the Song Dynasty (AD 960 - 1279). It is particularly "heavily-potted" for its type. It has a "kinked" spout, a wide loop handle and two decorative loops on opposite sides joined at the shoulder and neck. It is coated in a fairly thick greenish blue glaze that is crackled in places. The base remains unglazed revealing the creamy-white body.

Height 22.5 cm. Weight 1.325 kg. Despite being an i...

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

The urn is made of very hard porcelain stoneware, the body and lid were turned. 5 cases were glued to the slip on the shoulder, as they are deeply hollow, without however crossing their support, I think that they must have served as a receptacle for incense sticks, a decoration of petals and stylized flowers is vigorously incised before firing, then covered with a cracked celadon glaze. Chinese work from the Song dynasty around the 11th-12th century. A chip in the setting, 3 of the five cases ...

Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl. Signed Kozan under the base. Origin: Japan Period: Meiji end ...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm. – Weight: 2.3 kg. State of conservation: Very goo...