Standing Jizo Bosatsu with hands forming the gassho mudra of adoration, figurally sculpted from tuff, an igneous stone composed primarily of volcanic ash. Mid-Edo Period ca. 1700. Minor old loss and overall softening of the lines and contours, with significant lichen accumulation.

Height: 36.5 cm
Width: 16.5 cm
Depth: 12 cm
Packaged weight: 9 kg.

A notably charming example of early- to mid-Edo Period stone sculpture.

Hiroshi Yoshida (1876-1950)
Grand Canyon (from The United States series).
Date: 1925. First state with jizuri seal, indicating self-printing by the artist.
Size: Oban. Approximately 16.0 x 11.0 inches.
Pencil signed and titled in English. Signed and sealed in Japanese within the image.
Condition: Margin has two numbers noted in pencil and two original drying pinholes.

Jizo Bosatsu seated upon a lotus-form dais, the hands forming the gassho mudra of adoration, figurally sculpted from a gray-brown igneous stone. Mid-Edo Period ca. 1750. Excellent condition, with variegated lichen accumulation.

Height: 39 cm
Width: 24 cm
Depth: 22 cm
Packaged weight: 17 kg

An unusually well-sculpted Jizo with a lovely visage, in virtually flawless condition despite significant age.

Japanese abstract print, titled "Flame Tracer" # 42/90 in its series. Hand signed by the artist Kurosaki Akira (b. 1937). Embossed with print studio logo.

Akira Kurosaki began studying at the Kyoto Institute of Technology in 1956 and earned his BA degree in 1962. He worked part time as a teacher until 1968. Works by Kurosaki have been displayed in the Kyoto City Art Museum, National Museum of Modern Art in Tokyo, the Victoria and Albert Museum of London, Bibliotheque nationale in Pa...

Tsuchiya Koitsu
Nezu Shrine.
Date: 1934.
Size: Oban. Approximately 15.5 x 10.50 inches.
Publisher: Doi Hangaten. Doi watermark present at upper left corner.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalogue no. TK-DH-16.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed the print from its original folder.

A blue and white dish or bowl, depicting a garden wall and rocks with peony, bamboo and prunus. China, mid Qianlong period. Made for the European market, the well surrounded by a Rococo scroll border. Diameter "8 ½ / 21.2 and height"1 ½ / 4 cm. Condition: rim frits and wear to the well (cf. pics).

Well hollowed shadow agate snuff bottle, of classical shape, with a "tao tie" mask in relief on each shoulder. The stopper is made of coral, turquoise and silver with a felt base. The spoon is made of iron. The piece dates back to the Qing Dynasty, 19th century. Its height: 6.4 cm without stopper. Its total height: 8.2 cm. Excellent condition.

Width: 16.2 cm (6.4 in)
Height: 6.8 cm (2.7 in)
Depth: 5 cm (2 in)

Interesting pair of 18th century porcelain scroll or silk weights; modelled in the form of two boys (He He); small areas of glaze degredation; good condition

A Song - Yuan dynasty longquan celadon vase with two ears, flower motif at the center, vase is in good condition no damage please see picture for detail size: 15 cm height.

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976. From there, he moved on to become an instructor back at...

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976. From there, he moved on to become an instructor back at...

A quintessential Mashiko work by important artist Hamada Shoji enclosed in a wooden box annotated by his son Shinsaku. It is 11-1/2 inches (29 cm) square. 7 cm (2-1/2 inches) tall and in excellent condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed. One of the most influential and sought after of all Japanese Ceramic arti...

During the Meiji period there were only five potters ever to be awarded the prestigious designation of Imperial Court Artist: Ito Tozan, Seifu Yohei III, Miyagawa Kozan, Itaya Hazan, and the artist whose work is featured here, Suwa Sozan. This mizusashi for tea ceremony is made of the finest “kinuta” celadon that Sozan was well known for—having recreated and perfected the technique used by the Chinese Song Dynasty potters. Being one of the main objects of importance in the tea ceremony rit...

Imao Keinen (1845-1924)
Crow and Flowering Cherry
Date: ca. 1930
Size: Approximately 15.0 x 7.5 inches.
Publisher: Shima Art.
Provence: Purchased directly from the Robert O. Muller estate.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition. Excellent. Uncirculated.

Japanese woodblock print depicting a lone leafless tree at dusk set against a gold leaf background titled "Evening View (Dusk)" by Joichi Hoshi (1913-1979). Pencil-signed "Joichi Hoshi" and dated '77 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and numbered 43/99. A penciled inscription on the upper back reads "8408 S-1 12/12" and the original price of 100,000 yen is at the bottom of the back. Paper measures just under 25" x 34 1/4" (image...

A pair small cloisonné enamel vases with roundels containing flowers or butterflies amidst spiral shaped wire ground, some highlights in goldstone. Gilt wires, rim and base. Signed "Takahara". Condition: fine. Dimension: c. 9.8 cm high.

A very unique and rare red agate oval Pyu seal. The white band on the surface of the stone has been skillfully carved down to the next red layer with a sacred bull. The red in the stone is more of a ruby red than an orangery red. When looking sideways at the stone at a certain angle, you can see the crystal clear band sandwiched in between two red bands which is natural to the stone. (see photo) The carver used an ingenious method of carving the seal to make it look like a solid red ruby-colo...

The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930. The screen is 67.3 x 56-1/4 inches (171 x 143 cm) and is in fine condition.
Due...