Head of Buddha, eyelids lowered, with a meditative expression, with a small usnisa above forehead. Wood, with multiple layers of lacquering and gilding. China, Qing Dynasty, 18th century, maybe earlier. Height: 32.5 cm. Some chips, otherwise very good condition.

Small statue of Buddha depicting an important stage of his life when, still as Siddhartha, he sat meditating for a long time almost without eating and became emaciated and close to death, before realizing that the way to seek the Truth was not to torture oneself. Siddhartha, with an aureola at the back of his head, sits on a semi-circular throne with a vajra in relief on its front. Gilt copper, with a fine patina. Tibet or China, 19th century, maybe earlier. Height: 8.5 cm. Gilding partly missi...

An Annan pottery tea bowl for use in the Japanese tea ceremony from the kilns of 15th-16th century Vietnam enclosed in an age-blackened kiri-wood box. The crackled pale glaze is decorated with a band of blue frets about the rim inside, a decidedly modern design of droplets descending in beads down the outside typical of early Vietnamese decoration. The remnants of a kinran gold infused cloth bag remain for wrapping the piece, the outside layer is in tatters, but the inside brocade is still supp...

A beautiful necklace made from an assortment of ancient carnelian and some stone beads from China. Size: 60cm.(24 inches) end to end.

Painting of Monkey Reaching for the Moon's Reflection in the Water by Renowned Korean Buddhist Monk and Painter Su An Sunim (born 1940), from the ancient Buddhist parable of the monkey reaching for the moon's reflection in the water. The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's works of similar size and quality sold for multiples of the pr...

Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior. This piece represents one of Handeishi’s finer works from his later period; and, taken on its own merits, is an exceptionally fine example of Iga-ware—traditionally produced in the famed potting region so...

The lower half of a blackened enso dips from the rim on a backdrop of gray crackled glazing interspersed with auburn highlights. Rising up from below into the enso, frothy waves crash on rocks giving the impression of movement, power, and the indomitable forces of nature.

Born in Gifu Prefecture in the region known for Mino pottery, Wakao is the quintessential example of a self-taught potter who cultivated a unique style and achieved wide recognition despite no formal training. Afte...