Unusual and original antique Japanese cast iron zen panel gong, or "umpan" meaning "cloud plate", usually hung outside of the kitchen area. Stylized decorations on the front include characters meaning both "sun" and "moon", a lucky bat, gourd medicine bottles, and lotus petals.

Mid to Late 18th century

Size: 25" W x .75" D x 26.5" H

Antique Chinese pair of fu dogs, hand-sculpted from clay, with hollow interior and fine detailing. Qing Dynasty

Size: 4" L x 3" W x 5.75" H

Chinese Jadeite carved ring, Disc, Beads, Rose Quartz, red stained wood bead with Silver mounted Ornament, part of Jewelry before. Ca. before 1900, 4 1/4" long total length, 1" diameter for green Jadeite Disc, Nephrite Ring has hairline but not broken.

An antique Japanese bamboo brush holder decorated with multiple figures and pine tree, flower pots..etc. Superbly carved. 18/19th century. Condition: cracks and chips, please see photos for condition details. Height: 7-7/16"; diameter: 5-1/2".

Antique Japanese gifu tansu (accountant's chest) made with Hinoki (cypress) wood front and Sugi (cedar) wood sides. Fantastic detailing with many storage compartments of various size and bracing on its sides.

Meiji period (1868-1912)

Size: 36" L x 19" W x 38.5" H

Antique Japanese woven ikebana basket, for artistic arrangements of flowers. Tall, of a gourd form, with metal insert and tightly woven with varying size and texture of bamboo.

Size: 24" H x 12" W

A Remarkable Indian or East Asian offering Bowl on Stand, late 19th or early 20th century.

The bowl is cast and then finished by fine chisel work and engraving, all against an intricate punched ground. It features a myriad of hunters and animals, the trees seem full of game. On the hilly horizon can be seen various dwellings and pavilions, tiny birds in the sky. The base is an arrangement of three elephant heads supporting an acanthus cup on which sits the offering bowl.

I have ...

Japanese Brown large heavy weight Earthenware Hibachi with bumpy irregular hand constructed and molded body and iridescent thick drip glaze, Ca. Meiji, 1800-1920, 12 1/2" high, 13" wide for rounded soft square top rim, 15" wide in the middle widest part, 12 1/2" diameter for unglazed bottom, multi color brown thick drip glaze on brown body, the bottom is not glazed. Hand shaped and molded top rim is rounded square and fold over overlapped, and wide round body in the middle, narrowing down to s...

Takahashi Shotei (Hiroaki)
"Tama" (aka. White Cat on Black Background)
Date: 1924. This edition printed between 1946-1957.
Publisher: Watanabe Shozaburo. Bears the red 6 mm seal at lower left.
Size: Oban. Approximately 13.25 x 9.5 inches.
Condition: Trimmed margins. Light scuffing.
The cat is beautifully embossed as shown in photo 2.

Chinese carved Turquoise Ornament or Tassel with Chinese Characters, and Macrame knot, 7/8" high-maximum height, and 1/2" high, 3/4" wide, 3/8" thick for carved Turquoise only, two(2) round Turquoise beads on top and bottom together, the carved turquoise pendant is before 1920's. The condition is good.

Stoneware water jar or mizusashi as used in the tea ceremony with round bottom developing into a diamond shaped edge. Greyish smooth stoneware, decorated with horizontal grooves, covered with brown iridescent glaze on the outside and with a mottled greenish-yellow glaze on the inside, dripping over the outside edge and down. Black lacquered, diamond-shaped coved. Takatori style, Japan, early Showa era, circa 1930-1950s.

H without cover 5¾ in.; with cover 6½ in.

Jar in fine condition, ...

Chinese natural Turquoise Ornament, Tassel with Macrame knot, 7 1/4" high-maximum height for Tassel, and 7/8" high, 5/8" wide, 1/4" thick for Turquoise piece, shows natural grains of the stone. The condition is good.

This is Tsutsugaki produced in the Shonai district for the Meiji period. This was used in a merchant's family. As for this, cotton is spun by hand. This has a pattern and the family coat of arms of the peony butterfly. This is a pattern of the good luck. This has slight aging fading in three places, but there is not the damage. The state is good. Size 156cm x 127cm (61.4 "x 50")

Tall and slender, almost cylindrical chaire. Brown fine stoneware with spiraling engraving on top, covered with olive green translucent glaze with fine crackle, and with a white and blue triangular patch dripping down. Seto region, Japan, 18th century.
Comes with wooden storage box.

H 6-1/8 inches

Fine condition

Provenance: Private collection of chaire (collection no. 17); purchased at Sotheby’s New York Important Japanese Works of Art, Sale 4599Y, May 6, 1981, Lot #314; c...

A large and rare Angkor Wat bronze pot from Cambodia. Beautiful patina with natural green incrustation. Size. H. 13.8cm W. 21.3cm. Condition: No repairs

Very large pear-shaped chaire. Very dark brown stoneware, thin walls, with thin glaze of oily colors and fiery brown-red running down. Ofuke ware, Owari Province (Nagoya), Japan, late 18th century.

H 4 ½ inches

Fine condition, old handwritten label, identifying the piece as Ofuke, dating it to 1780s.

Provenance: Private collection of chaire (collection no. 37); bought from E & J Frankel, New York, May 17, 1984; ex Vassar College collection; ex Pratt Institute collection (1906)

A traditional shape called Kinuta (fulling block) draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kinuta Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. A Kinuta (fulling block) is a small wooden mallet used to beat silk into a soft texture. It is a very traditional shape in Japanese pottery. This is 9 inches (23 cm) tall and in excellent condition. ...

Bidoro rain down like a glass bead curtain over the terracotta clay of this Shigaraki Tsubo by Takahashi Shunsai enclosed in the original signed wooden box. It is 8-1/4 inches (20.5 cm) tall and in fine condition.
Born in 1927, the second son of renowned potter Takahashi Rakusai III in Shigaraki, Takahashi Shunsai left home to study under Taniguchi Ryosai in Kyoto before returning to Shigaraki to pursue his studies of Shigaraki styles specifically under his father and spent the better pa...