Ohara Koson
Owl and Moon
Size: O-tanzaku. Approximately 14.5 x 8.5 inches.
Date: 1930s. This edition post 1950.
Reference: K20.6 and page 97 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins. Never framed.

Ohara Koson
Cormorants at Coast
Size: Dai-oban. Approximately 17.25 x 11.25 inches.
Date: 1930s. This edition ca. 1960.
Reference: K3.3 and page 141 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

A nicely made ancient gold ring with a pink ruby setting. Weight: 1.89 grams. Most probably a child's ring

Lovely Chinese porcelain jar with a cheerful family scene. Enamels are rich and colorful. In excellent condition, no chips, no hairlines, no cracks. Measures 5 inches high, 5.5" diameter. Tongzhi, circa 1860

Little distorted half cylinder shaped (tsutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside.

The window is decorated with three concentric squares and twigs in iron oxide glaze has then covered with a clear ash and feldspar glaze. This is a typical Momoyama design.

The three concentric squares is the mon (the family crest) of the famous Kabuki act...

Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 17 x 11.5 inches.
Date: 1930s. This edition post-1950.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Signifying strength and resilience, bamboo—together with pine and plum (sho chiku bai)—is an auspicious symbols running through the heart of Japanese art and culture. The young bamboo depicted here—sprouting from a patch of rocks—were composed by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Rengetsu was born into a Samurai family but was soon after adopted by the Ōtagaki family. From the age of seven to sixteen s...

A set of four unusual small dishes enclosed in the original signed wooden box by Kitaoji Rosanjin (1883-1959), one of Japans most famous 20th century artists. Iron reds underlie the pale earthen glaze, with a dollop of Oribe green on one side. Almost as if planned, the pieces have firing cracks filled with black lacquer, adding a fourth consideration to the standard essentials: form, design and glazing. Each dish is roughly 5-1/2 inches (14 cm) diameter. As mentioned there are firing flaws a...

An unusual Meiji period bronze image of the jolly Daikoku-ten, one of the 7 gods of fortune, looking incredibly relaxed and content. His hat is removable to reveal a chamber for burning incense, and the smoke would be exhaled though his open mouth. It is 6-1/2 x 8 x 5-1/2 inches 16.5 x 20 x 14 cm) and is in overall fine, original condition. The artist chop is in a raised cartouche on the base and appears to read Yoshioka Minpo.

This is a fairly large set of “hayashi” doll, court music entertainers, all dressed in samurai’s attire with a sword. Three seated dolls in the front row are approx. 5 1/2” (14 1/2 cm) tall x 9 1/2” (23-23.5 cm) wide, excluding hat and stand. The taiko drummer is 11 1/4” (29cm) wide, a little bigger. Two in back row, seated on stools, are 7 1/2” (19cm) tall x 9 3/4” (25cm) wide. The stands are lacquered wood.

Sold for Ming dynasty blue and white bowl with four phoenix among cloud scroll. Diameter: 15,3 cm. Thank you very much.

Small Indian bronze, cast in one piece depicting Vishnu standing on a Lotus base. The four-armed Hindu god is holding the conch and the chakra. Karnataka / Maharashtra. Condition: fine, few traces of usage, patina. Dimension: 17.8 cm high.

Gorinto (five-tiered stupa) sculpted in one piece from granite. Early-Edo Period ca. 1650. Very minor old loss.

Height: 49 cm
Width: 14.5 cm
Depth: 14.5 cm

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself in the five elements making...

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This is Sakai-Sarasa used for Edo period. Sarasa of a small pattern is rare. The warm feel does this. As for this, cotton is spun by hand and is thick. There is the stain such as the image of the backside, but does not stand out. Size 80cm x 78cm (31.4 "x 13.3")

Japanese woodblock print by artist Mayumi Oda (1941-present), titled "Ancient Sea Spider Conch", number 19/45 in its series. Signed in pencil. Pairs with another print titled "Ancient Sea" Largest prints she has made. Size: 38.5" height, 25.5" width

Japanese woodblock print by artist Mayumi Oda (1941-present), titled "Ancient Sea", number 19/45 of the series. Signed in pencil. Pairs with another print titled "Ancient Sea Spider Conch". Largest Prints she has made. Size: 38.5" height, 25.5" width

A bright, beautiful woodblock print by Mayumi Oda (1941-present), headlining her exhibition in the Satori Gallery, San Francisco, January 1982. It is numbered 93/250 and signed/copyrighted in pencil. Largest prints she has made. Size: 39.5" height, 28" width