Hejzlar, Josef. Chinese Watercolours. London: Octopus Press 1980. Hardcover with dustjacket. Text ca. 60 pp., bibliography and index, 115 color illustrations of paintings on 96 pp. (photographed by B. Forman). About the members of the Shanghai school from the 19th and 20th century and their works.
Pages slightly yellowed, but all in all in very good condition with very little wear on the dustjacket

Hand shrine, or zushi, of the triptych type. Inside, in the middle section sits Amida Nyorai on a lotus base, flanked by Seishi and Kannon bosatsu. Inside the left panel, and inside the right panel tennin (apsara) flying over a lotus pond. Image of Western Paradise.
Sandal wood. The outside covered in a dark, translucent lacquer, sprinkled with clouds of nashiji and on the front two kiri-mon in slightly raised gold-takamakie and the overlap in the middle decorated with gold lacquer karaku...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada), depicting a heavily tattoed actor Ichikawa Danjuro VIII in the role of Omatsuri Sashichi in a scene from kabuki theater. The cartouche at the upper right holds the series and image title "Mitate Tsuki Zukushi: Musashi no Tsuki" (Collection of the Full Moon Parodied: The Moon over Musashi). The lower left corner of the image holds the seal of the publisher Heirindo, the censor/date seals for 1856, and the signature "Toy...

Chinese carved Foo Lion on each corner and red and brown lacquer on Wood Display Stand, "X" cross shape folding, made early 1900's, 10" high, 16" wide-maximum measurement, 11" wide-for display area inside the high rim. One piece of wooden stick is holding the two(2) pieces of wood together loosely in the center to able to fold or open any angle needed for the items to display. There are some lacquer loses on wood, showing wear and tear, no major damage.

From our Chinese Monochrome Collection, a very fine late 18th century / early 19th century carved cinnabar lacquer vase of compressed baluster form. The vase sits upon a splayed foot with a trumpet form neck containing reserves of floral springs atop a collar of wave motifs. Below this there are two separate scenes contained within trapezoidal shaped cartouches framed by ruyi head motifs:

In the main scene, we see the famous Jin Dynasty calligrapher Wang Xizhi (303 AD - 361 AD) sittin...

Antique Japanese large and deeply carved ranma depicting three sages (from left to right): Le-tieguai (with the iron crutch) , Zheng si yuan (with the tiger) and Gama Sennin (with the frog). There is much of the original paint still intact. Wonderfully carved with great detail and expression. Most likely from a Shinto temple. Edo Period (18th century). Size: 27" high x 87" long x 3" deep. (very heavy!)

Chinese Ceramic old Scholar Figure with long bear, 2 1/4" high, 1 3/8" wide, with dark bluish green glaze, molded figure is sitting on the rock, hollow inside and open bottom, and no damages.

Chinese Lacquer Papier Mache Dish, 3/4" diameter, made during 18th to 19th century. Large Chinese Character in gold in the center on a very rich dark red lacquer background. There are some red lacquer loses around the rim.

LIAO Dynasty Terracotta Buddhist Votive Plaque/Amulet, China, AD. 907 - 1125, with very fine details. Nicely mounted on a wooden base. Originates from a group of varied tablet sizes that were excavated, most likely from the foundations of an ancient Buddhist temple, placed there to ensure success and prosperity. Condition: very good, minor inconsequential chip. Size: 2.75" (7 cm.)

LIAO Dynasty Terracotta Buddhist Votive Plaque/Amulet, China, AD. 907-1125, with very fine details. Nicely mounted on wooden base. Originates from a group of varied tablet sizes that were excavated, most likely from the foundations of an ancient Buddhist temple, placed there to ensure success and prosperity. Condition: good, minor inconsequential chips, no restorations. Size: 2.75" (7 cm.)

LIAO Dynasty Terracotta Buddhist Votive Plaque/Amulet, China, AD. 907 - 1125, with very fine details. Nicely mounted on wooden base. Originates from a group of varied tablet sizes that were excavated, most likely from the foundations of an ancient Buddhist temple, placed there to ensure success and prosperity. Condition: very good. Size: 2.5" (6 cm.). No restorations.

LIAO Dynasty Terracotta Buddhist Votive Plaque/Amulet, China, AD. 907-1125, with very fine details. Nicely mounted on wooden base. Originates from a group of varied tablets sizes that were excavated, most likely from the foundations of an ancient Buddhist temple, placed there to ensure success and prosperity. Condition: good, inconsequential hairline/chip, no restorations. Size: 2.75" (7 cm.)

LIAO Dynasty Terracotta Buddhist Votive tsa tsa Plaque/Amulet, China AD. 907 - 1125, with very fine details. Nicely mounted on a wooden base. Originates from a group of varied tablet sizes that were excavated, most likely from the foundations of an ancient Buddhist temple, placed there to ensure success and prosperity. Condition good, inconsequential chip/hairline, no restorations. Size: 2.75" (7 cm.)

Chinese small ruyi scepter, intricately carved with entwining branches of fruiting pomegranate tree, c1950 vintage. Size: 6 3/4" long.

This scene may have been depicted from a national treasure “Hikone Byobu six panel folding screen”. The screen has been collected by the Hikone castle museum located in Shiga prefecture in Japan. The screen has been very well known for not only the quality but also as a representative masterpiece depicting the custom of the early Edo period showing early-modern Japanese history. In this painting depicts a young robust courtesan with her western puppy. Her kimono is decorated with a special t...

Seated monkey sculpted from a light-hued sandstone, the hands covering the ears in classic hear-no-evil fashion. Late-Edo Period ca. 1800. Very minor old loss.

Height: 23 cm
Width: 16 cm
Depth: 11 cm