Burmese wooden rabbit.

Age: Burma, Mandalay Period, 19th Century
Size: Height 26.2 C.M. / Width 23 C.M. / Length 53.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is an old Japanese silk obi. The style of the obi is called Chu-ya (day and night) obi – it’s made with two different fabrics sewn together. As the name suggests, two sides of the obi can be worn for totally different social functions. Both sides are absolutely beautiful on this obi.

The front side of this obi is subtle but quite tasteful. As for the black side, it is ‘Nyogen’ silk fabric from China; there are two characters, ‘nyo gen’ and their distinctive red logo (p...

Japanese woodblock print triptych of swimming turtles and fish with actor mons and human faces by Yoshu Chikanobu (1838-1912) dated 5th month of Meiji 19 (1886). The convention of disguising portraits of actors arose in the Edo period when bust portraits of actors were banned, through the Tempo Reforms of 1841-1843, for being conspicuous and a detriment to public morality. Each panel measures about 14"V x 9 1/8"H. The print is in good overall condition with fading evident. The panels are sep...

A lovely burial gift, this glazed and painted pottery offering table. The dishes with food and other objects are fixed to the table. China, Ming Dynasty (1368-1644). Condition: repairs to the legs, age wear to the glaze and painting. W. 22,5 cm, D. 16 cm, H. 22,5 cm. TL test from Kotalla included.

Very nice lobed porcelain Qingbai plate with carved peony decoration. China, Song Dynasty (960-1279). Diameter 16 cm. Condition: glaze is locally crackled due to age, there is age wear to the glaze. No damage or repairs.

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is From Inside to Outside by Won Ju Seo. Hand made of Korean silk, organza, and silk thread. Frame: 20.5 x 20.5 inches, 52 x 52 cm; Textile: 11.5 x 11.5 inches, 29 x 29 cm. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditi...

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 9 by Won Ju Seo. Hand made of Korean silk, ramie, and silk thread. Frame: 11 x 9 inches, 28 x 23 cm; Textile: 5.5 x 3.5 inches, 14 x 9 cm. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional K...

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Colors in My Surroundings 13 by Won Ju Seo. Hand made of Korean silk and silk thread. Frame: 17 x 14 inches, 43 x 35.5 cm; Textile: 10.5 x 8.5 inches, 27 x 21.5 cm. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional ...

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 1 by Won Ju Seo. Hand made with colored Korean silk, ramie and silk thread. Frame: 10 x 10 inches, 25.5 x 25.5 cm; Textile: 4.5 x 4.5 inches, 11.5 x 11.5 cm. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the tradit...

Edo Period Japanese Safe. 17d x 13.75h x 12.25w inches, 43d x 35h x 31h cm.

Well modeled bronze dog with drum. Detailed paws and face make the dog life like. Meiji period, 1868-1912. It measures 4.25" tall. Cartouche stamped in base.

Japanese antique happi coat, made of cotton with white paste resist ground and design of light blue mon and characters, collar and interior edge of sleeves reinforced with pieces of blue and white plaid cotton fabric, Meiji/Taisho Period. Size: 32" high x 49 1/2" wide

An aquatint in colors by the famous Chinese artist Zao Wou-ki (Zao Wuji). He was born in Beijing 1921 and worked in Paris. Signed, dated '59 and numbered 32/95 in pencil. Condition: trimmed (die stamp of l'Oeuvre gravée only last 3 letters), slightly soiled and creased, reverse with annotations in pencil and traces of former mounting, one pinhole in image. Dimension: image: 39.6 cm x 44.5 cm, paper: 49.9 cm x 58.6 cm.

Japanese antique indigo work coat, sashiko stitched indigo ikat sleeves, reinforced shoulders with black cotton, beautiful thick woven indigo cotton fabric, vents in under arm area edged in black cotton, Meiji Period. Size; 39" high x 45" wide

Japanese antique buddhist priest's robe, made all of woven silk, blue ground with gold medallions with cranes and pine bow design, sewn in panels, original white and purple cord on sleeves, late Meiji Period. Size: 60" high x 77" wide.

A pair of porcelain garden stools with flower design, trace of original remains in good condition.

Age: China, Qing Dynasty, 19th century
Measurement: Height 44.8 C.M. / Diameter 38 C.M.
Condition: One stool is broken and repaired. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Jizo Bosatsu seated upon a lotus-form dais, the hands holding a hoju (sacred jewel), figurally sculpted from granite. Late-Edo Period ca. 1800. Very minor old loss, with overall softening of the lines and contours. Light lichen accumulation.

Height: 41 cm
Width: 27 cm
Depth: 22 cm

Hewn with elegant simplicity from a high-quality granite and in excellent condition, a very desirable Jizo stone.

Standing Bosatsu (probably Kannon) nagarebutsu (lit. flowing Buddha) sculpted from a single piece of wood (ichiboku-zukuri), originally finished in lacquer and gilt. Late-Heian Period ca. 1100. Stable condition, i.e., fumigated against further intrusions by wood-devouring insects.

Height, including block-form dais appearing in the first photograph: 127 cm
Height of nagarebutsu only: 106 cm

Hailing from Tashinji Temple in Tanba, Hyogo Prefecture, this large-scale standing bodhisattva nagar...