Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th - 18th Century
Size: Height 52 C.M. / Width 27.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age including wood erosion on top of Buddha head). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Thai wooden happy Buddha sitting on a base.

Age: Thailand, 19th Century
Size: Height 24.3 C.M. / Width 13.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Turquoise accumulates in the clefts like tourmaline water in the deep basin of this sculptural vessel by Yamaguchi Mio dating from 2021. It is 31 cm (12 inches) diameter, 28 cm (11 inches) tall and in excellent condition, directly from the artist.
Yamaguchi Mio was born in Aichi prefecture in 1992, and graduated advanced studies at the Aichi University of Education in 2017. While still at university, her works were selected for show at the JoryuTogei Ten Female Ceramic Artist Association...

Good Mandalay period Nat circa last half 19th century, carved from alabaster with traces of original pigment, this ha very expressive face. Nats are spirits were historic characters that became deified or associated with places and elements of nature. Their veneration predates the acceptance of Buddhism but eventually was absorbed into mainstream Burmese Theravada Buddhism. H: 22cm. there are few shallow scuffs but otherwise good condition. Please note last image is for reference: Myanma...

Very good, Pagan 12th century, impressed image of the Buddha inset a niche, flanked by stupas and two lines of Nagari script beneath. Overall the details are crisp and the interplay between light and shadow on this piece are quite dramatic. The best examples of this type reside in the Ashmolean and British Museums. This piece has some chipping on one outer side (please see enlargements), bear in mind most of the ones available these days are either fragments or heavily damaged, this one ...

A Shachihoko is a sea monster in Japanese folklore with the head of a dragon and the body of a carp. According to the tale, Shachihoko lives in the cold northern ocean. Its broad fin and tails always point up toward heaven, and its dorsal fins have numerous sharp spikes. It can swallow a massive amount of water and hold it in its belly, as well as summon clouds and control the rain. Shachihoko are often constructed in a male and female pair at each end of the roof ridge as protector spirits of t...

The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing. In the 19th century it was difficult to fire porcelain with this complex...

An antique Japanese Tansu chest made for Kimono storage and constructed out of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original lacquer finish and hand forged iron hardware including the Warabite style handles. Two drawer design perfectly suited as a side chest or low dresser.

Age: Meiji Period (1880-1890)

Dimensions: 36" Wide by 21" High by 16" Deep

Set of 1930's Japanese Seto Porcelain Oyster 8 Plates Signed

They are 1 inch (2.5 cm) tall by 6.5 inches (16.5 cm) wide. Total weight is 4 lb.

They have glaze cracks, glaze crazing, firing dark spots, loss of gold and paint, skip glazes, and surface wears and scratches. Six of the plates have firing cracks. One plate has chips and hairline cracks at the back (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if ...

1900's Chinese Silk Embroidered Gold Couching Egret Civil Rank Badge Official Robe

It is 72.8 inches (185 cm) from sleeve to sleeve, 28.1 inches (71.5 cm) armpit to armpit, and 45.28 inches (115 cm) collar to hem.

It has frayed silk, loose, pulling, and missing threads, fading, stains, separated seams, and wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy wi...

A Satsuma bowl decorated with a striking landscape that evokes the beauty and serenity of the Japanese hills, with a gently flowing river surrounded by trees and mountains. The bowl is signed Kinkozan under the base, inside a rectangular reserve and impressed into the ceramic. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4.5 x 11 cm. State of conservation: Very good

A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.

A Large Chinese Yue Celadon Bowl. Circa, 220-589 CE, Six Dynasties. Found in the Philippines. Large stoneware bowl with a carved and combed decoration and is covered in an olive green celadon glaze. Measurements: height (3.5”inches) diameter (10”inches) across. Condition: it is in perfect condition with no repairs. UV light checked. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com or via private message for further inquiries, price off...

Rare porcelain or (porcelain stoneware?) dish from China, from the 17th century or before. The ceramic is thick and solid, the decoration of peonies is incised then painted in turquoise and aubergine enamels. The incised lines of the design demarcated surfaces comprising the enamels mixing during firing. The peonies are treated simply and energetically, the artist has gone to the essential, his drawing is powerful. This kind of decoration is unusual for this type of Chinese ceramics called "Fahu...

Fine and Rare Korean 19th Century Guardian Painting in Gold Leaf and Mineral Pigments on Silk in Excellent Condition with Vivid Colors. This would have hung on the door of a home to protect the household. This is the finest example of a door guardian painting we have ever seen. Frame: 22 x 10 inches, 56 x 25.5 cm; Painting: 19.5 x 7.5 inches, 50 x 19 cm.

An antique Japanese Tansu chest in 2 sections from the Mikuni region of Japan. Functioned as a merchant chest (Choba Tansu) for store record keeping and inventory storage. Constructed of Keyaki (Zelkova) and Hinoki (Cypress) woods. All original hand forged iron hardware with Hikute style handles.

Upper section has 2 sliding drawers with a split level removable shelf and three drawers. Bottom section has four large drawers. Side slates provide structural strength and visual design.