Small Japanese antique tansu for personal use, made all of kiri (paulownia) wood, 1 larger drawer along the top, 3 medium sized drawers down the left side, 3 smaller drawers of varying sizes down the right side, lots iron hardware including warabite shaped drawer pulls, lock plates on every drawer except the one smallest drawer, Meiji Period (1868-1912) Size: 17 1/2" high x 23 3/4" wide x 12 3/4" deep.

Standing Seishi Bosatsu, the hands forming the gassho adoration mudra, sculpted in relief from a dense, gray-black igneous stone. Clearly dated on one side to the 17th year of the Kyoho Era (1732), mid-Edo Period. Minor old loss to the perimeter.

Height: 60.5 cm
Width: 24.9 cm
Depth: 14.8 cm.

A squarely monumental piece showcasing a delicately rendered Seishi Bosatsu in an oval frame, with irrefutable temporal provenance. Uncommon.

Japanese sword chest (katana tansu), made all of kiri (paulownia wood), 2 long drawers, iron hardware with square lock plates and warabite shaped drawer pulls, iron corner bracing, Meiji Period (1868-1912). Size: 12 1/2" high x 47 1/2" wide x 14 1/2" deep.

Japanese antique cha tansu (tea chest) made of dark hardwood, many open shelves with decorative cut out areas, compartment on top right with sliding panels, larger compartment on the bottom with hinged doors, 2 small drawer on the bottom right, Taisho Period. Size: 45" high x 46" wide x 14 1/2" deep.

Japanese kiri (paulownia) wood trunk, original deep red lacquer finish, iron hardware, trunk has curved lid and 2 drawers along the bottom (one large and one small), Edo Period (early 1800's). Size: 26 3/4" high x 34 1/2" wide x 16 3/4" deep.

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

Seated Jizo Bosatsu figuratively sculpted with rough-hewn simplicity from a grayish igneous stone, the hands forming the gassho adoration mudra. Edo Period ca. 1700. Minor old loss. Black-soot accumulation, particularly on the head, testifying to long years of devotional usage during which this Jizo stone was draped with a garment from the neck down and thus partially shielded from the smoke of burning candles and incense.

Height: 15.6 cm
Width: 8.3 cm
Depth: 8.0 cm.

On the back of thi...

A very large,well potted, and finely decorated Satsuma earthenware vase made in Japan during the Meiji period (1868-1911). The foot-rim carries an impressed seal mark which reads - "Kozan". Condition - excellent - no damages and no restoration. 47cm (18.5 inches) high; 6.1kg (13.5lb) weight

日本萨摩瓷大瓶-光山款-明治
日本萨摩烧大陶瓶，明治ą...

From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890.

SIze and Condition: 6 inches tall, 4 1/2 inches wide at the shoulder, perfect conditi...

Japanese 20th century SUISEKI viewing stone. The viewing stone comes with custom made wooden stand. The viewing stone measures 7" long by 2" tall and 3" deep.

From our Chinese Blue and White Collection, a very fine Kangxi (1662-1722) Mark and Period porcelain dish depicting a scholar with two ladies on a terraced pavilion, bordered by two bunches of flowering branches on the outer rim. The scene is probably derived from an earlier wood-block print. The reverse is decorated with flower sprigs on the outer rim, with a well-drawn six character Kangxi mark of the period contained within double circles in the center. The dish is executed in high quality un...

Fine old Cambodian lacquered woven bamboo betel box. No damage or restoration other than natural wear, as to be expected. Any lacquer coming from Southeast Asia with no signs of use is a strong indicator that its new. Circa 60 to 90 years old. D: 21.5cm/8.5in and H: 9cm/3.5in

Add a touch of class to any sleeve with this pair of vintage gold plated damascene toggle back cuff links. Damascene was an process of inlaying metal objects with 22K gold or silver decoration. These dome shaped cuff links were made in Japan, circa 1950 featuring a mythical Imperial phoenix bird surrounded by flora and fauna, unmarked, swivel toggle back. Size: 7/8" diameter. Very good vintage condition with wear to the dome.

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912). The blue Koransha mark on the reverse dates these more specifically to circa 1875-1880. One charger depicts figures set against a field of tall bamboo grass executed in mostly gilt and blue, along with very subtle use of green, orange and pink, while the second charger depicts just the bamboo grass. Both have scrolling floral sprays / karakusa in blue and orange on the revers...

A rare huanghuali clapper with three beautiful pieces of huanghuali. The two outer clappers are rounded at the tops while the center piece is flat on both sides.The sound of the wooden clappers sets the rhythm of the music as well as some of the actions of the performers. Age: early 19th century. Size:L.26.5cm. W.at the widest point-6cm. H.all three together 2.5cm. Condition: No repairs. Normal wear.

Additional photos for 19th Century Burmese Silver Alms-Style Bowl, Item # 941901.

From our Southeast Asia Collection, a very fine Burmese silver alms-style bowl, late 19th century, extremely well-executed in deep repousse technique with a continuous scene of thirteen figures depicting an episode from the Burmese Jataka Tales (previous lives of the Buddha), bordered on top by a row of maw-pan floral scrolls incorporating seven chin-thei (Burmese buddhist lions), and bordered on the bottom by a row of stylized acanthus leaves.

Despite the continued political and economic...

From our Chinese Monochrome Collection, a very fine pair of blanc de chine (dehua) fu dogs modeled as taper stick holders, either late Ming / early Shunzhi (1620-1650), or possibly early Kangxi Period (circa 1662-1690), of well-known and documented form, with each fu dog perched atop a rectangular base with a brocaded ball under its paw and a ribbon held in its mouth. Additionally, each piece exhibits a high degree of hand applique modeling with respect to the ribbons, manes, bells, and tassels,...