Height: 4.2 cm (1.6 in)
Width: 3.2 cm (1.3 in)
Depth: 1.8 cm (0.7 in)

Very high quality wooden mask netsuke depicting Okame; fine carved modelling throughout; signed to the reverse, Ryukei; good condition

Length: 4.1 cm (1.6 in)
Height: 2.9 cm (1.2 in)
Depth: 3.8 cm (1.4 in)

Fine Japanese wooden triple mask netsuke; depicts characters showing Beshimi, Oni and Tenkaichi; a very good example of this style; good condition

Height on Stand: 14.9 cm (5.9 in)
Width: 8.6 cm (3.6 in)

Quality Chinese carved bitong brush pot; stained scrim decorated with poetry, landscape and a signature; natural material; resting in carved timber stand; good condition

Exquisite Chinese satin silk hand embroidered and hand sewn jacket and pleated skirt with drawstring waistband. Pristine condition, circa 1930s or 1940s, see last enlargement for reference. Jacket dimensions- sleeve to sleeve width at shoulder: 127cm/50in, length shoulder to bottom : 68cm/26in and width in the middle: 92cm/36in. Skirt length: 82cm/32in (not including fringe) and waist: 72cm/28in. Still very wearable!

Circa 1900, solid bronze Chinese staff terminals formed as a dynamic toad. These toads would have been mounted at the top of a pole or staff. We have 2 available, but the price is for just one. Measures 4" long x 2" high.

Calligraphy haiku poem depicted with strawberry and loquat. Painted with ink and pigments on paper. Signed and sealed.

Ogiwara Seisensui (1884 – 1976) was a Japanese haiku poet active during the Taishō and Shōwa periods of Japan. Although he attended Seisoku Junior High School, Ogiwara was expelled after publishing a student newspaper criticizing the school's educational methods and administration. After entering Azabu Junior High School, he quit drinking and smoking, seriously engage...

Antique Chinese carved bamboo bitong (brushpot). Carved with scenes of mountain landscapes and bamboo groves with figures engaged in various rural activities. The rim is carved with a scrolling key motif.

Dimensions: 6 5/8" high x 5" wide x 4" wide

An amusing okimono for use as an incense-burner, in brown patina bronze of an anthropomorphic frog in seated meditation (zazen) or in the lotus yoga position. In the middle of the lotus is a hole for the incense stick.

Representations of this animal in human posture are not uncommon. In the 19th century, the painter Kawanabe Kyôsai (1831-1889) was already depicting frogs in epic battles or everyday scenes. Even earlier, the Chôjû-jinbutsu-giga (lit. "Caricatures of fauna characte...

Eisho Narazaki (1862-1936)
Interior of Asakusa Kannon Temple
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1932
Publisher: Watanabe Shozaburo. Watanabe C seal at left margin, indicating a first edition printed 1929-42.
Medium: Japanese woodblock print.
Condition: Toned paper.
There is so much to look at in this lively, superbly printed image.

Pair of bronze rabbits running, their legs forming a round shape.

Made by Hiroharu Hiramatsu (1896 Hyôgo prefecture – 1971, Fukushima,平松宏春). Specialized in metal art, he is a councilor of the Japan Fine Arts Exhibition. He studied with Katsura Mitsuharu (1871-1962), one of the great metallurgists of the modern era. Selected for the first time at the Japan Fine Arts Exhibition in 1934, he has been presenting his work every year, and since then he has been presenting as one...

This is a Qing dynasty blue and white plate

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period. Incorporated into the style is the much loved “bhumiparsha“ mudra, with stylized lotus lea...

DON'T COME

Anonymous vintage Japanese oil painting on canvas, Showa period, 20th century. The border area of coastal landscape between Fukushima and Ibaraki prefecture called 'Nakoso' which means "Do not come." in old Japanese words. Attached with an original frame without glass. Frame: 63 x 55 x 6 cm (24.80 x 21.65 x 2.36in). Slight deterioration at frame due to aging as is. *If you don't want this frame (for reducing its EMS shipping cost or so), please let me kn...

BLUE HEAD

Based on the head part of old Japanese human phantom made of thick paper. Head: 17 x 12 x H 8 cm (6.69 x 4.72 x 3.14in).


made by Jinta




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This is a perfect celadon longquan kiln waterpot or jacket from Song Yuan era

This a Ming longquan celadon brushwasher, in good condition except glaze corrosion

Landscape with Mt. Fuji. Painted with ink and light pigments on silk. Signed and sealed.

Kano Isen（1775-1828）was a painter of the late Edo period and the master of the early modern Kano school. He was a son and pupil of Kano Yosen'in Korenobu, whom he succeeded as seventh-generation head of the Kobikicho branch of the Edo Kano school that had been founded by Kano Naonobu (1607-50) His name was Eishin and his artist name was Genshosai. Isen mastered Yamato-e (Traditional Japanese pai...

Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky. Original drying pinhole at left margin covered with paper.
"The scene conveys the rustic 'poetic' charm of Ma...