Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion. This particular composition seems unique among Oribe pieces I have encountered over the years in terms of its ...

Japanese Jubako—traditional stacked lacquerware food boxes—represent not only a high level of culinary refinement, but also demonstrate the importance the Japanese place on food culture in general. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of meals on special occasions such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like those featured...

An antique Japanese calligraphy box (Kakesuzuri Bako) made of Keyaki (Zelkova) wood. All original hand forged iron hardware with locking drawer and working key. Hinged cover opens to a removable tray used to house a calligraphy inkstone and ink sticks. Three drawers for storing writing paper, brushes and money.

Age: Meiji Period (1880-1890)

Dimensions: 11 1/4" Long by 8 1/2" High by 8 1/4" Wide

Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide. Having a history of over 1,000 years and a matching tradition...

FIRST NIGHT

'Shunga' (Japanese pornographic painting) of bride hand-drawn on thin silk with natural mineral pigments, 1930s, 46 x 41 cm (18.11 x 16.14in). Fold in the lower right corner. Roll it up into a tube for the shipment.


selected by Jinta




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SALMON

Anonymous vintage Japanese oil painting on paper board, Showa period, 20th century, 45.4 x 37.7 x 0.3 cm (17.87 x 14.84 x 0.11in). Aged deterioration with stain, paint-peeling, rips, damage, etc. as is as seen.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully a...

Green lead glazed oil lamp or candle stand from the Han Dynasty. In excellent condition with no damage, there are still traces of the classic silver patina as may be seen in enlargements. H: 13.5cm/5.3in and D: 10.5cm/4.2in.

A dynamic floral pattern in pale blue and white on pink by Kiyomizu Rokubei V showing the developmental stage of his iconic Taireiji works. Undeniably Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare. It is 19cm (7-1/2 inches) diameter, 27.5cm (11 inches) tall and in excellent condition.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters i...

Invisible from the top, glimmering stones catch the light in the raw cracked clay on the outside of this dark earthen bowl by Ogawa Machiko enclosed in the original signed wooden box titled Yami to Sei (Darkness and Stars) Chawan. A beautiful bowl showing the artists fascination with the combination of smooth crystalline surfaces and raw matte clay. The interior is glazed, while the outside is raw clay. It is roughly 15.3 cm (6 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent conditi...

Japanese antique small 6-panel screen painting of five cranes flying over waves as the sun rises in the distance. Painted in mineral colors with gold flecks on paper. Signature: Morifusa.

Age: Showa Period Mid 20th Century

Dimensions: 22 1/2" high x 62 1/2" long

An unusually small creamer, Chinese export porcelain from the Qianlong period, c 1770. Decoration in the European taste of scattered flowers, a thin lattice border and garlands. Height "3 1/3/ 8.5 cm. Condition: a professional restoration is visible near the beak where the decoration is restored with exactly the same enamels as the original (cf. pics).

Pair of antique Japanese Inari foxes hand carved out of granite stone. Each has traces of the original mineral pigment. Also called zenko, these good spirit kitsune (foxes) are specifically associated with the goddess, Inari.
Believed to be both messengers and guardians, kitsune served Inari in her role as goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it’s ability to shape shift into human form. It is believed that Inari Okami herself sometimes...

Exceptional Pair of Monumental 17th C. Japanese Bronze Temple Lanterns A pair of exceptional and extremely rare bronze antique 17th century Japanese lanterns from a prominent Tokugawa temple courtyard. Each lantern is made of 10 individual cast bronze sections. Heavenly creatures and symbology are abundant and include: fu-dogs, apsaras (Heavenly People & Celestial Beings), scholars objects and swirling clouds seen throughout.
Apsaras a symbol of beauty, good fortune, fertility, heaven....

Ito Yuhan
Kiyomizu Temple (Temple Corner)
Date: 1930s.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Nishinomiya Yosaku. Seal at the left margin. Back stamp: "All Rights Reserved. Y. Nishinomiya, Kami-Negishi, Tokyo."
Sealed "Yuhan" in Japanese within the image.
Medium: Japanese woodblock print.
Condition: Foxing spots and toning. Tape remnants at top back.
Note: This print has the above condition issues as shown but is a pleasing early exampl...

An unprecedented 19th century ceramic sculpture of a tumble of Shishi lions in a playful fight covered in unusual green-blue glaze. The Banko mark is impressed into the white clay of the base. It is very unusual to find large sculptures or works in Banko ware. This is 30 × 25 x 26.5 cm (12 x 10 x 10-1/2 inches) and in excellent condition. It comes in a box titled Okimono Banko-yaki Gyoku (Jade?) Shishi, with an inscription inside stating it was named a famous piece of the Shrine in July of 192...

A large lozenge shaped bowl of thick clay covered in fawn spotted glaze by Kiyomizu Rokubei V decorated with a poem by Hashimoto Kansetsu enclosed in the original wooden box signed by both artists titled Gohon Fuseikei Hachi (Bowl of irregular shape in Gohon glaze. It is quite large, 34×26.5㎝ x 15cm (13-1/2 x 10-1/2 x 6 inches) and is in excellent condition.
Hashimoto Kansetsu (1883–1945) was born in Kobe, son of painter Hashimoto Kaikan from whom he gained a love of Chinese culture...