Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period. Jurōjin...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan.

Nagashio Setsuzan(1774-1833) was a Kyoto born painter of the late Edo period(1603-1868). He became a private painter for the Mori clan of the Tokugawa shogunate in Izumo (Shimane Prefecture), and created paintings based on the Kano school.

Some marks, severe crease, damage, foxing, fabric peeling off, and t...

A spectacular collapsed pottery jar from the Karatsu tradition with a purpose-warped wooden lid covered in powdered silver enclosed in a top quality ancient red-lacquered kiri-wood box lined with wave-patterned colored-paper. The ancient box has silver lacquer writing on the top reading Kodai Karatsu Tsubo, Kamakura Ki, Mizusashi (Ancient Karatsu Tsubo, Kamakura Period, Mizusashi). The pot is 17 cm (7 inches) diameter, 15 cm (6 inches) tall and in overall excellent condition.

A fabulous porcelain incense burner in the shape of a boy playing the flute astride a large ox dating from the 19th century. The box identifies the work as Hirado ware. The quality is certainly of that level. It is 23.5 x 12 x 19 and is in perfect condition, enclosed in a period red-lacquered wooden box.
In Zen, an oxherd searching for his lost ox has served as a parable for a practitioner’s pursuit of enlightenment since this Buddhist sect’s early history in China. In the eleventh ...

Chinese Western Han Dynasty Incised & Burnished Pottery Cocoon Jar

This wonderfully-shaped pottery jar was made during the early part of the Western Han Dynasty (206 BC - AD 8), or possibly the preceding Qin Dynasty (221 - 206 BC). This type of jar is usually referred to as a "cocoon jar" due to the shape of its body. Its original function was that of a grain storage jar. The jar is fairly "heavily-potted" and has quite a wide foot with a neck and flared mouth. Decoration comprises eleven b...

Chinese Western Han Dynasty Painted Pottery Cocoon Jar (206 BC - AD 8)

This pottery "cocoon" jar was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a relatively highly-fired grey pottery and has been decorated by "cold painting" different coloured pigments in a design featuring cloud patterns within vertical bands.

Height 22.25 cm, length of body 26 cm. This is a very good example. It has a high degree of the original coloured surface pigments ...

Chinese Western Han Dynasty Painted Pottery Cocoon Jar (206 BC - AD 8)

This pottery "cocoon" jar was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a relatively highly-fired grey pottery and has been decorated by "cold painting" different coloured pigments in a design featuring cloud patterns within vertical bands.

Height 22.25 cm, length of body 24 cm. This is a very good example. It has a high degree of the original coloured surface pigments ...

Fine Chinese Han Dynasty Burnished Pottery Cup

This fine & rare pottery cup was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220), or possibly a little earlier. It is very well-made from a fine-grained grey pottery. This inner mouth and outer surface have a smooth burnished surface making it a real pleasure not only to view, but also to handle. On the surface is an area of "calcified" deposits, formed during its long burial.

Diameter 12.5 cm. A lovely example in fine co...

Reaching for his hat, the boatman leans out arms extended toward the prow, protected from the elements under a woven reed roof. This beautiful incense burner comes enclosed in the original signed wooden box. It is 24 x 8 x 10 cm (9-1/2 x 3-1/4 x 4 inches) and is in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head of the Kyoto pottery family Miyagawa C...

FART

Contemporary art work with such humorous old Taisho-period’s painting on ‘washi’ (Japanese paper) pasted on canvas. Super beam! 27 x 22 cm (10.62 x 8.66in).


selected and made by Jinta




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A pair of boro tabi (socks) with sashiko. The lining is thin cotton cloth. It has four metal straps. Both soles are lost. The first half of the 20th century. H:12.5cm, L:27cm

A pair of boro tabi (socks) made of cotton and indigo dyed. Both soles are lost. The first half of the 20th century. Sashiko is hand-sewn but the light blue reinforcement cloth is machine sewn. L:24cm, H:12cm

A pair of boro tabi (socks) with sashiko, which is made of cotton and indigo dyed and has four metal straps. The lining is cotton flannel. The first half of the 20th century. W:9cm, L:21cm.

Bijinga. The title: Summer evening. Painted with ink and pigments on silk. Signed and sealed.

Katsuda Tetsu(1896-1980) was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). He studied Western painting at Tokyo School of Fine Arts (now Tokyo University of the Arts). He turned to Japanese painting and became an apprentice to Yamamoto Shunkyo(1872-1933) in 1923. He graduated from Kyoto City Painting College (currently Kyoto City University of Arts) in 1930.His history ...

Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is in the shape of a large war sensu (folding war fan). Made of gold and black lacquered paper and lacquered wood. The front and back with round circle motif in alternating gold on black on one side and black on gold on the other. Mounted on a metal stand.

Age: Edo Period (18th century)

Dimensions: 51" high x 25" wide

Brilliant colors are blended into the layeres of clay forming this fabulous vessel by Matsui Koyo enclosed in the original signed wooden box titled Ryohai-yu Neriage Saihamon Tsubo. It is roughly 29 cm (just less than 12 inches) diameter and in excellent condition.
Matsui Koyo was born in the pottery village of Kasama, son of future Living National Treasure Matsui Kosei, in 1962. He graduated in sculpture from the University of Tsukuba in 1985, then began potting under his father at his ...

A perfect example of the work of this influential artist, in a rare size which is perhaps a bit more accessible to most collectors than his usual monumental sculptures. In this case he has created it with a combination of blue and sliver dots decorating the bulbous protrusions. Signed on bottom, it is 36 x 19 x 23 cm (14 x 7-1/2 x 9 inches) and is in excellent condition, directly from the artist.
Nakashima Harumi was born in Gifu prefecture, home of a long ceramic tradition, in 1950. H...

This antique Japanese large flying dragon shrine corbel is a stunning piece of art that is sure to impress. The sculpture is made from one solid block of Keyaki (Zelkova) wood depicting a dragon that appears to abruptly change course in mid-air. The body has dramatic features that visually flow with this sculpture, making it a true masterpiece. The custom iron stand cradles the carving giving the appearance of floating in the air, adding to its allure.

Being a rare find, it would make a...