An antique Japanese two panel screen painting (byobu) of the battle between the two historical figures Minamoto no Yoshitsune and Benkei.
Minamoto no Yoshitsune (born Ushiwakamaru c.1159) was raised in a monastery near in Kyoto. His incredible skill as a warrior emerged when he was very young. In the scene depicted here, he famously defeats the great warrior-monk, Benkei (Saito Musashibo Benkei). The young Ushiwakamaru easily leaps over the larger warrior. According to legend, Benk...

Antique Japanese full six panel painted screen depicting a flock of cranes resting a gold leaf backdrop. Bordered with silk and simple black lacquer wood frame. Touches a red pigment adorns each of the cranes crown, black wing tips feathers fade to white. Some are seen resting as are grooming and enjoying the social rest. Across the six panels are 100 Japanese cranes.

In Japan the crane is viewed as a national treasure. The Japanese refer to the crane as the “bird of happiness�...

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas. A banana tree is shown with Painted on silk with flecked fold paper, silk brocade, and black lacquered frame.

Mandarin ducks are regarded as symbols of love, happiness, and marital fidelity because they are believed to be monogamous.
Birds have long been a ...

Japanese two panel screen depicting a family of horses. Painted with a simple flowing style of sumi ink on paper. Bordered in original aged gold leaf and black lacquered frame.
The horse has always been considered the sacred mount of the kami, Japanese gods. During the Nara period (710-794), the practice of shinme, consisting in offering a horse as a votive offering to a shrine to serve as a divine mount, spread. It was thus customary during a prayer or a wish to present a horse to the ...

Cambodian Silver on Copper Elephant Box, 1960's, 9" wide, 5 1/2" high, 3" deep, in two(2) piece fit together, the condition is good.

Antique Two panel Japanese byobu screen depicting the first frost at waters edge. Japanese herons and mandarin ducks contently rest and foliage with a light dusting of snow screen depicted on the late white plumb blossom tree. Three ducks rest and warm themselves beneath the near barren tree. A pair of Japanese herons are seem amoungst the water with sprouted bamboo and flowering water lilly. In Japan the white heron is known to be able to move between three elements air, earth and water. T...

An antique Japanese Kuruma Bo Tansu (wheeled chest with locking bar) made of Keyaki (Zelkova) wood. All original hand forged iron hardware including the Warabite style handles. Two large drawers with two sliding doors below hiding 3 small drawers to the right and a spacious storage area to the left. Side and rear horizontal bars were designed for strength and visual appeal.

Age: Edo Period (1800-1850)

Dimensions: 37" Wide by 40 1/8" High by 19" Deep

Eijiro Kobayashi
A High Bridge by Night.
A design influenced by James Whistler and Hiroshige.
Series: Hasegawa Night Scenes.
Date: 1910s.
Size: Chuban. Approximately 10 x 7.5 inches.
Publisher: Hasegawa Takejiro (No. 1241 in Hasegawa catalog).
Edition: One of the earliest examples - on thicker card with the verso stamp, "Printed by T. Hasegawa Tokyo" (All Rights Reserved)".
Medium: Japanese woodblock print.
Condition: Indentations in paper (see add...

Large Chinese Early Tang Dynasty Painted Pottery Groom

This tall and impressive pottery figure was made during the early Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a fairly high-fired pale greyish-brown pottery. It has been "cold-painted" in a base coat of creamy-white pigment with details picked out on top in red and black pigments, especially to the head and face.

This figure represents a foreign groom. He conveys power and self-confidence, standing alert and upr...

Fine & Rare Large Burmese 13th - 15th Century Celadon Glazed Dish with Incised Elephant

This large stoneware dish was made during the 13th - 15th century. Wares of this type were undoubtedly influenced by the large Chinese celadon glazed dishes made at the Longquan kilns during the same period. It is heavily-potted and coated in a pale green glaze that is silky-matt in feel and appearance. A magnifying glass reveals that what appear initially as speckles within the glaze are in fact microsco...

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its signed and sealed wooden box and made around the end of 19th century about 120-130 years ago. The inside of the wooden box lid bears an appraisal of the 14th headmaster of the Urasenke Tea School, Sekisō Sōshitsu 碩叟 宗室 (1893-1964), Mugensai無限斎.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another rem...

A SET of three hanging scroll painting depicted beautiful cherry blossoms in the mountain waterfall and crane in the cloud. Painted with ink and thick pigments on paper. Signed Kano Tan'en and sealed. It is attributed to Kano Tan'en.

Kano Tan'en(18th C.) was born as the second son of Kano Tanjo(1696-1756). he was adopted by atagoshita Kano family and became the fifth head of the Shiba Atago Shita Kano family. In 1842, he served as official purveyor of the tokugawa shogunate bakufu, but hi...

Shoda Koho
Shrine Gate at Miyajima
From the Hasegawa Night Scenes series (No. 1251).
Size: Chuban. Approximately 10 x 7.25 inches.
Date: 1910s.
Publisher: Hasegawa Takejiro.
Edition: One of the earliest examples - on thicker card with the verso stamp, "Printed by T. Hasegawa Tokyo" (All Rights Reserved)".
Medium: Japanese woodblock print.
Condition: A couple of very small marks. Back of card toned.

LARGE Chinese Han Dynasty Burnished Pottery Hu Jar with Oxford TL Test (206 BC - AD 220)

This unusually large and imposing pottery jar, or "hu" was made during the Han Dynasty (206 BC - AD 220). It is made from a fine-grained grey pottery that is relatively highly-fired. This is an exceptional example of its type of fine form with its wide body and tall neck that flares inwards and then out again to the wide mouth. It has a pleasingly smooth burnished surface that in many places has a silver...

A Chinese Longquan Celadon Jar with Iron-Spots. Circa, 14th Century, Yuan Dynasty. Found in the Philippines. Featuring a small ovoid shaped body, topped with a flat rounded cover and is covered overall in a green celadon glaze with iron-brown spots, except for the foot-ring. Measurements: height (3.5'inches). Condition: there is a very small rim frit on the jars mouth but is overall in very impressive condition. No cracks, no restorations. Photos by: The Oriental Room® Feel ...

A Japanese drop-shaped bronze vase worked with a remarkable depth that transforms the work into a breathtaking three-dimensional scene with a majestic bear in relief in the center as it stands powerfully on a rock. The bear is portrayed with a precision that does justice to its majesty. The details of its fur, its powerful paws and the expression of its face give an extraordinary life to the animal. The vase offers a sense of depth and dynamism to the entire scene, bringing the bear and the r...

A Chinese Qingbai Glazed Vase with Petalled Rim. Circa, 12th-13th Century, Song-Yuan Dynasty. Found in the Philippines. Featuring a thin and delicately potted lobbed-ovoid shaped body, supported by a flaring foot and is surmounted by a waisted neck that flares to a petal-cut rim. It is covered overall in a translucent glaze of aquamarine tone and its base is fully unglazed. Measurements: height (6"inches). Condition: in perfect condition. No cracks, no chips, no restorations. Pho...

LARGE Chinese Western Han Dynasty Painted Pottery Hu Jar

This large and imposing jar, of "hu" form, was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired grey pottery. It has a particularly wide body with a tall neck that flares out into a wide mouth. Interestingly it has a convex base within which are fabric impressions, the flared foot having then been luted to the body prior to firing. There are three raised bands of decoration surrounding the body: ...