Japanese Meiji carved bamboo okimono figure of a standing Daruma (also known as Bodhidharma), the body wrapped in a draped robe covered in folds. A fly whisk emerges from the hidden folded arms and extends along the side of the head between one of the elongated earlobes with hoop earring and the furrowed brow. 8 3/4" high. Very good overall condition with typical minor wear. There are a few short cracks and one small chip at the base. From the Phoenix estate of a former Daruma collector.

Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed. This type of decoration with a sweet pea floral background was ...

A quintessential work showing the decorative aesthetic of Ichino Masahiko enclosed in the original signed wooden box titled Senmon Tokkuri. It is 13.3 cm (just over 5 inches) tall and in excellent condition.
The youngest winner ever at the 13th National Ceramic Exhibition (Nihon Togeiten), Ichino Hiroyuki is a powerhouse in Tamba, bringing that long forgotten corner of Japan’s ceramic realm back into the limelight. He was born in Sasayama, heart of Tamba, in 1961, and studied in Kyoto ...

Large Chinese Song / Yuan Dynasty Glazed Buddhist Jar

This large and impressive pottery jar was made around the 13th / 14th century, during the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Until recent years, this type of jar was almost unknown in the west with some people initially attributing them to the Liao Dynasty (same general period but in the north of China). These jars are now known to have originated from a Buddhist site in Yunnan province in the south-west of...

This is Japanese edo hemp indigo katabira tsutsugaki kimono Rare. It is textile in Edo period(1800-1867). There is a little repair mark. There is a little small hole. However, the state is very good. It is dyeing and weaving of the nature of indigo. It is a valuable excellent article. This is the one in the Kyushu region. size::length:127cm (49.9inch) sleeve to sleeve:128cm (50inch) Box.2

It is a sashiko hanten from the Meiji era. All sashiko are hand-sashiko. It was made in Hirosaki City, Aomori Prefecture during the Meiji era. The white thread is used to express indigo-dyed cotton-type dyeing with sashiko stitches. There is a little dirt. But it doesn't stand out. There is no damage. The condition is very good. Cotton is thick and feels good. It is a valuable gem. Size::length 70cm (27.6inch)

A Fine Korean Traditional Folk Art Tiger and Magpie Painting-19th C.: Korea, Joseon dynasty, late 19th century, Framed without glass. Painted in ink and color on paper with tiger and magpie on a branch of pine tree, a tiger positioned of listening a message from messenger, a magpie, with good news. It’s in fine condition but has a small stain on the upper left. It measures 89cm x 51cm (35” x 20”) painting only, or 101cm x 76cm (40” x 30”) overall.

カエルと鳥の餅型 / BIRD DESIGN RICE CAKE MOLD WITH FROG HANDLE

Traditional Korean wood carving mold for making rice cake, late 20th century, approx. 23 x 6.5 x H 10.5 (9.05 x 2.55 x 4.13in). Some expected stains and scratches due to aging as is.


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This is wonderful Japanese antique tsutsugaki textile of umakake horse Cover in Edo period. The material is thick indigo dye cotton. As for the design of the rabbit that flies between waves, the design like auspicious. There is slightly a stain. There is no damage. The state is very good. The family crest at the center is very unusual kasa. size: Width:150cm (59.1inch) Length:62cm (24.4inch)

This is shirushi hanten jacket of very rare indigo dye cotton in Edo period.It can be worn. It is shirushi hanten of the buddhist temple in Kyoto. The motif of the back and the chest is very impressive. There is a little stain. There is one pinhole. However, it doesn't stand out. The state is very good in thick cotton. Warm touch of the indigo dye cotton in Edo period is wonderful. I must feel it for the hand. It recommends it for your collection. size:length：91cm(35.8inch) ...

Antique Himalayan tsha tsha (small votive plaque) depicting White Tara seated on a lotus throne. White Tara (the Mother of all Buddhas) is worshipped as the embodiment of the maternal aspect of compassion. Her seven eyes allow her to see all suffering.
Tsha Tsha were cast of clay mixed with ground incense and sacred ash. They were dried in the sun and painted with polychrome pigments. Small votives like this one were left as offerings at spiritual sites along a pilgrim's route. This t...

Antique Himalayan tsha tsha (small votive plaque) depicting a red bodhisattva seated on a lotus throne. Tsha Tsha were cast of clay mixed with ground incense and sacred ash. They were dried in the sun and painted with polychrome pigments. Small votives like this one were left as offerings at spiritual sites along a pilgrim's route.

Age: 18th century

Dimensions: 3 3/4" high x 3 1/8" wide x 1 3/8" deep

Antique Tibetan pair of offering bowls. Each bowl is carved of burl wood and has an ornate silver foot decorated with cabochons of coral and turquoise. The silver bottom of each bowl is incised with a scene of mother and baby fu lions. The bowls have interiors that have been lined and edged with silver.

Age: 19th century

Dimensions of each: 2 1/2" high x 6 1/4" wide

Antique Japanese sarugaku performance mask in the form of a monkey. Sarugaku, which literally means "monkey music" was one of the oldest Japanese theatre arts and consisted of many different types of performance including comedy, dancing, mime, singing and various acrobatics. The performers wore masks usually portraying human characters but this one is distinctly primate. The high point for sarugaku was during the Muromachi period when, along with dengaku (ritual shrine dancing), the perfo...

Length: 6.3 cm (2.5 in)
Height: 3.5 cm (1.4 in)
Depth: 3.4 cm (1.3 in)
Weight: 150 gm

Fine Ming Period bronze scroll weight of a mythical lion; excellent patina and casting with some wear points exposing the bronze; good condition

Length: 17.4 cm (7 in)
Height: 1.5 cm (0.6 in)
Depth: 8.2 cm (3.3 in)

Chinese porcelain triangular form whatnot dish; decorated internally with a lotus flower surrounded by Greek-style fretwork; white glaze to the exterior with an unglazed base; good condition

Height: 3.5 cm (1.4 in)
Length: 5.4 cm (1.2 in)
Depth: 4.2 cm (1.7 in)

Quality carved netsuke of a man crouching, grinding grain with a stone wheel; signed on a red lacquer tablet; good condition

Ohara Shoson (Koson)
Two wild ducks near water; reeds behind
A well-known woodblock print and the original watercolor on board on which it was based.
Date: 1930s.
Watercolor size: 14 x 7 inches.
Woodblock print size: Approximately 15 x 6.75 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Shoson signature and seal on each.
Reference: S7.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Amy Reigle Newland).
Condition of waterc...