Kawase Hasui
Chuzenji, Utagahama
Size: Oban. Approximately 15.5 x 10.55 inches.
Date: 1931.
Publisher: Watanabe Shozaburo.
6mm Watanabe publisher's seal indicating printing between 1946 and 1957.
Reference: Hotei #264.
Medium: Japanese woodblock print.
Condition: Excellent. Original drying pinhole in margin. Pencil note at back bottom margin. A margin crease.

Rectangular kobako box in ivory with inlays of stones and mother-of-pearl according to the shibayama technique to represent insects. Combining this technique and the legs painted in the hollows of the ivory, the insects stand out and are highlighted by the play of volumes, materials and contrasts. Among them, there is a cricket, a firefly, a fly, a dragonfly, a ladybug and a butterfly.

The shibayama technique consists of inlaying ivory with lacquer, wood or precious materials or st...

Wooden netsuke representing two frogs with horn eyes. They are hanging on a round water lily, on and under it.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A frog-shaped gong can thus sometimes be used as a door hammer or to protect a house.

Signature near the holes for passing the cord, unidentified. ...

Wooden netsuke representing a frog whose eyes are inlaid with horn. It is lying on a water lily folded on itself.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A frog-shaped gong can thus sometimes be used as a door hammer or to protect a house.

Signature near the holes for passing the cord, unid...

A Chinese silk brocade fabric showing a pattern repeat of lotus flowers. Lampas weaving with aniline dyed and gold wrapped silk threads. Condition: a hole (see photo no. 8), partial thin areas and some wear. Dimension: 67 cm wide (whole length) x 165 cm long.

Charming Ming Dynasty bowl with a pattern of a water buffalos in three different poses, there is hairline crack and gold leaf and lacquer repaired chip. D: 11.5cm/4.5in and H: 4.5cm/1.8in.

Beautiful old Nepali/Tibetan bamboo box with rattan bindings and metal chain. Bought this in Kathmandu in 1986 and it always been one of my favorite pieces. There are cracks on the outside of the bamboo, but none on the inside. H: 20cm/8in and 9.8cm/3.9in.

Chinese 19th century bronze censer with dragon ears, Xuande mark. 14 cm wide, 9,3 cm mouth rim diameter. 8 cm high. 461 gram weight.Censer has flake colour at the patina and smooth dent at the body. (please see at the pictures).

Three(3) Chinese Celadon Green Pottery Tops, or Covers for Jar or Urn, 3/4" high, 3 3/4" diameter(outside rim), 2 7/8" diameter(inside Rim), they are all in good condition.

Two(2) Chinese Celadon Green Pottery Tops or Covers for Jar, most of times used in the Kitchen, 3/4" to 1" high, 3 1/2" diameter(inside diameter), 4 1/2" diameter(outside diameter), they are all in good conditions.

Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years. Here we see an historically important work by the second generation potter dated to the Japanese Era “Kanbun” (1661-1671)—placing it as a very mature work, completed near or at the very end of the life of this craftsman.

In fine antique condition, this piece is 12.1cm at its widest point and stands 8.2cm ta...

Deceptively simple and notoriously difficult to apply with the calligrapher’s brush in one fluid, arching stroke; the symbol of the ensō has long been associated with strength, elegance, and the simultaneous being and non-being of the universe. A closed ensō (such as the one featured here) is more closely associated with the idea of transcendent perfection, while an open ensō represents movement, fluidity, and attainment in the corporeal world. Though the monk who created this piece, Hasega...

Rectangular box for paper (Ryōshibako) decorated with birds and pine trees.

The lid presents a design mixing several techniques of lacquer work. This is visible with the three cranes represented in the middle of pine branches in gilded maki–e (a precious metallic varying density powdered sprayed onto a base or background of fresh lacquer) on a black background.

The crane in the center is in brown lacquer with metallic pigments. It's standing in pro...

Chinese Tang Dynasty Glazed Pottery Groom Figure (12")

This pottery figure was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a pale pinkish-coloured pottery that is relatively highly-fired. The body is coated in an attractive golden yellow / amber glaze that is very finely-crackled. In places the surface has acquired a silvery iridescence, a result of long burial in damp conditions. The unglazed surfaces, the head and legs, have been "cold painted" in colo...

A genuine TANG DYNASTY (618-906 A.D.), China, EWER-KENDI drinking vessel with spout. Exceptional natural emerald green/black patina (river find)! Good overall condition, tiny chip on the very front of the spout. Base is not glazed. Size: height: 6 3/4" inches x 5" center diameter(17 cm. x 13 cm. center diameter). VERY RARE.

Two Genuine SONG Period, SAWANGKALOKE-SISACHANALAI, SIAMESE-THAI iron brown glazed jarlets, both with 2 intact loops and horizontal incised ringed ribbing towards the top, 14-16th Century. The bases are not glazed. Size: height ~13 cm (~5 1/4"). Good overall condition, no cracks etc. Price: US$ 195 EACH, or $ 375.00 for both, excluding shipping.

Wonderful Early to Mid Edo (17-18cc) Kuro Oribe Kutsugata Chawan (distorted tea bowl) for Tea Ceremony.

Clay covered with black dull glaze, of irregular form with unglazed foot ring and surrounding area. The old label on the box has the name Rinzo (林蔵) who was probably a potter or a tea master.

From Japanese private collection

Oribe ware known since 16th century and it is coming from Mino of Gifu prefecture of Japan.
It has distinctive green or black colo...

Exquisitely, embroidery panel from the Yao, sometimes referred as the Mien, ethnic group from northwest Laos near the Vietnamese border. This piece is the back panel from of a woman’s jacket with silk embroidered thread on hand woven indigo dyed cloth and is in excellent condition (one tiny pin hole and later embroidery noted in enlargements), circa 75 years old. L: 58cm/22.8in and W: 50cm/19.8in. Free shipping Hong Registered Airmail.