This is Edo period silk kinran, elephant and seahorse kaicyumono. What is kaicyumono (things in your pocket or pocket, especially wallets and paper cases) It's a very rare image pattern, and the metal fittings are auspicious seahorses. The silk cloth inside is kaiki. The child's gold is very gorgeous and beautiful. Seahorses have the meaning of wishing for the prosperity of their descendants and are very auspicious.There is very little rubbing on the corners, There is a slight stain on the ...

Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868). The expertly thrown body was trimmed with a potter's knife in its lower part.

In the style of Oribe-Kuro bowls the bowl was covered with a black glaze which was not achieved by hikidashi (pulling the red hot bowl from the kiln) but by adding cobalt the the iron oxide glaze.

A window on the side was left unglazed and was deco...

A matched pair of Chinese Han dynasty pottery pots. Ht. 10.5cm. Condition: small chips to the mouth rim of cover, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Museum quality Chinese Han dynasty lead green glaze vessel with beast face decoration. Ht. 46.8cm. Condition: small firing frit to the body, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

A nice Chinese Tang dynasty sancai glaze water coupe/ dropper. Dia. 8cm. Condition: small chip to foot rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

An Ancient wooden casket for Buddhist ritual implements lacquered black and decorated with lotus flowers in silver and gold on scrolling vines with an inscription beneath stating it was donated in the New Year of Kenmu 2 (1334). The lacquer, originally black, has oxidized to a mellow chocolate color. It is 33.5 x 18.5 x 13 cm (13 x 7-1/2 x 5 inches). As one may imagine there is a great deal of wrinkling of the lacquer from shrinkage, some losses and much wear to the edges. Nevertheless, the b...

Cup and saucer, both with a flower border in underglaze blue and a peony in the center. The exterior with a light Café-au-lait variation of the brown “Batavia” glaze (Batavia being the Dutch name for the VOC shipping harbour, today's Jakarta). Yongzheng, early 18th century, the base with a shop mark. Diameter of saucer "4 ½ / 11.5 cm, height of cup "1 2/3/ 4.3 cm. Condition: the cup with three chips to the rim and foot rim, two of them with old repairs (cf. pics).

A pair of Imari cups, scalloped rims and decoration of reserves with landscapes and calligraphy in underglaze blue and little berries or dots in overglaze red. Japanese, Edo around 1860, shop mark in underglaze blue. Height "2 ½/ 6.2 cm, diameter "3 ¼ / 8.3 cm. Condition: fine.

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece was made as "manaitasara" to be used at Japanese cuisine or tea ceremony. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "anagama" burning red pine wood, so those ashes are turned to natura...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. *Tachibana Daiki is well known that former Arkansas Gov. Bill Clinton or Cap.Armstrong asked for teaching. This piece was made in '02 and not used. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "ana...

Lee Seung O's innovative paper assemblage, 39 x 31.5 inches, 100 x 80 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to t...

Lee Seung O's innovative paper assemblage, 36 x 28.75 inches, 91 x 73 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to t...

Spring Field
Artist: Unidentified.
Size: Approximately 5.625 x 3.625 inches 14.2 x 9.2 cm
Date: ca. 1910.
Publisher: Matsumoto (No. 425).
Medium: Japanese woodblock print.
Condition: Excellent. Wave in paper where original publisher's tag is attached to the back.
The Matsumoto catalog states, "Butterflies are flitting to and fro among the flowers."
An early and rarely seen design.

A complete Tausug raw silk sash (kandit) with long fringes. Tapestry weaving with geometric and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: slightly faded, patina, little staining, a small thin area. Dimension approx.: 36.3 cm x 355 cm (with fringes).

Antique Thai figure of seated Buddha Shakyamuni. Made of bronze and seated with his hands folded in meditation (Dhyana mudra). Downcast eyes with lids barely open, a gentle smile on his face, he exudes a sense of calm. With lovely patina and traces of gilt. Age: Ayutthaya (1350-1767 A.D.) Dimensions: 10 3/4" high x 7" wide x 2 1/2" deep

A rare Tausug raw silk sash fragment woven in two pieces. Tapestry weaving with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: slightly faded, one narrow side shortened, patina, little staining, a small hole. Dimension approx.: 33.3 cm x 228 cm.

A fine example of Edo period Kano painting, this generously proportioned hanging scroll illustrates a late autumn scene from the Japanese countryside over 300 years ago. The poem on the scroll reads:

Solitary, with the color, of nothingness
A close to autumn, on a ring of mountaintops

The painter, Minenobu Kano (1662 - 1708), was greatly admired by the Ienobu Tokugawa shogunate who eventually promoted him to the position of inner-court artist. As a result...

Chinese Yuan dynasty longquan celadon dish decorated with nice single fish at the centre. 20,5 cm diameter. Dish has two chipped at the rim and one chipped at the foot rim (please see on the pictures) Free from any repaired.