It is the Katazome cotton cloth which this was made for Edo period and was dyed on the basis of a natural indigo plant. As for this, cotton is spun by hand and is slightly thick. This has three places of repair, but does not stand out. This does not have a stain. Size 117.5cm x 34cm (46.2 “ x 13.8 “)ek1

A charming Japanese kiri (paulownia) wood bedside tansu. The metal hardware pairs nicely with the very light wood, creating attractive simplicity. Taisho age (1912-1925) Size: 19" height, 23.75" width, 11.75" depth

Paul Jacoulet
Une Averse A Metalanim Ponape, Est Carolines (Downpour at Metalanim Ponape, East Carolines)
Date: October 1, 1935. First edition. This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 18.75 x 13.75 inches.
Jacoulet signature and watermark with mandarin duck seal.
Edition: 053/150 numbered in kanji. (The edition of 150 is the earliest...

Paul Jacoulet
Jeune Fille de Saipan Et Fleurs D'Hibiscus. Marianes" (Young Girl of Saipan and Hibiscus Flowers. Marianas)
Date: June 30, 1934. First edition. This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 18.5 x 13.75 inches.
Jacoulet signature and watermark with fan seal.
Edition: 067/150...

Large 99-page Japanese mid-19th century composite album consisting of 33 of the more interesting, rare, and desirable oban-sized woodblock print triptychs produced during the late Edo period. Included are prints by Kuniyoshi (12), Kunisada I and II (7), Sadahide (5), Yoshikazu (3), Yoshitsuya (2), Hiroshige II (1), Yoshitora (1), Yoshimori (1), and Kunitsuna (1). The individual sheet size is 14 1/4"V x 9 3/4"H...

Distorted shoe shaped (kutsugata)tea bowl made of light, fine, unrefined Mino clay.

Shape and style (note the trimmed walls and the flaring mouth) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of four cedar trees and grass on the reverse side have been applied in iron oxid (oni ita)...

Regal pair of bronze buddhist temple altar lamps with hexogonal middle sections. Quite rare. Showa Period C.1945 they have electric bulbs and are lined with rice paper. Perfect condition. h;35cm x 15cm wide. Ask for shipping quote.

Exceptionally elegant red vermillion lacquered zen buddhist temple sutra table in its original signed and dated box. Dated Keio gannen 8 (c.1865) the tapered legs and metal fittings on the table top indicate this was made for a rich temple. 37cm tall and 53cm wide the very top is in its own cotton wrapping. Condition very good. (see pics). h;34cm x w;49cm. Ask for shipping quote.

Ohara Koson
Sailing boat near sandy coast
Date: 1900s-1910s.
Size: Chuban. Approximately 10.5 x 8.25 inches.
Reference: K44.21 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. The original "Made in Japan" stamp on the verso shows through a bit in the sky.
A very rarely seen seascape and Fuji view.

Ohara Koson
Matsushima - A bay with rocky islands and a sailing boat seen from above
Date: 1900s-1910s.
Size: Chuban. Approximately 10.5 x 8.25 inches.
Reference: K44.15 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
A very rarely seen seascape. "Made in Japan" stamp on verso.

Seated Kukai (774—835, posthumously known as Kobo-Daishi), with characteristic attributes gokosho (5-pronged vajra) in the right hand and juzo (Buddhist rosary) in the left, sculpted from sandstone. Late-Edo/Meiji Era ca. 1875. Very minor old loss. Excellent lichen accumulation overall.

Height: 38 cm
Width: 30 cm
Depth: 18 cm

An impressive magnifying glass with a carved ivory handle with 18 natural red coral beads. We believe the ivory handle to be a Meiji period Japanese parasol handle and sometime in its history converted to a magnifying glass. In very good antique condition with all beads intact, the handle measures 5 inches x 1 1/8". Magnifying glass with handle is 10.5 inches long.

Japanese Edo period carved wood polychrome and gilt Buddhist figure in the form of Bishamonten, one of the Guardian Dieties of the Four Directions (representing North). A protector of the Buddhist faith, Bishamonten is clad in armor and holds a stupa believed to carry the ashes of the Buddha, and by extension, the teachings of the Buddha. He is depicted standing on a gilt base atop a lion-type creature to symbolize the subjugation of evil in the world...

This is the kimono which a girl wore for the Taisho era period. The pattern is ball and Spinning top and others. A color is pretty, and this is stylish. There are 2.3 places of small stains, but does not stand out. There is no damage. Size 92cm x 81cm (36.2 "x 31.8")

This is Chuya-Obi used for Edo period. In Chuya-Obi, one side is twill fabrics, and other aspects are black satin. As for this, the basics of twill fabrics are dyed with a natural indigo plant. And a thread dyed with other plant dye is interwoven. The black satin side has 2.3 places of split points. The twill fabrics side has some stains, but does not stand out. There is no damage on the plane of twill fabrics. Size 384cmx 32.5cm (151.8 "x 12.7")

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay dating to early Edo Period. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured...

Looking as though it were cast from molten rock, this chawan has a very earthy and primal feel to it. The rich clay shows through in places hinting of ochre, yellow, and even a subtle metallic blue—cleverly mimicking the way mineral formations appear in nature...

A lovely mizusashi for tea-ceremony. This piece dates from the Edo period and is of the e-Seto variety, “e” meaning drawing. Featuring rich earthy tones and intricate hand-drawn stencil designs of what appear to be a ring of passion flowers resting on a vine, this splendid composition leaves a lasting impression. Several kintsugi (gold) repairs attest to its great age and care that went into maintaining this piece through generations...