A lovely mizusashi for tea-ceremony. This piece dates from the Edo period and is of the e-Seto variety, “e” meaning drawing. Featuring rich earthy tones and intricate hand-drawn stencil designs of what appear to be a ring of passion flowers resting on a vine, this splendid composition leaves a lasting impression. Several kintsugi (gold) repairs attest to its great age and care that went into maintaining this piece through generations...

Gorinto (5-tiered stupa) sculpted in relief from a gray-hued igneous stone. Momoyama/early-Edo Period ca. 1600. Very minor old loss. Variegated lichen accumulation.

Height: 34.5 cm
Width: 20 cm
Depth: 11 cm

An atmospheric piece.

If placed outdoors, this stone can easily be inserted into the ground. For indoor display, it can be propped up against a wall or other form of lateral support.

Nyoirin Kannon Bosatsu in characteristic seated pose of royal ease, sculpted in relief from a gray-hued igneous stone. Mid- to late-Edo Period ca. 1775. Very minor old loss. Traces of polychrome.

Height: 38 cm
Width: 20.5 cm
Depth: 15.5 cm

A thoroughly alluring little Nyoirin Kannon stone.

Seated Amida Buddha, the hands placed centrally on the lap in the Amida jo-in concentration mudra, sculpted in relief from a gray-brown igneous stone. Late-Muromachi Period ca. 1500. Minor old loss, with desirable softening of the lines and contours overall. Excellent lichen accumulation.

Height: 43 cm
Width: 22.5 cm
Depth: 10 cm

A classic Muromachi-Period seated Amida Buddha.

If placed outdoors, this stone can easily be inserted into the ground...

Original Japanese 4-panels screen. Painting on silk representing Buddha surrounded by bodhisattvas, Kanon and Hiten and Hoho twins among the clouds in a mountainous landscape. Good condition considering its age. Origin: Japan. Period: 19th century. Signed and 2 seals : Akihura. Size: 51 (x4) x H163 cm (20"x4xH64").

It is a rare event to discover a chawan of oldest Oribe ware. Here we proudly present a fantastic Ao Oribe chawan from the Azushi-Momoyama Period.

Little distorted half cylinder shaped (tsutsu-gata) tea bowl with flaring mouth made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with typical green copper glaze inside and outside...

This is a child kimono dyed in Katazome Yuzen of the Meiji period. As for this, all the material is silk. The pattern is Amanohagoromo and Hiogi. As for this, people are patterns with the admiration for the Imperial Family. In the rear, "Semamori" (lucky charm) is attached.This has slight stain and fading, but does not stand out. Size 99cm x 77cm (38.9 "x 30.3")

Rare 58 page accordion album of Japanese chirimen-e (creped) woodblock prints by Toyohara Kunichika (1835-1900) dating from the 1860s (late Edo/early Meiji). Included are two triptychs and one oban print by Kunisada (signed Toyokuni III). The album consists of seven triptychs, one two-panel composition, and 35 oban images, for a total of 43 individual prints...

This is Katazome kimono of Edo period. This is the Silk pongee that a face was spun by hand. The lining is cotton cloth. As for this, a pattern of Katazome is a design of a Japanese pampas grass and the ivy. The Japanese pampas grass pattern of Edo period is very rare. As for this, the material of the kimono is silk. The part of the collar is cotton of twill fabrics. It is unusual for two material to be used for the same kimono in the same Katazome pattern...

NOTE: Due to our holiday we can only send parcels again after our return on August 7th.

Distorted half cylinder shaped kutsugata tea bowl of light, unrefined Mino clay.

The expertly thrown body, heavily trimmed with a potters knife (hera) is covered with the typical, glossy black iron oxid glaze inside and outside. Obviously due to a lack of manganese here it is more a dark brown, which is rare to find on Oribe chawans...

Japanese kaidan tansu, or step tansu with glowing hardwood finish, Hinoki (cypress) frame and Sugi wood steps. The bottom two steps have Keyaki (elm) front drawers with warabite iron handles. A Sugi wood cabinet door with vertical slats opens from the largest area with roomy storage. Unusual Size, very usable. Size: 45.25" height, 31.5" length, 23.25" depth

Pair of cylindrical, footed, ribbed boxes with circular lids. The food container or game box is lacquered in black with 9 "mitsudome" mon pattern on four sides. The four feet are decorated with incised brass hard mounts and its lid and box are held together with original pale green silk cord tassels.

Meiji Age (1868 - 1912)

Dimensions: 13" height x 13.5" width

Four kiri panels are set into a rosewood framework, each uniquely painted by Osaka Literati paragon Mori Kinseki. It is 12 x 12 x 11-1/2 inches (30 x 30 x 29 cm) and is in fine condition. The brass insert too, looks almost unused. Included is a small folding fan in the original box by the artist as well. Mori Kinseki (1843-1921) was born the third son in a family of Inn owners in the hotsprings town of Arima, Hyogo prefecture, in 1843...

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This piece, although in the shape of a jue, is done in fine, powdery-blue celadon and is described on the tomobako as being a jue-shaped incense burner (korou).

Suwa Sozan the first (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

DESCRIPTION: A handsome Japanese hibachi, crafted from a section of kiri wood (paulownia wood) with rounded body and lacquer floral designs. Inside is the original copper liner where coals would be placed for heating or keeping a tea pot warm. Two large peony blossoms are lacquered in gold and orange on the front, with smaller leafed branches on the reverse. Paulownia wood is very light, fine-grained, and warp-resistant, and is often used in Japan for chests and boxes...

Mystical heads adorn the four corners of this Persian-blue glazed open vase by Living National Treasure Kato Takuo enclosed in the original signed wooden box...

Antique Japanese jingasa, a special protective hat worn by samurai. It is covered in a special lacquer called "tatake nuri" and is decorated with a star shaped like blades, and delicate carvings around the finial. The underside is lacquered in red with old cloth and string. Edo period (1615-1868) Size: 2.75" height, 16.5" diameter

Antique Japanese black lacquer jingasa (samurai helmet), gold lacquer Maeda mon (crest), the edges are also lacquered gold, red lacquer on the underside, metal chrysanthemum form finial on top, Meiji Period. Size: 14" long