A set of two large deep Imari fluted porcelain bowls dating from the later Edo to Meiji period (19th century) decorated with blossoming cherry trees over wave frets with a rabbit in blue in the center. Each is roughly 16.5 cm (6-1/2 inches) diameter, 11.5 cm ((4-1/2 inches) tall and both are in overall fine condition.

A set of Nesting Oribe bowls dating from the Momoyama to early Edo period from the Ohira-gama enclosed in an old collector’s box. Both They display a brownish color, typical of early works from the late Muromachi to Momoyama periods. The spur marks between are quite distinct “C” chapes. A simple tendril of iron has been poured over the sand textured surface, otherwise there is no decoration. Both slightly onched shapes feature kin-tsugi gold repairs...

A hauntingly beautiful set of 6 Edo period dishes decorated with Sasa-grass in mellow beige color on a creamy white surface. Each is roughly 12 x 8 x 2.2 cm (4-3/4 x 3-1/4 x 1 inches) and are in overall fine condition, enclosed in an ancient wooden box. It is likely there were originally 10 dishes, 6 of which have survived the centuries.

A set of four “Mokume” wood-grained dishes in pale crackled glaze decorated with iron lattice from the Seto area enclosed in an ancient wooden box titled Seto Oribe naga-zara. Each dish rises slightly off the table on four pinched feet. They are roughly 19 x 10 x 3 cm (7-1/2 x 4 x 1-1/4 inches) and all are in overall fine condition.

Fragment of katazome with mum motif, made of handspun cotton, dyed with natural dye, such as benibana (safflower), sumi (ink) and vegetable indigo. One side has much faded colors, but the other has a bit more vivid colors. The first half of the 19th century. In good condition. W:34cm, L:72cm

A roll of cotton cloth (tanmono) of the Kurume kasuri with Kikko (hexagonal), tortoiseshell pattern. Kurume kasuri was invented by Inoue Den around 1800, a woman lived in Kurume in Fukuoka prefecture in Kyushu. This cloth is for a kimono. The technique of weaving kasuri in Kurume changed from handloom to machine weaving around 1883. In excellent condition with warranty tags. 20th century. 38.5cm x 11m40cm

1920's Japanese Kano Seiun 加納晴雲 Bronze Nude Geisha Holding Baby Okimono Signed

It is 18 inches (45.72 cm) tall by 5.5 inches (13.97 cm) wide. It is 12.5 Lb.

It has minor oxidation and surface wears and scratches (as seen in the photos).

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Hawaiian burled koa wood bowl. The original finish with iridescent shimmer and luscious color, which ranges from tan to warm gold with brown and black accents. Great condition ready to be enjoyed. Signed W J. Brown #347
The word Koa translates to warrior in Hawaiian, symbolizing strength and courage. At one point in time it was reserved only for royals. With its rarity and durability.

Age: 1995

Dimensions: 13 1/2" wide x 4 1/4" high

A piece of Iyo-zome cloth which is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

Tile images on cracked pale glaze decorate this squared bowl stamped on the bottom Fuji from the Fujimiyaki Kiln of Nagoya enclosed in an old wooden box. There is one tiny gold repair on the rim, otherwise is in perfect condition. 13.5 cm (6-1/2 inches) square, 9 cm (3-1/2 inches) tall.
The founder of Fujimiyaki, Murase Hachiroemon I (Miki) was a samurai of the Owari Domain who served in various positions, regional magistrate and head of the domain school...

A beautiful Kuro-Raku Chawan decorated with the character Kotobuki (Great Fortune) in red by the 88 year old Hyakuhyaku-okina (Shibakawa Souemon, b. 1853). It is 11 cm (4-1/2 inches) diameter, 7.5 cm (3 inches) tall and in perfect condition, enclosed in an old wooden box.
The Shibakawa family was a prominent merchant family located in Fushimi-machi, Semba, Osaka, since the end of the Edo period...

Unlined kimono with shibori "Seigaiha" pattern. It is made of two kinds of asa (hemp or ramie) textiles, uneven weave (chijimi) in the top and plain weave with shibori in the bottom. It is possible that it was worn at a festival or on a stage. In excellent condition. 20th century. W:130cm, L:158cm

Asa (hemp or ramie) unlined kimono with kasuri and stripes pattern, which is natural dye. In excellent condition. 20th century. W:128cm, L:156cm

A fan shaped dish from the Gentaku Kiln dating from the first half of the 20th century decorated with a poem and autumn persimmon fruits. It comes enclosed in a wooden collectors box annotated inside with a description of the piece in delicate brush strokes. The dish is 25 x 28 x 5.5 cm (10 x 11 x 2 inches) and is in excellent condition, stamped Gen on the underside. A very intriguing bit of Japanese Ceramic history...

A 19th century fan shaped dish from Southern Kyoto decorated with sailboats passing the pines of Matsushima in front of Mt. Fuji enclosed in an old wooden collectors box. It is 23.5 x 16 x 2.5 cm (9-1/2 x 6-1/4 x 1 inches), with minor chips to the edges typical of the softer clay of Awata. It is stamped on the underside Rakunan, Junzan. Rakunan refers to the southern part of Kyoto city.

Cranes soar inside this set of five dishes from the Tosa domain on Shikoku. Outside waves crash about over the fawn spotted Gohon glaze. Each is clearly stamped on the base Odo. They are roughly 15 x 10 x 5 cm (6 x 4 x 2 inches) and all are in fine condition, but for one hairline crack...

A sake cup stand (Haidai) in sometsuke blue and white pottery decorated with festive lobsters stamped on the base Momoen-zo and enclosed in an older wooden collectors box. It is 9 cm square, 6.8 cm tall and in perfect condition, dating from the later 19th century.

BORO

Boro (Noragi) like an abstraction. Cotton. 19th - early 20th century, Japan. Embodies the spirituality of old Japanese people who take very good care of their possessions to keep on using through the generations. Reversibly aesthetic both sides with such unintentional composition as is. Mending, frays, etc. due to age...