Rivulets of green glaze descend all sides of this sublime storage jar, the bottom raw red Tamba clay dating from the Edo period. About the rim are four “mimi” ears for tying down the wooden bung. The base is slightly concave and burnt to a rock like texture. The vessel is 12 inches (30 cm) tall, 11-1/2 inches (29 cm) diameter and in excellent condition. Tamba is considered as one of Japan’s six famous ancient kilns, along with Seto, Tokoname, Echizen, Shigaraki and Bizen...

Lilian May Miller (1895-1943)
Hong Kong Junk.
Date: 1928. Marked first edition in pencil.
Signed, dated, and monogrammed within the image.
Stamped "Lilian Miller Oriental Woodcuts" in margin.
Size: Oban. Approximately 14.25 x 10.25 inches.
Medium: Japanese woodblock print.
Condition: Back margin has marks from former matte.

A Japanese porcelain chawan, tea bowl, decorated with a continuous landscape. The concave foot left unglazed. The rim has a number of kintsugi, repaired chips using lacquer and gold dust.

A similar tea bowl is shown in Sekai Toji Zhenshu, Ceramic Art of the World, Vol 8. Edo Period III, no:240, described as Nakano Kiln, Hirado, mid 18th century.

Approximately 11 cm diameter. Fine condition...

Japanese lacquered on Ceramic No Mask Obishimi Netsuke, Ca. 1920, Meiji period, 1 3/8" high, 1 1/8" wide, 3/4" deep, reddish brown lacquer on Ceramic with painted gold bull's eye, deep wrinkles on forehead, raised fat cheeks, details are bold and deep. The condition is good.

Japanese carved Wood No Mask Okame Netsuke, Ca. 1920, Meiji, 1 1/2" high, 1 1/4" wide, 5/8" deep, round dot natural wood grain dimples on both chubby cheeks and wrinkles on forehead and face, the condition is good, shows old patina.

Japanese Lacquered Ceramic No Mask Okame Netsuke, Ca. 1900, Meiji period, 1 5/8" high, 1 1/4" wide, 3/4" deep, smiling slender eyes with dimples on both fat cheeks, beautiful face with red small tiny lips. Nicely aged with old patina, no damages.

An antique Japanese 2 section Nihon Matsu Tansu made of Urushi lacquered Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original finish and hand made iron fittings. Features double plum blossom Atari (handle stoppers) above and below the handles with Sho Chiku Bai (Pine tree, Bamboo, and Plum Blossom), lock plates featuring Chrysanthemum knobs. Two small drawers hide behind the hinged door.

The Nihon Matsu tansu is traditionally a large kimono storage chest that has spacious storage...

An antique Japanese Kuruma Tansu known as a storage chest on wheels made of Keyaki (Zelkova), Kiri (Chestnut) and Suginoki (Cryptomeria) woods. Hidden behind the two sliding doors are two small drawers and a split level shelf. Situated below the doors are two side by side drawers for added storage. The sides of the chest feature cross rib supports and through mortise and tenon joinery for additional strength and support.

The Kuruma tansu has become a rare chest over the years...

Ohara Koson (Shoson)
Group of Egrets
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower right corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.5 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Features gauffrage embossing on the birds' bodies...

Japanese Woodblock by Tomio Kinoshita, "Red" 1971, 21/150. Large abstract square head over a square body with hands done in a curved space...

Woodblock print "Face" 1978 signed Tomio Kinoshita, printing 1/50, three oval heads over cylindrical necks with faint rounded shoulders, each inscribed with interior lines over a quite orange/gray, exterior surrounded by a dark somber color.
Tomio Kinoshita has a distinct contemporary stye of abstract heads done in line images of angular, square, and oval shapes. He was born 1923in the Mie Prefecture, Japan...

An antique Japanese Kansai Tansu in an unusual and unique multi-drawer design made of Kirinoki (Paulownia) wood. All original bronze hardware with straight dovetail joinery and using hardened wood nails in its construction. Divided compartment behind the sliding upper doors with wall separator allows for strength on its top where heavy objects can be displayed...

Japanese Edo to Meiji period ten-sided polygon form Imari porcelain vase decorated in the kakiemon style in polychrome enamel and gilt highlights with a prominent flying phoenix bird on the front and three pawlonia leaf groupings extending around the circumference. Ten alternating geometric and stylized floral bands extend vertically up the sloping neck. An alternating scalloped band is above the foot. 19th century. Stands just over 10” high...

INCOMPLETE REMAINS OF YAYOI EARTHENWARE

Unearthed at Tokai region in Japan, Yayoi period (c.300BCE-300CE). Bold and overpoweringly beautiful form as is. approx...

An antique Japanese Ko Tansu (personal storage chest) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. Hidden behind the hinged door are two small drawers...

Woodblock "Calme.'truck' " by Paul Jacoulet 1941, showing two Polynesian lovers in a scenic outdoors setting. Signed in pencil "Paul Jacoulet" with a red butterfly seal with title and date. Jacoulet was born in France in 1902 but lived his entire life in Japan studying and mastering woodblock technique producing 166 masterpieces.

Boston Estate
Dates Showa 1941
H 14" x W 17"

Kawase Hasui (1883-1957)
Lakeside Shower, Matsue
Date: 1932
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo. Round, black 6mm seal in lower right corner, indicating a lifetime printing (1946-1957).
Reference: Hotei #269.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil notation on back.

Large Japanese antique sumie dragon flying in clouds scroll. Exuberantly painted on silk with lovely splashes of ink. Brown brocade mounting. Good condition. Signed and sealed signed Hōgen Nyosen, one of the names used by Kanō Chikanobu (1660-1728), a leading Kano-school painter of the eighteenth century Edo. (Hōgen means "dharma eye" and Nyosen means "river-like"). Translation reads that he painted it at the age of 67. The characters are: 法眼如川行年六十七歳筆 Hōgen Nyosen ...