Statue of Kuan Yin, the Buddhist Goddess of Mercy, In formal attire, wearing a diadem, sitting cross-legged, her hands in praying posture. Wood, with remnants of polychrome coloring. China, 19th century or earlier. Height: 22.7 cm. Abrasion due to age, otherwise good condition.

Description:
It is a decent Qingbai ware with height of 10.9 cm and width of 10.4.
One similar piece is in the book of " Qingbai Ware-Chinese Porcelain of the Song and Yuan Dynasties " (2002),The Percival David Foundation of Chinese Art. P174, figure93.

A large and well potted porcelain brush washer with Guan type glaze (仿官釉). 18th century. The washer is in perfect antique condition. Diameter:11-3/8", height: 6-1/2".

This is a great example Meiji Era satsuma. It is probably my favorite piece from Shizan. The colors are rich and the detail is fantastic. It stands 4 3/4 inches tall. This Ewer is in nearly perfect condition.

Elaborate mask of Citipati, made of embossed, gilt and painted, bronze. Partly encrusted reddish-green patina. Tibet, 18th century. The mask is nicely mounted on a custom stand. Height (without stand): 26 cm. Very good condition. A very rare piece.

A 19th century "Yun" lacquered betel box with incised design. The box is divided into two pieces. The box is for betel leaves and lime, areca nuts, clove and other ingredients. Size: H. 7 cm. Diameter:11 cm. Condition: No repairs

The full moon glowing in shimmering gold illuminates the silver blossoms adorning the ragged plum tree growing along the river bank, a superb lacquer box dating from the 19th century enclosed in a period wooden box titled Plum & Moon Maki-e Suzuri Bako. Inside the lid the stream continues, running past golden rocks and young flora reaching for the moon. Contained within is a grinding stone with gilded edges and a blossom shaped suiteki water-dropper inset into a raft structure upon which the b...

An Indonesian painted wooden theater mask, showing a crowned character with fine facial features and a moustache. Reverse with a leather strap and an Indonesian inscription. Condition: partial little wear to paint. Dimension: c. 18.8 cm x 15 cm x 10 cm.

An impressive large shallow dish of foliate form decorated with a pair of auspicious Hoo birds with Kiri (Pawlonia) painted principally in underglaze blue which trail over the rim on to the reverse of the dish; an “over the wall pattern”. Set against swirling panels of various brocades, aka-e kinrande, hosoge-mon with vine in gilt inset within an iron red ground, a ground of four petal flowers, karahana, in contrasting, blue, yellow and aubergine enamels and iron red ground sometimes refe...

A large pair of decorative vases painted with a pattern of stylised peonies in underglaze blue and gilt set against an iron red ground. The vases are of compressed mallet shaped form with wasted body and flared mouth, a form used at the Fukugawa factory from the late 19th century onwards. Probably early 20th century in date. The vases weigh respectively 2.152kg and 2.016kg and stand 29cmand 28.7cm high. Diameter at the top of the vase 12.7cm, at their widest point 20cm (shoulder) and at the b...

A nice small plate with tea cup set of Peranakan Straits Chinese Nyonya taste look at next bowl photo

A very nice plate of Peranakan Straits Chinese Nyonya taste

Japanese framed print by Masami Teraoka (b. 1936), titled "31 Flavors Invading Japan: Today's Special - Ready to Lick". Pencil signed and numbered 235/500 on lower back of print.

Circa 1985

Dimensions: 25 1/4" L x 21 1/4" H (entire frame), 16 1/2" L x 11" H (artwork only)

A Chinese porcelain jar finished with beautiful flambe glaze. A six characters "Daqing Qianlong Nianzhi" mark is on the bottom inside the foot rim, probably made in 19th century. Condition: the foot rim is ground, no other flaw other than this. Height: 7-3/8"; diameter: approx. 8".

Antique Japanese kogo, or incense box, used in traditional tea ceremony. The box is squared in shape with the lid ornately done in maki-e gold and red lacquer chrysanthemums, resembling the front cover of a story book with the revealed inner "page" done in silver. The interior of the box and base are done in nashiji gold flake lacquer, sometimes called pear skin for resembling the texture of the Asian pear.

Edo period, late 18th century

Provenance: From TZ Shiota of San ...

A beautiful quartz crystal gold ring with a unusual gold design on the stone. I feel that this is a post AngKor Wat period piece over 600 years old and is still wearable today. Quartz is clearer than photographed. Condition: Excellant. Weight 10.9 grams

Japanese kogo, or incense container for tea ceremonies, in the form of a small bird with very fine maki-e or sprinkled gold lacquer exterior. Each feather of the bird is highly detailed in low relief maki-e lacquer. The pupils of the bird are done with very fine red lacquer for contrast. The interior of the box is finished in gold nashiji, sometimes called pear skin due to the resemblance to the Asian pear. The base is also finished in nashiji lacquer and has the artist's calligraphy signature i...

Antique Japanese half section Mizuya, or kitchen buffet tansu, made of Hinoki (cypress) and Sugi (cedar) wood frame. The chest has bold Keyaki (elm) front drawers along the bottom and right side with copper handles. The large sliding front panels are reinforced with attractive horizontal slats, and open to the large interior compartment.

Dimensions: 70 1/2" L x 18" D x 32" H