A beautifully carved grey-green hard stone vase with carved panels of chrysanthemums on its front and backside. The handles have been carved elaborately with creeping vine motifs, while two carved hard stone rings hang from each one. The lid has been carved with the same vine motif and large finial. The vase comes with a beautiful hardwood stand, with silver inlay geometric patterns. Late 19th Century - Early 20th Century Size: (w/ stand) 9.75" height (w/o stand) 8.5" height, 5.5" width

Antique Japanese large bronze suiban, or shallow dish for the display of viewing stones and small plants. The legs have been wonderfully casted to resemble gnarled vines, or perhaps a Buddha's hand citron fruit. One side of the suiban displays a raised dragon flying through incised winds. The other side shows two lounging tigers. The entirety of the suiban has a beautiful, natural patina due to antiquity. Late Edo Period - Early Meiji Period (circa 19th Century) Size: 6.5" height, 19.5" le...

Chinese small shallow porcelain bowl, glazed with a delicate pale blue celadon, incised with a floral motif on the inside bottom, the outside is glazed as well with the rim remaining bare, Song Dynasty (960 - 1279) Size: 4 3/4" wide diameter x 7/8" high

This antique necklace consists of large bells alternating with (symbolic) lotus pods. The bells are roughly 1.5 inches long. Though it has a hook closure, it is long enough to slip over the head of the wearer...Really fun to wear but not to the opera. It is made of low grade silver which was commonly used by various tribal groups throughout Central Asian, and the Far East. The filigree work on the bells was most common to Northern India, Himalayas, Nepal.

A small Chinese porcelain cup with Qingbai light blue-green crackle glaze and very thin form. The rim is ebbed like flower petals and the interior has been incised to look like the inside of a flower. Song Dynasty (960 - 1279) Size: 2.25" height, 3" width

This is Noshime used in a district for the Meiji period. This is woven with silk and cotton. The line of the part of the waist is drawn on this freely by hand. This has several places of changes of color of the aging, but does not stand out. This does not have damage. This is Kyougen clothes used in a local side. In the present age, this is not seen very much. Size 130cm x 131cm (51.1 "x 51.5")

Antique Chinese celadon ware vase or jar with a round, stout body, short neck with two hollow handles, raised lotus petal motif along the bottom. Slightly raised lotuses and sunflowers decorate around the upper body. Longquan celadons were an important part of China's export economy for over five-hundred years (960 - 1644). Size: 4" height, 4.5" width

Antique Chinese agate carving of a mother bathing a small child. The beautiful whitish stone has translucent areas with ribboning throughout. May have been intended as a brush washer.

Early 20th Century

Size: 1.75" height, 3" length

Antique Chinese Jun Ware cup with flower form dish to act as a holder. The thick, opalescent sky blue glaze has white speckling and several splashes of rosy purple with wonderful crackling. The Jun glaze is a complex blue glaze which was developed in Henan province during the the Northern Song and Jin dynasties, occasionally with red streaks. Jun wares have their name after Jun zhou from where it originated. The old kiln site is located in the present Yuzhou City (Yu county) of the Henan pro...

A Japanese woodblock print titled "Nikko Sacred Bridge"by renowned artist Tsuchiya Koitsu (1870-1949). Inscription and red seal in bottom corner. Born in 1870 near Hamamatsu City (Shizuoka Prefecture) with the name"Sahei." Koitsu moved to Tokyo at the age of fifteen. He had planned to apprentice with Matsuzaki, a carver for the artist Kobayashi Kiyochika, but instead, he became Kiyochika's apprentice and moved into his home to study art and print design. It is through Kiyochika that Koitsu g...

A genuine Bronze OPIUM WEIGHT OF CHINTHE MYTHICAL LION, Burma, 18/19th Century. Square base, 62 gr, (4 tical), size: 40 mm. Very good condition. Dark, smooth, naturally formed patina

A rare 1 TICAL genuine Bronze OPIUM WEIGHT OF CHINTHE MYTICAL LION, 18th Century, Burma. Square Base. 16 gr. (1 tical). Size: 24 mm. height. Aged patina, ca. 1780

A genuine Bronze OPIUM WEIGHT of MYSTICAL LION CHINTHE, 18/19th Century, Burma. Square base, with 9-rayed star marking on base. 32 gr. (2 tical). Size: 30 mm. height. Dark, naturally aged patina. Very good condition.

A rare and genuine Bronze OPIUM WEIGHT OF TOE-MYTHICAL LION from Burma, ca. 1680. Octagonal Base (nearly circular) with curvilinear mouldings over the chest and face. Dark, natural and rich beautiful patina. Very good condition. Has small round depression on back of base. Weight: 62 gr. (4 tical) Size: 34 mm. height. Collector's item.

A symbol of health and prosperity, these ripe eggplants were painted by Hasegawa Gyokuhou (1822 - 1879), a disciple of one of Kyoto’s leading Shijo school artists, Matsumara Keibun (1779 - 1843). The attached stylized calligraphic poem, which speaks of accomplishment and being productive in one’s endeavors, was done by one of Japan’s most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above.

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly gr...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due to her rumored great beauty, she soon married but after the death of her husband in 1823, ...

Antique Japanese Yonezawa two-section lacquered tansu. Made from Kiri wood (paulownia) front with Sugi (cedar) wood frame Its drawers open with iron mokko/melon style handles, and with large, round lock plates incised with kiri leaf mon as well as fan-shaped corner hardware. Side lockbox has two small drawers within. Original Charming lacquer finish. Late Edo early Meiji Period (circa 1850's - 1900) Size: 45.25" height, 44" width, 16.75" depth